[DK] Artificial - catalogue d'art digital

[US] "At the Edge of Art" - un livre, un site Web par Joline Blais et Jon Ippolito [CA] Fondation Daniel Langlois pour l'art, la science et la technologie Mandat Créée en 1997, la fondation Daniel Langlois pour l'art, la science et la technologie est un organisme charitable privé dont les activités ont une portée internationale. La fondation vise l'avancement des connaissances humaines par l’entremise du soutien à la recherche dans les domaines artistiques, scientifiques et technologiques. D'une part, la fondation cultive une conscience critique à l'égard des conséquences qu’ont les technologies sur nous et sur notre environnement naturel et culturel. Coordonnées La fondation Daniel Langlois pour l'art, la science et la technologie 3530, boulevard Saint-Laurent, bureau n° 500 Montréal (Québec) H2X 2V1 Canada Téléphone : 514-987-7177 Courriel : info @ fondation-langlois.org Projets spéciaux : Ludovic Carpentier Site Web Concept : La fondation Daniel Langlois Design : Marie-Jacques Rouleau, Philip Essing, Vincent Ramsay-Lemelin

[US] Still Water Labomedia [US] Electronic Arts Intermix [FR] poptronics [US] Base de donnée d'art digital / Rhizome The ArtBase is Rhizome's archive of digital art, freely accessible to the public online. The Rhizome ArtBase was founded in 1999 to preserve works of net art that were deemed to be "of potential historical significance." Encompassing a vast range of projects from artists all over the world, the ArtBase provides a home for works that employ materials such as software, code, websites, moving images, games, and browsers. Until 2008, the ArtBase accepted open submissions for consideration, but currently works are added to the collection by curatorial invitation and through Rhizome's commissioning and exhibition programs. Modern computers are unable to perform many of the artworks as they were originally experienced. This inability demonstrates a significant crisis in digital social memory that Rhizome is responding to with its Digital Preservation program, led by Dragan Espenschied.

Rhizome LABOMEDIA - Arts numériques [CH] Mu D A - Museum of Digital Art, Zurich MUDA Museum of Digital Art - Zurich [US] Perceiving Perception / MIT For the first time this semester, MIT offered a Vision in Art and Neuroscience course designed and taught by computational neuroscientist Sarah Schwettmann, light artist and MIT Museum Studio Manager Seth Riskin, and Professor Pawan Sinha from MIT’s Department of Brain and Cognitive Sciences. The course explored the intersection between art and neuroscience in a novel manner: by treating perception as an act of creation, the creation of an individual’s world of experience, and finding shared ground between art and neuroscience in the creative faculty of vision. From limited and noisy sensory data with infinite potential interpretations, the brain builds a rich world of experience and expectation. Creating visual art throws that world of experience back to the outside, and in it we find reflected some mechanisms of the constructive process of vision, giving clues to its underlying framework. course website Perceiving Perception opening in the MIT Museum and Compton Gallery:

[US] Net Art Anthology / Rhizome