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Damien Hirst
Jonas Mekas
andrew brodhead Floating Growing up in Savannah, Georgia, I worked at my parent’s health food store, and as a kid my daily job was to take out the recycling. Through the years I started to realize how much was not recyclable. I began to think about landfills and where everything goes. There are islands of plastic taking over the oceans, the earth is suffocating from plastic that never biodegrades, and our water and environment are leaching toxic estrogenic compounds. Visually, I want to convey the sacrifice we have made by our consumption and waste. andrew brodhead
Natalia Rojas About me Since 1999 I have been exploring all the possibilities of user-machine interaction applied to the Marketing / Advertising field. I have a deep entrepreneurial and inventor spirit, and more than 14 years of experience in coding, encouraging myself and my team of Engineers to push the technology to its limits. Natalia Rojas
Space and Culture › Welcome to Space and Culture – the international journal and weblog dedicated to social spaces of all kinds. Ɫukacz Stanek. Henri Lefebvre on Space. Architecture, Urban Research, and the Production of Theory. 2011. Minneapolis, London. Space and Culture › Welcome to Space and Culture – the international journal and weblog dedicated to social spaces of all kinds.
Interactives | Exhibitions | 2008 | Design and the Elastic Mind | Index
NOX | Lars Spuybroek
Art in Context Information About Artists and Where to Find Their Work On the Web since 1995, the Art in Context web site provides public access to information concerning artists and arts organizations around the world. Art in Context is a publicly supported nonprofit organization and member of Metropolitan New York Library Council and the Association of College and Research Libraries, American Library Association. Art in Context - Index Art in Context - Index
Vitali Hakko | Milas Kütüphane Otomasyon Sistemi 4.703.293

Cinemagraphs | THEE BLOG

Cinemagraphs | THEE BLOG There are times when, while lurking the web – or as I like to call it – conducting online research, you may stumble upon deliciously awesome work that makes you stop, pay attention and want more… This happened to me recently when I discovered the fuckin’ (yes, so good, it made me curse) stunning collaborative work of Jamie Beck and Kevin Burg. Jamie (Photography), and Kevin (Web Design/Motion) worked together creating beautiful and intricate animated gifs they called Cinemagraphs. Utilizing an old technique to create something new and beautiful with such attention to detail and love is truly impressive and inspiring!
Hylozoic Ground - Home
VitrA Çağdaş Mimarlık Dizisi / Sergi VitrA Çağdaş Mimarlık Dizisi / Sergi VitrA Çağdaş Mimarlık Dizisi Sunar: LÜTFEN RAHATSIZ ETMEYİNTatil Kavramı Üzerine Bir Sergi Tatil Kavramı Üzerine Bir Sergi, 2013 ““Lütfen Rahatsız Etmeyin”, ilk okumada, oda temizliği programında bir erteleme talebiyse de, aslında kişinin etrafını tatilde, bu geçici ve tatlı hayatında da kuşatan rutinden kurtulma arzusunu temsil eder. Söz konusu obje, aracısı olduğu rica, onu kapıya iliştiren kişi, kapı, oda, otel ve otelin kurulu olduğu coğrafyayla birlikte, yalnızca ‘huzurlu bir tatil’ düşüncesini vücuda getirmekle kalmaz. Kişinin kendisi için kurgulanmış tatil mekanı ‒özenle hazırlanmış bu sahne- ile kurduğu ilişkiyi de bize açabilir. Lütfen Rahatsız Etmeyin sergisi, insanı merkeze aldığı bu bakışla birlikte mekanla olan ilişkisini daha soyut bir eksende kurmayı deniyor.
Writing, essays and information about Patricia Piccinini Index of all artwork and works by Patricia Piccinini Calendar and event information for Patricia Piccinini Links and connections CV - Curriculum Vitae for Patricia Piccinini

Patricia Piccinini

Patricia Piccinini
Çağdaş zamanlarda insanlık bir müze salgınına tutuldu. Dünya adeta bir müzemani yaşıyor ve bu müzemani giderek Türkiye’yi de sarıyor. Peki neden acaba? Eğer en temelinde müze bir tarih sahnesiyse, aniden bir tarih düşkünlüğüne mi kapıldık? Yoksa Fukuyama gibi birçoklarının iddia ettiği gibi, 1989’da Berlin duvarının yıkılması ve Soğuk Savaş’ın sonuyla tarih sona erdi de, “ne kurtarabilirsek kârdır” derdine mi düştük? Bu müze çılgınlığı sırasında açılan yeni müzeler, müzeleşmenin altın çağı sayılan 19. yüzyılda açılan Louvre gibi, Berlin Altes gibi “evrensel müzeler”den ve hemen hemen her Batı başkentinde açılan “ulusal müzeler”denfarklı. 20. yüzyılda açılan ve en bilinen örneği New York MoMA olan modern müzelerden de farklı. / Çağdaş Müzemani / Türkiye'de 2002-2012 Arası Müze Girişimleri Dökümü | E-Dergi, Sanat Tarihi / Çağdaş Müzemani / Türkiye'de 2002-2012 Arası Müze Girişimleri Dökümü | E-Dergi, Sanat Tarihi
E-Dergi, Sanat Tarihi
Art History Today I must have known Hasan Niyazi for about four to three years, though we never met more’s the pity. Thinking back on the exchanges we had, I got the impression that he was taking a long time to get used to Poussin. That’s true for many people! One thing I do recall is that Hasan was fascinated by a remark that Poussin is reported – by Bellori- to have made that Caravaggio was brought into the world to destroy painting. Hasan was intrigued, perplexed and agitated by this remark as Caravaggio was one of his favourite artists on TPP. Go here for a sample of his writing on Caravaggio. Art History Today
KATALIST
Ayşe Erkmen
Journal Of Neuro-Aesthetic Theory #1 (1997-99) | Artbrain
Arts

Dream Worlds Revealed On Canvas

Dream Worlds Revealed On Canvas Along with some magnificent dreams, Jacek Yerka finds inspiration for his masterful paintings from his childhood memories: the places, remembered feelings and smells of 1950′s Poland. He studied fine art and graphic design before becoming a full time artist in 1980… and we’re glad he did. His paintings will take you through incredible worlds of imagination, bending reality in captivating and clever ways fit to inspire a novel or film. See many more examples of his find paintings at yerkaland.com. See Also ENDEARING MONSTER DRAWINGS POP FROM THE SCREEN Via: hypeness.com.br
ISTANBUL MUSEUM OF MODERN ART
Tersninja.com Bu yazının ilk bölümünü okumak için tıklayın. II. Dünya Savaşı’nın hızını aldığı 1941’in Geçiş Dönemi yönetmenleri mecburen sessiz kalıyorlardı. Ham film sıkıntısının yaşandığı o yıl yalnızca bir yerli film gösterime çıkıyor ve bu da gelenekçi sinemasından ödün vermeyen Muhsin Ertuğrul’un filmi Kahveci Güzeli’ydi.
ARTER | Sanat İçin Alan
The Largest Public Art Event Ever! - Art By Chance Ultra Short Film Festival
SALT
Manga

INTERIORS (PAGE FOR RENE MAGRITTE)
Uffizi self-portraits | Arts & Fashion | In Pictures | The First Post
Photography

Artsy Magazine
Arts

Çağdaş sanat neye yarar ya da huzursuz ruhlardan öğreneceğimiz ne var?