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Krijn Christiaansen – Krijn Christiaansen Cathelijne Montens (KCCM) Profile information for Krijn Christiaansen. Wooden field gates are landmarks in the flat Dutch landscape. The Vechtstreek (the area along the Vecht river, between Utrecht and Amsterdam) used to host many field gates. They were hand made… Read More… Heklucht is a combination of a bike stand and tire pump and is originally developed for an art project in Ypenburg, a newly built monofunctional Dutch residential area.

MIT Media Lab Designer Neri Oxman is the Sony Corporation Career Development and assistant professor of Media Arts and Sciences at the MIT Media Lab, where she founded and directs the Mediated Matter research group. Her group explores how digital design and fabrication technologies mediate between matter and environment to radically transform the design and construction of objects, buildings, and systems. Oxman coined the term “material ecology” to describe the study and design of products and processes integrating environmentally aware, computational, form-generation processes and digital fabrication.

Michał Dziekan Illustrator and character designer Michal Dziekan was born and raised in small town in south-western Poland. He moved to city Wroclaw where he attended Architecture on University of Technology. After three years he left school and moved to Warsaw to work in post production studio Platige Image as a concept artist and matte painter. He stayed in Platige Image from 2007 to 2011, where working on animated commercials and films he got opportunity to gain experience in such fields as vfx compositing, motion graphics animation, animation direction and directing. Synth-ethic: Art and Synthetic Biology Exhibition — Vienna, Austria Tuur van Balen Pigeon d’Or Pigeon d’Or proposes the use of pigeons as a platform and interface for synthetic biology in an urban environment. Tuur van Balen’s project attempts to make them defecate soap! By modifying the metabolism of bacteria naturally occurring in the gut of pigeons, synthetic biology allows to add new functionality to animals commonly seen as vermin and “flying rats,” turning them into tools for urban disinfection.

Rory Hyde Projects Photo: Simon Schluter, The Age Temporary installation of a geodesic dome at the National Gallery of Victoria for the Melbourne Now exhibition (Nov 2013 - Mar 2014). Project text In the mid 1960s, while he was designing the National Gallery of Victoria (NGV), architect Roy Grounds was experimenting with geometry on a property near Penders on the south-coast of NSW. One of his experiments was a geodesic dome, of the kind pioneered in the USA by radical designer, scientist, engineer and philosopher Buckminster Fuller. But where Fuller’s domes were military grade, Grounds’ interpretation was far more ‘Australian’.

davidcopithorne 2013 Demo Reel Motion Graphics Seascapes 3D Geometric Photography Twisted Photography Photography Designs Louis Kahn From 1957 until his death, he was a professor of architecture at the School of Design at the University of Pennsylvania. Kahn created a style that was monumental and monolithic; his heavy buildings do not hide their weight, their materials, or the way they are assembled. Louis Kahn's works are considered as monumental beyond modernism. Famous for his meticulously built works, his provocative unbuilt proposals, and his teaching, Kahn was one of the most influential architects of the 20th century. He was awarded the AIA Gold Medal and the RIBA Gold Medal.

Tangible Memories Following on from our pop-up exhibition of audio stories, produced from our winter visit to the MShed (see Memories and Museums) we have been developing another auditory experience using chairs, and inspiration drawn from venturing outdoors. Here I introduce the concept of a therapeutic rocking chair for older people with dementia. Early on in the Tangible Memories project, we recognised that access to the outdoors, and specifically to the natural world, was very limited for many care home residents, often due to a decline in their physical mobility, or particularly if they were suffering from the more advanced stages of dementia. Equally, when we asked ourselves as a team, ‘what would we want in a care home of the future?’, we identified the simple routine of being able to go outside and experience the elements as something that would be of great importance to us all.

VISUAL&PRODUCT DESIGN Translucent structure table. Different sources of light will interact with this table, Artificial and natural. Every moment of the day will give this table a different appearance. A very hands-on design While Bastiaan is fascinated by design as a mental process, he also likes to keep a practical perspective. The impossible necessity I am interested in making work that suggests the promise of a subsequent state while rendering any such fulfilment obsolete. Often taking the form of plans or studies, I work with identifiable conventions and a range of media – including print, drawing, text and most recently audio and performance – to imagine a space between rationality and imagination, abstraction and representation. Building on my earlier work that developed forms out of extended research – such as Bank Job (1999), the plans for robbing a central London city bank; The Bird Island Project (2000–03), the development of a imagined island, including its flora and fauna; and Home Fittings (2000–04), a series of architectural drawings indicating how to move through particular spaces without creating a sound or shadow – my more recent work continues to develop form for things which somehow defy the visible. Like this:

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