background preloader

The Origins of Flow

The Origins of Flow
As a reader of MP, there's a decent chance that you're already familiar with the concept of "flow" championed by positive psychologist Mihaly Csikszentmihalyi (pronounced like this, not this). If you aren't up to speed on it, fear not; I'll go into the details in just a moment. The notion is immensely popular among game designers and theorists, whether they want to leverage games' power to put us into a flow state to pursue social good, are using psychophysiological tools to quantify flow and keep players in it, or simply using it as the blueprint for good game design. But as much as the games community wants to take flow as its own, there's more to the story. I finally sat down and read Csikszentmihalyi's principal book on the topic, and the truth of the matter is that "flow" is much more than a gaming concept. The key realization, and the one Csikszentmihalyi is famous for, is that there's a sweet spot where challenge and skill are well-matched that he dubbed the "flow channel". Related:  Game Design Theory: Game-play ExperienceGames

Refining the flow diagram | Motivate. Play. Last month, I posted on the origins of Csikszentmihalyi's concept of flow, but the diagram I focused on there (and that tends to pervade discussion of flow among game designers) is actually a bit dated. Preparing for a reading group on engagement here at IU, I came across this very readable chapter from the Handbook of Positive Psychology, in it was introduced to a much more nuanced version of the Flow Diagram. If you're familiar with the classic flow diagram, you might notice it has some deficiencies. Most notably, the experience of being in a high-skill, high-challenge state is markedly different that a low-skill, low-challenge state, even though both fall within the so-called "flow channel". As research on flow has progressed, it has become clear that the traditional model needs expansions, and the result is the diagram you see above. I won't go through all the regions in detail here, as the diagram should be clear to interpret by now.

Welcome to Flow in Games Abstract | Introduction | Foundation | Design Flow in Games | Implement Flow in Games | Conclusion | Bibliography “TWENTY-THREE HUNDRED YEARS AGO Aristotle concluded that, more than anything else, men and women seek happiness...” - Mihaly Csikszentmihalyi (1990) Motivation In the last 30 years, as a form of entertainment, video games have evolved from confined arcade activities into a mature media. Video games have deeply infiltrated our daily life and our society. As if toys expanded every child’s imagination, modern videogames take advantage of a player's active involvement to open more possibilities than any other existing mediums. However, video games are still recognized by the majority, who do not play video games, as shallow and aggression-provoking materials. Due to the nature of marketing and business, making video games purely for non-gamers is too risky and impractical. The quality and the budget of typical commercial video games today can easily reach over 20 million dollars.

Flow theory This article or chapter is incomplete and its contents need further attention. Some information may be missing or may be wrong, spelling and grammar may have to be improved, use your judgment! 1 Definition Flow also called "Optimal experience" is a concept developed by Mihaly Csikszentmihalyi. "the holistic experience that people feel when they act with total involvement" (Csikszentmihalyi, 1975: 36) “… flow – the state in which people are so involved in an activity that nothing else seems to matter; the experience itself is so enjoyable that people will do it even at great cost, for the sheer sake of doing it.” Csikszentmihalyi (1975) originally identified four flow components: control; attention; curiosity; intrinsic interest. Csikszentmihalyi (1993: 178-9) defined eight dimensions of the flow experience: Here is an other, similar definition from David Farmer (1999), How does it feel to in "the flow" ? 2 Instruments to measure flow Sometimes, e.g. for internet experience research (e.g.

Market Research for Strategic Business Decisions, Information Solutions Group, ISG - Aurora Real-Life Skills We Learn From Gaming | Masonic Gamer “Video games are a waste of time”. If you’re a gamer, you’ve probably heard this sentence many times throughout your life, often from a partner who’s upset they’re not getting enough attention. Of course, this isn’t the only instance where one might hear the phrase. Parents, teachers, and just non-gamers in general are fond of belittling our favorite pastime. Although most people play games for fun only, there are valuable lessons to be learned that can be carried over into real life. Hand-eye Co-ordination This is the most obvious of the bunch, so I listed it first. Problem Solving Many games feature logic puzzles, from Professor Layton right up to Tomb Raider and Resident Evil, but solving problems is a key component of many other titles too, when figuring out how to get to the next area or take down a difficult boss. Multitasking Teamwork Not so much a factor in single-player games, this skill comes more into play in multi-player, team-based titles. Perseverance Improved Memory

Neurology of Gaming, Infographic « All Kinds of Minds As with most things, “gaming” (or being engaged in video games) has both positives and negatives when it comes to developing minds. Too much gaming, and the positive effects are overshadowed by the negative. Yet, the right balance can add another avenue for pursuing educational goals and achievement. As a result, more and more programs are using gaming to reach and teach students in ways they never could before. Therapy programs, schools, and even research scientists have all benefitted from the strategic use of games to increase successes. Below is an infographic from Online Universities looking at the brain on games. Image: Online University Like this: Like Loading...

Flow (Psychologie) Der Psychologe Mihály Csíkszentmihályi definiert den Flow wie folgt: b. Die Tätigkeit hat ihre Zielsetzung bei sich selbst (sie ist autotelisch) a. Unsere Sorgen um uns selbst verschwinden. Flow kann als Zustand beschrieben werden, in dem Aufmerksamkeit, Motivation und die Umgebung in einer Art produktiven Harmonie zusammentreffen. Durch das Eintreten in eine solche Phase entsteht eine Selbst- und Zeitvergessenheit, da die Aufgabe ganze Aufmerksamkeit erfordert. Das Bemalen des Modellbootes geht wie von selbst. Einige Ergänzungen kommen teilweise aus der Gedächtnispsychologie, Sozialpsychologie, Motivationspsychologie und stellen letztendlich eine Art Informationsverarbeitungsansatz dar. Weshalb vergessen Menschen im Flow die Zeit? Eine Person, die nun weiß, „was“ und „wie“ sie etwas zu tun hat (Ziel- und Handlungsklarheit) und deren Fähigkeiten den Anforderungen der Tätigkeit gerecht werden, kann sich ganz auf das Ausführen der Tätigkeit einlassen, also in der Tätigkeit aufgehen.

Game Player Motivations - Aurora I included a simple way to break down the major categories of motivation for any game in my recent book, Game On. This can help you think about the different things that motivate players in almost any game: My goal with the four quadrants of player motivation draw upon prior work by Richard Bartle . My goal is to provide everyone with a new model of player motivations that have the simplicity of Bartle’s original formulation, yet which can apply to nearly any game that exists–not simply MUDs or MMORPGs. In my formulation, there are two axes that define the environment the player is in: the horizontal axis is the number of players involved in an element of gameplay. According to these axes, the four quadrants are: Immersion: stories, roleplaying, exploration, imagination, and a sense of connectedness to the world of the game. Achievement: sense of progress, mastery of skills and knowledge, etc.

Flow, Player Journey and Employee Satisfaction - Andrzej's Blog What follows is an exploration of what happens when you start to map player journeys in games onto Flow theory and then try to bring that into the workplace. Just for fun! It was inspired by Mr Scott Golas after seeing last weeks post on relatedness. What is Flow and what is the Player Journey? Mihayi Csikszentmihalyi suggested the concept after seeing that under certain conditions people’s experiences became optimal. He identified some key factors that could lead to such a phenomenon. Clear goals and progressConstant and Immediate feedbackBalance between the perceived challenge and the perceived level of skill needed In 1997 he provided the world with the following visual representation of his theory. When talking about games, the tendency is to simplify this idea, concentrating instead on the concept of flow as a channel between boredom and anxiety or frustration. As we can see here, if a challenge exceeds the abilities of the current skill level, it can lead to frustration. I Hope so!!

Dissertation « The Dreaming Game Designer This large post has the final version of my dissertation, be advised that the word count came in at 6585 words, it’s a long read but you should be able to just skip to the Further Issues & The Nature of Puzzles sections right at the end without losing out on too much content. The Challenge of Puzzle Solving in Games – Robert Farr Submitted in partial fulfilment of the requirements for the degree of BA in Creative Computer Games Design at Swansea Metropolitan University (Formerly Swansea Institute of Higher Education) Table of Contents Word Count 6585 Chapter 1: Introduction What is a game? In order to do the above it is first necessary to examine the definition of a game as this informs further discussion of the reasons for why adventure games have suffered recently. For simplicity we shall instead focus on a definition authored by game designer Greg Costikyan. What is a First Person Shooter? What is a Graphic Adventure Game? Chapter Summary Chapter 2: First Person Shooter Half-Life Far Cry 2