Super Touch Art The Theory Generation If you studied the liberal arts in an American college anytime after 1980, you were likely exposed to what is universally called Theory. Perhaps you still possess some recognizable talismans: that copy of The Foucault Reader, with the master’s bald head and piercing eyes emblematic of pure intellection; A Thousand Plateaus with its Escher-lite line-drawing promising the thrills of disorientation; the stark, sickly-gray spine of Adorno’s Negative Dialectics; a stack of little Semiotext(e) volumes bought over time from the now-defunct video rental place. Maybe they still carry a faint whiff of rebellion or awakening, or (at least) late-adolescent disaffection. Maybe they evoke shame (for having lost touch with them, or having never really read them); maybe they evoke disdain (for their preciousness, or their inability to solve tedious adult dilemmas); maybe they’re mute. But chances are that, of those studies, they are what remain. “What on earth have you got in that backpack?”
THE STREET ART BLOG Pretentious Is Not A Sexual Orientation ‘Sapiosexual’ has to be one of the stupidest sexual ‘identities’ to come along in years. New words with the suffix “-sexual” are like catnip for trendy straight people. In the late ’90s and early aughts, we collectively endured the “metrosexual,” a completely unnecessary term for a man who shaves and dares to have a few pastels in his wardrobe. And in the past year, we have watched the rise and fall of the “lumbersexual,” a completely unnecessary term for a man who doesn’t shave and wears flannel. Enter the “sapiosexual,” which Urban Dictionary defines as “one who finds intelligence the most sexually attractive feature.” Unfortunately, we might not get that lucky. NPR reports that it has since become one of the site’s “most popular new terms.” The history of “sapiosexuality” is as unclear as its legitimacy. Apparently “bisexual guy who’s into smart people” was too many syllables for him to not invent a bogus sexual orientation instead. Thank You!
espvisuals.blogspot Planking (fad) and others meme A planking-like activity – called face dancing by its participants – was initiated in 1984 in Edmonds, Washington by Scott Amy and Joel Marshall.[2] The two high school age boys were walking in a park when they came upon a baseball game. They decided to lay face down in right field to see if anyone would react. No one did, but they had such a good time and laughed so much, they continued to do it for many years to come. It became a fad amongst their friends, and especially in the non-clique clique called the Myth Club, but died out after awhile. In 1994, Tom Green performed a stunt he called "Dead Guy" for a cable TV show, which consisted of Green lying down on an Ottawa sidewalk without moving. The actual planking fad originated in 1997 when two bored school boys in Taunton, England started lying face-down in public places to amuse themselves and baffle onlookers. After reports of the craze in the British media in 2009,[8][9] the lying down game spread to the rest of the world.
Accueil Play La Fouine est un gamer à l'ancienne. Plus à l'aise sur les jeux-vidéo de plateforme super facile avec 2 boutons et la direction. Un bon vieux Sonic semble faire l'affaire. Fan de jeux old school, le rappeur ne refuserait tout de même pas une petite partie... 10 A-Z of Dance : alphabet de la danse en vidéo 17 avril 2014 – 26 lettres pour 26 styles de danse, le tout filmé avec des pointures dans les rues et sur les toits de LA. 425 Publicité Play Les super-pouvoirs de La Fouine Avec le jeu "InFamous: Second Son", Playstation frappe fort. Play Chelsea - Paris : bye bye l'Europe Cette semaine, cette vilaine crampe de Mark The Ugly se délecte de l'élimination du PSG à Londres, revient sur la situation chaotique de l'OM et a une petite pensée pour Nicolas... 130
Mirror Metaphysics Graffiti Art Magazine Street Art, art with impact! EDITO #70 | May-June 2023 At a time when water usage restrictions have never been applied so early in the season, the questioning of climate change raised by Kurar in Surbanisation on the cover of GraffitiART #70 is extremely topical.Kurar’s commitment conveys urgent messages, through stencils, spray cans and brushes, about the environment, ethics, and social issues… For Petite Poissonne, her talent for catchphrases heightens the impact of her aphorisms. In a graphic world all his own, Shaka deconstructs the human figure in style that is a blend of hyperrealism and anthropology. Long live Street Art!