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Olia lialina cv

Olia lialina cv
On the 22nd of April 2013 Olia Lialinabacked her first ever cake, for somebody very special. Still fun to be a GIF But when retired I want to be a JPEG Tiled In the background of your profile Olia Lialina is a frequent Internet Cafe visitor bio: Born in Moscow. Net Artist, one of net.art pioneers. Related:  olia lialinaArt numériqueVisual Communication

PAGES IN THE MIDDLE OF NOWHERE (former FIRST AND THE ONLY REAL NET ART GALLERY) Aram Bartholl - datenform.de Map at 'Hello World!' Kasseler Kunstverein, Fridericianum 2013 'Map' at Rencontre Arles 'From Here On' pics by Anne Foures, 2011 at Good Time Public Art Festival Taipei, Taiwan, August - November 2010 'Sandbox Berlin', Skulpturenpark, Berlin 2007, pic: Ariel Schlesinger at inSPIRACJE Festival, Szczecin, Poland 2009 First version in 2006 Map public installation 2006-2013 dimensions: 600x350x35 cm material: wood board, wood beams, paint The project 'Map' is a public space installation questioning the red map marker of the location based search engine Google Maps. In the city center series 'Map' is set up at the exact spot where Google Maps assumes to be the city center of the city. Pictures and blog posts:

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eagereyes – Visualization and Visual Communication Olia Lialina Olia Lialina (born in Moscow) is a pioneer Internet artist and theorist as well as an experimental film and video critic and curator. Lialina studied film criticism and journalism at Moscow State University, then followed with art residencies at C3 (Budapest,) and Villa Walderta (Munich,).[1] She founded Art Teleportacia, a web gallery of her work, which also features links to remakes of her most famous work "My boyfriend came back from the war" [2] and was one of the organizers and later, director of Cine Fantom, an experimental cinema club in Moscow co-founded in 1995 by Lialina with Gleb Aleinikov, Andrej Silvestrov, Boris Ukhananov, Inna Kolosova and others. In 2012 Lialina coined the term Turing Complete User in an essay of the same name.[6] The piece was well received internationally and got reviews by Bruce Sterling [7] and Cory Doctorow [8] among others. Works[edit] Olia Lialina created the netart work My Boyfriend Came Back From The War. References[edit] Further reading[edit]

Cory Arcangel's Official Portfolio Website and Portal kavko What Killed The Infographic? A few years ago, the Internet was awash in groundbreaking data visualizations. There was Aaron Koblin's deeply influential map of flight patterns around the U.S. Periscopic's exhaustive, haunting portrait of gun violence in the United States. Jer Thorp and John Underkoffler's Minority Report-like interface for exploring the galaxy. Today, you'd be lucky to find a cheap knockoff in a world dominated by crappy promotional infographics churned out for viral attention. Nicholas Felton, the data viz guru who once designed Facebook's Timeline, now builds apps. Infographics, it seems, are a dying breed. Data Viz Has Gone Corporate Years ago, the hardest part of a data visualization designer's job was explaining what he did and why it was worthwhile. The upshot is that some of the best data visualization work is going unseen, as Fortune 500 companies hire data visualization designers for NDA work or snatch them up for full-time work. Tableau is a bit like Excel. So Where Is This All Going?

Olia Lialina, 'Summer' (2013) Summer (2013). Olia Lialina. Screenshot of animation comprising individual GIF images displayed across multiple websites. In a 2006 interview with Valeska Buehrer, artist Olia Lialina observed that her early web-based works, particularly My Boyfriend Came Back from the War, have been irrevocably changed by the accelerating speed of the internet. Though the work is still as it was: same files, same address, links -- it is now more like a documentation of itself. It wasn't that Lialina was inspired at the time by the creative possibilities of the slow-to-load early web (she recalls being as frustrated as any user); it was that the work functioned within a specific technological context. Lialina's increasing awareness of the interplay between technological context and artwork is at the forefront of her latest work, Summer (2013). In other words: MTAA, Simple Net Art Diagram, c. 1997.

The Machine to Be Another: art investigation using embodiment and performances Carrie Gates Kisik Acimowina - by Carrie Gates, Jason Baerg, and Michael Red Video by Carrie Gates Illustrations by Jason Baerg Sound by Michael Red 2013 Kisik Acimowina (translated most often as Sky Story in Cree) Kisik Acimowina is an experimental collaborative multimedia piece created for exhibition purposes by New Media Artists Carrie Gates, Jason Baerg, and Music Composer, Michael Red. Red's music was inspired by the image of the calling of a rattle and an outdoor fire, while the individual illustrations by Baerg are abstractions of the Cree cosmological world. This piece is the first collaboration in a larger project between Gates, Baerg, and Red. vjcarriegates.com jasonbaerg.ca soundcloud.com/michaelred Ectocism - Carrie Gates and Jon Vaughn Video by Carrie Gates Sound by Jon Vaughn Illustrations by Jon and Carrie 2013 Visceral and mind-melting, Ectocism takes you on a freestyle trek through a realm of blinged-out slime and gut-wrenching visual drama. vjcarriegates.com jonvaughn.ca

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