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Home keys and the home row - lesson one

Home keys and the home row - lesson one
Keyboard - lesson one text only The home row of the keyboard is the most important to the touch-typist. When at rest the typist's fingers are positioned, lightly, on the A-S-D-F keys for the left hand, and the J-K-L-; keys for the right hand. The left index finger will control the F and G keys, the right index finger will control the J and H keys.The left middle finger will control the D key, the right middle finger will control the K key.The left ring finger will control the S key, the right ring finger will control the L key.The left little finger will control the A key, the right little finger will control the ; key.The spacebar is controlled by the right thumb. The F and J keys often have small raised bumps on their tops, a tactile aid for the typist. The locations of all the other keys on the keyboard are learned in relation to these home keys so the touch-typist must be able to find the home keys by touch. Make sure you are sitting up straight, your feet flat on the floor. Related:  TAC

TypeRacer - Test your typing speed and learn to type faster. Free typing game and competition. Way more fun than a typing tutor! Introduction and Overview - Peter's Online Typing Course Welcome to Peter's Online Typing Course! By the time you finish this course, you will be able to confidently type all the letters, numbers and the most common symbols, with proper ten-finger touch typing technique. Although there is some use of interactive multimedia here, this course is minimalist in nature, purposely without many of the bells and whistles common to some of the other typing sites and CD-ROMs out there. Frankly, such things often end up simply adding a lot of clutter, and consequently produce a counter-educational effect. How to Use This Course Study the Principles for Effective Learning.

Teachers TV - The Department for Education Skip to main content GOV.UK uses cookies to make the site simpler. Find out more about cookies Is this page useful? Yes this page is useful No this page is not useful Is there anything wrong with this page? Thank you for your feedback Close Help us improve GOV.UK Don’t include personal or financial information like your National Insurance number or credit card details. To help us improve GOV.UK, we’d like to know more about your visit today. Don’t have an email address? Character development Qs Enter your e-mail to get the e-book for FREE. We'll also keep you informed about interesting website news. "I have searched the web and used different worksheets, but none have come close to your worksheets and descriptions of (what to do and what not to do). "As usual - I already love the course on Irresistible Fiction, rewriting a lot and improving greatly even after the first lesson. “Essentials of Fiction proved that I could indeed write and I wrote every day, much to my boyfriend's dismay (waa sniff).” - Jill Gardner "I am loving the course and the peer interaction on the blog is fantastic!!!" "I'm enjoying the weekly email course, Essentials of Poetry Writing. "Thank you for all the material in this course. "I was pleasantly surprised at the quality of the lessons and feel they were very helpful in introducing new ideas and perspectives to my writing. "Thanks very much for this course. "I'm learning so much. "Thank you so much!! "The Irresistible Fiction course is going well.

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Writing by the letters {*style:<b>Story Writing by the Letters </b>*} So you want to write a short story, but you don't know where to start? The key to overcoming writer's block is structure. As a writer, you have lots of options for finding structure. Writers having trouble getting started might find a formula called helpful. {*style:<b>A = Action </b>*}{*style:<b> C = Conflict D = Development E = Ending </b>*} By breaking down the story-writing process into five simple steps, you narrow down the billions of possibilities for starting and writing your story into just one concrete, practical approach. Here's how it's done: Start your story with a compelling action. Imagine what circumstances could have led up to the initial action - this is the background. Next, introduce the central conflict of the story. The longest part of the story is usually development. At the end of your story, the conflict must be addressed, if not completely resolved. About the Author Writing Secrets Index Join WEbook Now!

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