scienceloveletters – Science Love Letters The day after 9-11 I sat in a philosophy class, existentialism. I liked the way bracelets slid up and down the teacher’s wrists as he raised and lowered his hands. They clinked against each other, tiny bell sounds above the sleeves of a conventional suit. “Fanaticism is the need to know and have all the answers.” Death to me meant nothing until Byrd was born, with his six pound body came the terrible slamming against a wall that leaves you crumpled and spent. Three weeks after Byrd was born my Grandma died. When you die you are gone. – GM What about your soul? What soul? What about god? There is no god in Judaism. – GM The philosophy professor with bracelets gave us a choice – to have everything safe and determined or to allow for discovery and freedom. Without an ending there is no plot. This summer, I made huge paintings of the St. The St. Materials: gouache
Peter Gentenaar: Paper Sculpture More than 100 of Peter Gentenaar’s ethereal paper sculptures were installed inside the Abbey church of Saint-Riquier in France. Gothic architecture + paper art = SWOON! I love how the curves and organic forms of the paper sculptures echo the beautiful vaulting and cluster piers of the church interior – look how the sculptures have ribbing just like the ribbed groin vaults! Gothic architecture, facilitated by the invention of the flying buttress, is characterized by the towering, luminous spaces created by the higher ceilings and huger windows that flying buttresses allowed for (compared to the engaged buttresses of Romanesque architecture). So the true lightness and airiness of the suspended paper objects reminds us how the seemingly light and airy walls are actually a monumental stone structure. Here is a link to Peter Gentenaar’s site translated into English. My interest in paper dates from the time I worked with it as a graphic artist…. Discovered via Upon a Fold. Naomi Bardoff
Harvard unveils massive Bauhaus collection online Design nerds better sit down for this: Harvard Art Museums just unveiled a 32,000-work-strong online collection of objects related to Bauhaus, no doubt last century’s most influential school of art and design (and host to the best costume parties.) Originally based in three German cities, Bauhaus closed its doors under Nazis pressure in the ‘30s, after which founder Walter Gropius immigrated to Boston and served as chairman of Harvard’s architecture school until retirement. The release of this collection marks the beginning of a broader celebration in 2019, marking the 100th anniversary of the school’s founding. The repository, filled with works by Bauhaus teachers and students, as well as those inspired by Bauhaus pedagogy, is deliciously searchable. You can go straight to items pertinent to Gropius and prominent Bauhaus protégés like Marcel Breuer or Josef and Anni Albers, or narrow things down by topic, medium, date, and more.
Mia Pearlman - Cloudscapes MAELSTROM is a giant multilevel mobile, 12 feet in diameter and 11 feet high, with 6 independently rotating (360°) layers of cut paper. An upside-down whirlpool, it echoes both the East River currents and the cloud formations visible through the windows. MAELSTROM utilizes the actual internal weather system of Smack Mellon to generate its movement, air currents produced by the rotation of four ceiling fans and hot air blown by the heating system. On a deeper level, this work evokes the inevitable reminder of the nearby skyline: 9/11. SITE 92 >> Phase II January 12 - February 24th, 2008 Smack Mellon 92 Plymouth Street @ Washington Dumbo, Brooklyn For more info: Smack Mellon ARTFORUM Critic's Pick Watch a video about Site 92
Musée Atger - Université de Montpellier Avec ses mille dessins et quelque cinq mille estampes, le Musée Atger, niché au cœur des bâtiments historiques de la Faculté de médecine, est le plus ancien musée de Montpellier. Sa présence inattendue en ces lieux résulte de la générosité et du choix délibéré du collectionneur montpelliérain Xavier Atger (1758-1833), amateur éclairé et passionné d’œuvres d’art. La vitalité intellectuelle de l’Ecole de médecine où s’est constitué une bibliothèque exceptionnelle au début du 19e siècle, explique ce choix : la bibliothèque universitaire Historique de Médecine assume d’ailleurs depuis l’origine la gestion et la conservation du musée. Mais Atger veut aussi, dans une vision humaniste de la médecine partagée par les professeurs de l’école, permettre aux étudiants de s’ouvrir à l’art et en particulier d’étudier le dessin, technique essentielle dans leur formation et surtout moyen inégalé d’exercer leur esprit d’observation.
Home - julie dodd Journal of ART in SOCIETY - Home ArtAtomic: Art, Code and Science of Kristin Henry What possessed me to try #inktober last year? I can’t draw! At least, that’s what I thought. In my ‘day job’, my work revolves around code and data. When I do create art, it’s usually with code. And yet, I decided to give #inktober a try, to draw with ink every day in October and share my drawings on social media with the hashtag #inktober. My first drawing was truly terrible. My second drawing was a little less terrible. In the early days, I was drawing grids with a pencil and using these grids to guide my drawing in ink. During #inktober, sharing my drawings with all those artists, drawing and posting, helped me keep going. I started playing with simple repeating patterns, more like something I might code … sort of “Generative”. By the end of October, I realized I didn’t want to stop. It took me a while, but I eventually realized I was indeed “generative drawing”, and my thinking shifted to focus on patterns. As I continued drawing daily, my patterns became more organic.
BACK ISSUES - antennae Browse the contents or download a printable version of any past Antennae issue. Just click on any of the covers. When printing Antennae, consider the environment: print on recycled paper and/or back to front. MAKING A MARK: About David Hockney and Watercolour "With watercolour, you can't cover up the marks. There's the story of the construction of the picture, and then the picture might tell another story as well." David Hockney David Hockney doesn't call 'acrylic paint' watercolour! He reserves this term for 'proper watercolour paints'. As one of the early and leading 20th century painters in acrylics he knows the difference - and the difference in the challenges they pose for the painter! Hockney once condemned watercolour as a medium for painting - calling it "wishywashy" and "suitable only for Sunday painters". However he changed his mind and was inspired to start painting in watercolour after seeing an exhibition about Thomas Girtin at Tate Britain in 2002. The artist got his inspiration for making watercolours after visiting an exhibition of the French watercolour artist Thomas Girtin, who died in 1825 aged 27. In 2002 - Hockney painted a series of five double portraits in watercolour One visitor commented You cannot deny them their skill.