Irrational Interviews 9: Guillermo del Toro, Part 1. By ig.eduardo on October 31 2011 Guillermo del Toro is known for films like Blade 2, Pan’s Labyrinth and the Hellboy series, bringing a specific brand of horror to his works, but it’s his passion for the nerd culture and a love for games that has guided him to where he is today.
For this Halloween installment of Irrational Interviews, Creative Director Ken Levine had a chance to sit down with this master of horror to talk about how to tell a frightening story, and how to create a character that is a monster to better suit the narrative at hand. Levine and del Toro also chat about the concept of passion, passion for what they do, and how that kind of enthusiasm helps on each project they work on. “Films are fantastic – they are one of the peaks of human narrative. But I’m sorry to break the news to the movie industry: So is a video game.” – Guillermo del Toro. Time Lapse View from Space, Fly Over. Tekkonkinkreet - NEW TRAILER! Numb res. « direct to video. Numb Res by CNCD & Fairlight pouet exe version video video (anaglyph 3d) youtube vimeo Begin It was easter.
We made a new demo for The Gathering 2011.Yea, that’s right – in Norway, not in Germany. The Solution part 1.
Unsorted. Dance. Literature. Linguistics. Music. Brain. Epistemology. Philosophy. Сущность сознания. Определение сознания. Meditation. Drugs. Account - Login. Sport. Travelling. Ocean. Tantra. Art. Light Painting with 1,871 Slices of a Corpse. Joseph Paul Jernigan was a Texas murderer who was executed by lethal injection.
His body was then sliced into 1,871, 1mm cross sections, digitized and has now been used to create eerily stunning photographs. Croix Gagnon (concept and art director), Frank Schott (photographer) and Alex Katz (post production) used a combination of night photography and long-exposure photographs of the animation below: …to create these images: This animation represents the entire data set (1,871 slices) of the male cadaver from the Visible Human Project.
The animation was played fullscreen on a computer, which was moved around by an assistant while being photographed in a dark environment. Syntopia » Generative Art. As discussed in the previous part, formal grammars can be used to generate and manipulate text strings.
The question is how this can be extended to generate pictures, movies, or music. One possibility would be to interpret the symbolic output as some sort of representation or encoding, which could be unfolded to create the final output. For instance it would be rather simple to create a grammar, which created an SVG XML file for output. A wide used example of this approach is Lindenmayer systems, where the output is interpreted as a sort of ‘LOGO Turtle Graphics’.
Economy.