Håll koll på din reklam - Adbusters är här
"Reklamen är mördande farlig, ett hot mot ett naturligt liv. Den lurar oss att köpa saker vi inte vill ha, lockar våra barn att driva utpressning hemma och tvingar oss att byta ut saker vi trivs med." Så skrev Sven Lindqvist i sin bok "Reklamen är livsfarlig" som utkom första gången 1957. Det medhåll Sven Lindqvist fick då är en skärva av vad han hade fått om boken getts ut för första gången idag. Kritiken mot reklamen och dess negativa påverkan på samhället ökar hela tiden och i nätverket Adbusters har den sina ivrigaste påhejare. Adbusters har sitt ursprung i Kanada och finns snart över hela världen. Sedan en tid finns Adbusters i Norge där de ger ut en norsk version av tidningen. Företag som vill fortsätta att framgångsrikt sälja sina produkter och tjänster kan inte längre se kritiken mot reklamen som något obskyrt. Medvetenheten bland mottagare av reklam om hur den påverkar samhället ökar i samma takt som den allmänna skepsismen mot kommersiella budskap.
A Rake's Progress | Sir John Soane's Museum
A Rake’s Progress tells the story of the fictional Tom Rakewell in a series of eight paintings. Tom inherits a fortune from his miserly father – but then follows a path to vice and destruction. Painted in 1733, it followed the hugely successful A Harlot's Progress (1730) – another ‘modern moral subject’ – which was sadly destroyed in a fire in 1755. The paintings were bought from William Beckford at a Christie’s auction in 1802. Originally hung at Soane's country villa, Pitzhanger Manor in Ealing, the paintings were moved back to Lincoln's Inn Fields in 1810. In this scene, we meet our hero, Tom Rakewell. Tom attempts to pay off a servant girl, Sarah Young – her gold ring revealing an earlier, now retracted, promise of marriage. In his new palatial town lodgings, Tom holds a morning reception in the manner of a fashionable gentleman. On the wall hang three new Italian paintings. Tom has squandered his fortune. Behind them, Sarah Young and her mother are being held back at the church door.
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Lektion 9: Politisk reklam - Media Smart
I lektionen kommer eleverna få arbeta med frågor om hur partier använder olika medier i sin reklam, vilka för- och nackdelar dessa har och vilken typ av reklam som är bäst. Lektionen är utformad för att börja på faktanivå och sedan lyfta eleverna till analys och reflektion. Det här behöver du Internetuppkoppling och teknik för att spela upp filmklipp (projektor, datorer, plattor eller telefoner) samt anteckningsmaterial. Lektionslängd Räkna med upp till 20 till 30 minuter för varje steg i lektionen, som består av: 1. Så här gör du Läs igenom lektionen och förbered dig gärna genom att titta igenom de tre exempel på reklam som finns. Försök avgöra vilka frågor eller uppgifter som engagerar eleverna mest, så att arbetet och diskussionen blir engagerande. Lektionen handlar om att resonera kring politisk reklam. Lektionen är tänkt som en växling mellan diskussioner i smågrupper och i helklass utifrån tre olika medier. Hur kan man tänka kring allt detta? Inled lektionen med följande: 1.
James Gillray: The Art of Caricature
James Gillray (1756-1815) was the leading caricaturist of his time, an artist of outstanding inventiveness who continues to influence satirists today. Satire has often been seen as the disposable art of an urban, commercialised culture, one of the plethora of consumer goods which are continually outdated and replaced by new offerings. Graphic satire usually deals with fleeting events, so that its value as art, whether of the cartoons in our daily papers or 18th century caricatures, appears to last no longer than the topicality of its subject matter. The exhibition is arranged in broadly chronological order. This exhibition has been organised in association with the British Museum
25 Beautiful Character Designs and Movie stills from Pixar's Brave - Animation Movie
Dad’s Clock Know more about Undo, History, and Revert in Photoshop Dreamweaver Tutorial: How to Convert a .PSD to .HTML
The Emerging Art Of Reverse Graffiti
Also known as clean tagging, dust tagging, grime writing, green graffiti or clean advertising, reverse graffiti is a method of creating temporary or semi permanent images through the removal of dirt. It is often done by removing grime with fingers – as is often seen on dirty cars – but can also involve larger-scale crud removal via a high power washer.
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Paul Klee: Triumph of a 'degenerate' | The Independent
"I cannot be grasped in the here and now," the artist Paul Klee wrote as the first line of his own tombstone epitaph. Which in one sense is the opposite of the truth. There are few among the leading Modernist painters who are not more readily known than Klee, with his spindly lines and squared block colours, and even fewer who are more readily loved. Picasso and Matisse seize you with their vision, Klee has the knack of making you feel a partner in it. Click here or on 'view gallery' to see more of Klee's works on show at Tate Modern And yet there is something elusive, unknowable indeed, about his compositions, hovering as they do between natural observation and imagination, neither the one nor the other: "Somewhat closer to the heart/Of creation than usual/But far from close enough," as he puts it in the same epitaph. Tate Modern clearly intends to change his standing if not his popularity with its autumn blockbuster devoted to his work. You can never have too much of Klee.
Scott McCloud | Journal
