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Nemo Gould - Kinetic Sculpture from Found Materials

Nemo Gould - Kinetic Sculpture from Found Materials
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Home - Jeremy Geddes Art KMODDL - Kinematic Models for Design Digital Library The 220 models in Cornell University’s Reuleaux Collection were built in the late 19th century to demonstrate the elements of machine motion, as theorized by the German engineer Franz Reuleaux. The University acquired the models in 1882 for use in teaching and research. <more about the Reuleaux Collection> The Reuleaux models are classified according to the alphanumeric schema employed in the catalog of the manufacturer, Gustav Voigt. The letter in a model's ID (e.g., B14 or S35) refers to a class of mechanism; the number is a specific instance of the class. Click a class folder for a list of the models in the class and to browse thumbnail images.

ROSTLAUB Arthur Ganson's Machines / Kinetic Sculpture SCULPTURES LUMINEUSES | Fabienne Yvert LA NAISSANCE DE LA LUMIÈRE Une dizaine de jours sans néons ni ampoules de 100 W, le soir à côté du sapin de Noël, éclairé par les guirlandes lumineuses et le reflet des boules rouges & guirlandes argentées. Avec l’odeur enivrante des aiguilles de pin, l’ombre géante de l’étoile filante accrochée tout-en-haut & des branches qui se découpent sur le mur. Accroupis au pied avec mon frère, on regarde. Des fois on la fait clignoter mais ça énerve un peu. Dans la crèche, arrivé là le 25 décembre, un Jésus en plastique phosphorescent sur son lit de paille, aussi fascinant qu’un vers luisant. L’USINE DES RÊVES 1989 – La petite usine est la lampe initiale. AU COURANT Dans la nuit, réveillée par une très forte lumière, un moteur de bateau & des voix énervées qui guettent les rochers tout près du bord.

Heureka! Blog - Wissenschaft und Technik “begreifen” » Exponate Der kalifornische Künstler Reuben Margolin hat mit dem Swiss Science Center eines der komplexesten kinetischen Kunstwerke der Welt geschaffen. 50′000 Einzelteile der faszinierenden Mechanik erwecken die “Magic Wave” zu Leben. Reuben Margolin, spezialisiert auf mechanische Wellenskulpturen, hat mit der “Magic Wave” sein bisher grösstes und komplexestes Werk realisiert. Durch einen genialen Antriebsmechanismus wird ein im Raum schwebendes Netz aus 450 Aluminiumrohren in einen bewegten Wellenteppich verwandelt. Die 256 Knotenpunkte des Netzes sind an fast unsichtbaren Drähten aufgehängt, die von der Mechanik des Antriebs auf und ab bewegt werden. Wie ein riesiger mechanischer Marionettenspieler schwebt der Antrieb über der Welle, die mit der Präzision und Eleganz ihrer Bewegung den Betrachter in ihren Bann schlägt. Als Exponat im Science Center spricht dieses Kunstwerk nicht nur die Sinne an, sondern erlaubt auch Einsichten in die Natur von Wellen. Interview mit Reuben Margolin:

Wild Scenics Pictures [ View fewer images per page ] Click here to show (or hide) search and display options [ For a large image and details: click on photo to stay in current window, click on photo ID to open new window.] Frederick Rowland Emett Visivision Machine, one of the "Things" created by Rowland Emett Frederick Rowland Emett (22 October 1906 – 13 November 1990) OBE, known as Rowland Emett (with the forename sometimes spelled "Roland" [as his middle name appears on his birth certificate] and the surname frequently misspelled "Emmett"), was an English cartoonist and constructor of whimsical kinetic sculpture. Early life[edit] Emett was born in New Southgate, London, the son of a businessman and amateur inventor, and the grandson of Queen Victoria's engraver. He was educated at Waverley Grammar School in Birmingham, where he excelled in drawing, caricaturing his teachers and vehicles and machinery. Later work[edit] An otherwise undistinguished career was interrupted by World War II, when he worked as a draughtsman for the Air Ministry while perfecting his gift for drawing cartoons. On 12 April 1941 he married Elsie May Evans (who was always known as Mary[2]), the daughter of a Birmingham silversmith. Exhibitions[edit]

J.W. Kinsey's Artifice Portfolio "the Hesterion: a wall sconce" - industrial grade resin, assorted electronics This is the Hesterion Wall Sconce. These are intended to be installed in multiples, surrounding a window or running down a hallway or library, for example. They do not need an existing electrical junction box, but rather simply surface mount to a wall with two screws. The knob at the bottom of the fixture is the rotary On/Off switch. The master pattern was entirely handmade in cherry wood, then molds were made for casting. If you purchase the "Unfinished" variant, you will receive a cleaned casting ready for paint. The electrical components included in the package are two UL listed light sockets, a rotary on/off switch, and two 40 watt Edison light bulbs. For questions about purchasing your own Hesterion Wall Sconce, please contact me for details, or go to my ETSY store. Photos by Curtis Almquist Studios.

Scribd artwork by lawrence yang *UPDATE* - I've been working on a new site so haven't been keeping this up to date -- in the meantime if you'd like to see my latest work, please find me on Facebook, Twitter, or Instagram. And as always, you can email me with any questions! Thanks, Lawrence Prices for original work ranges from $200 to $1000. Please email me for more details. Limited edition prints are also available here. "Encounter" - ink and watercolor on paper - 20" x 16" - SOLD "Hydra" - sharpie on bristol- 24" x 17" - not for sale "Aqua Teen Triptych" - ink, watercolor and pastel on paper - each panel is 3" x 12" - SOLD "Tiny Space Ghost" - ink, watercolor and gouache on paper - 2" x 3" - SOLD "Tiny Space Ghost" - ink, watercolor and gouache on paper - 2" x 3" - $100 "Tiny Zorak" - ink, watercolor and gouache on paper - 2" x 3" - SOLD "Tiny Brak" - ink, watercolor and gouache on paper - 2" x 3" - SOLD "Rooster Tree" - ink, watercolor and gouache on paper - 9" x 12" - $450 "Invasion" - gouache on mat board- 8" x 10" - $300

Chuck Hoberman Hoberman (right) speaking with MIT design professor Neri Oxman Chuck Hoberman (born 1956 in Cambridge, Massachusetts, US) is an artist, engineer, architect, and inventor of folding toys and structures, most notably the Hoberman sphere. Early life and education[edit] Hoberman's father was an architect, and his mother was a children's book author.[1] He wanted to be an artist from an early age, doing drawing and painting, and eventually taking courses at Cooper Union in New York City. Temporary and permanent installations[edit] The largest Hoberman sphere is displayed at Liberty Science Center in Jersey City, New Jersey, in an atrium where it periodically contracts and then expands to a diameter of 18 feet (5.5 m). Hoberman has installed permanent building facades that transform in transparency at the Wyss Institute for Biologically Inspired Engineering of Harvard University and the Simons Center for Geometry and Physics at SUNY Stony Brook.[2] Toys[edit] Business[edit] Teaching[edit]

veo robots por todas partes. Me llamo Javier Arcos Pitarque y desde pequeño me gustan los robots, creo que esta afición me viene desde que veía una serie de T.V: que se llamaba “Perdidos en el espacio” allí el personaje llamado will robinson tenía un amigo robot, ahora después de coleccionar robots de hojalata he empezado a fabricarlos yo mismo. Espero vuestras opiniones y colaboraciones con alguna antigua pieza de radio, T.V, etc. Gracias por ver este blog. teléfono de contacto 629 457 448( Madrid España) ó por e-mail: pitarque.robots@gmail.com My name is Javier Arcos Pitarque and since childhood I like robots, I think this hobby is coming since I saw a TV show: it was called "Lost in Space" there the character named will robinson had a robot friend, now after collect tin robots I have started to manufacture them myself.

Body Painting by Craig Tracy | Pondly Article by James Pond I am the owner of Pondly.com / art lover / electrical engineer / software developer / MBA in e-business student. I blog for pleasure and love to share my Internet findings. Body painting is form of art in which Craig Tracy excels. Website You may want to check out Body Painting by Barbara Pichiecchio and Alessio Frederico Sample: Do you want more visual fun? You might also like

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