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Series on CW Seed

Series on CW Seed
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100 best TV shows from 2000-2009! - a list by maxwellmetyko Used Television Product Values by UsedPrice.com Select the first letter of the manufacturer name#ABCDEFGHIJKLMNOPQRSTUVWXYZ The Carrie Diaries | Series on the CW Network | Official Site Wait! There's a better option! The CW Network is a free app that allows Full Episode viewing on your device. Wolf Conservation Center | Promoting Wolf Conservation Since 1999 The Shining Red Light by Sam Benenati | Dark Comedy Short Film Few filmmakers can do so much with so little as Sam Benenati. A two-time S/W alum, Benenati follows up his last short, a single-take monologue film, Emily, with Red Light. Although it’s not told with one shot, it’s yet another project where Benenati delivers both emotional depth and visual ingenuity using a very limited set of cinematic resources. Moreover, like Emily, it’s a film that focuses on one actor, giving an impressive, multi-layered performance. The visual metaphor here is obvious. Red Light is essentially a one woman show and Tullock is the perfect solo performer. But, Red Light is more than just a showpiece for a talented performer. As Benenati relates to Short of the Week: “ After I shot my last short Emily I was inspired by the audience’s willingness to engage with an actor telling a story. Red Light is a reminder that when it comes to strong filmmaking the KISS principle very much applies.

THE WOLF ARMY UK The Originals Family is power. The Original Vampire family swore it to each other a thousand years ago. They pledged to remain together, always and forever. Klaus Mikaelson, the original vampire-werewolf hybrid, has returned to New Orleans, the city his family helped build, the city from which he and his siblings – Elijah and Rebekah – were exiled a century ago by their relentless hunter father. Klaus, however, is not so easily convinced that a potential heir is of any importance. While they wait for their sister Rebekah to join them in New Orleans, Klaus and Elijah form an uneasy alliance with Sophie and her community of witches. Even the human population of the Quarter is unwittingly drawn into this supernatural battleground. Now, in the midst of a thriving New Orleans, a city known to be steeped in magic and history, the long-smoldering war is about to reach a fever pitch, and the Originals stand as the catalyst.

Video Quality Measurement Requires Objective and Subjective Tests Video Quality Measurement Requires Objective and Subjective Tests How can video compressionists assess the quality of different files? Only by combining objective mathematical comparisons with their own professional judgments. By Jan OzerFor the rest of the July/August 2015 issue of Streaming Media magazine please click here I spend a lot of time assessing video quality, sometimes to compare different codecs, but more frequently to identify the optimal encoding techniques. At a high level, there are two alternatives for assessing quality: objective and subjective comparison. Let’s start with objective comparisons. Beyond correlation, metrics are judged based upon their ability to meaningfully distinguish between the various alternatives. In PSNR testing, the difference between the highest-and lowest-rated codec was 2.35 percent, and there was no test case in which the difference was greater than 7.5 percent, an artificial threshold I used to flag significant differentials. Page 1

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