Naldz Graphics Section Studios | Design Studio - Section Studios Being Winston Wolfe: 9 Reasons Why 'Pulp Fiction' is the Management Guide Every Indie Filmmaker Needs Winston Wolfe in "Pulp Fiction." Remember Harvey Keitel as Winston Wolfe? Of course you do. And, as producer Justin Szlasa presents in this terrific essay, if every movie set were run by Winston Wolfe, the world would be a better place. Szlasa recently produced the digital filmmaking doc “Side By Side” that premiered at the Berlin International Film Festival. It looks like the time he spent in that considerably wonkier arena will serve him well as an independent filmmaker. However, there’s a dearth of Winston Wolfes in the world, and certainly on indie film sets. So here’s Justin Szlasa’s take on how to do just that. -- Dana Harris THE WOLF I'm Winston Wolfe. We read the trades and attend panel discussions. We have excuses. But nothing is worse than working for a bad manager. Fortunately, we need only to look to Quentin Tarantino, Harvey Keitel and “Pulp Fiction” for a role model: Winston Wolf. Here are a few management lessons from a guy who knows how to get it done. Prioritize JULES Mr.
Honoring the Industry's Best Agencies and Social Media Leaders - Shorty Industry Awards videos.antville.org Prolost Sony Pictures Imageworks Nolan vs. Nolan DB here: Paul Thomas Anderson, the Wachowskis, David Fincher, Darren Aronofsky, and other directors who made breakthrough films at the end of the 1990s have managed to win either popular or critical success, and sometimes both. None, though, has had as meteoric a career as Christopher Nolan. His films have earned $3.3 billion at the global box office, and the total is still swelling. Yet many critics fiercely dislike his work. I have only a welterweight dog in this fight, because I admire some of Nolan’s films, for reasons I hope to make clear later. Four dimensions, at least First, let’s ask: How can a filmmaker innovate? You can innovate by tackling new subject matter . You can also innovate by developing new themes . Apart from subject or theme, you can innovate by trying out new formal strategies . Finally, you can innovate at the level of style —the patterning of film technique, the audiovisual texture of the movie. Style without style Well, on the whole they aren’t stylistic.
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