FIFTY ONE Fine Art Photography Gallery - Artists Although Edward Steichen exhibited some of Saul Leiter’s color photographs at the Museum of Modern Art in 1953, for forty years afterwards they remained virtually unknown to the art world. Leiter moved to New York in 1946 intending to be a painter and through his friendship with the abstract expressionist Richard Pousette-Dart he quickly recognized the creative potential of photography. Though he continued to paint, exhibiting alongside Philip Guston and Willem de Kooning, Leiter’s camera became — like an extension of his arm and mind — an ever-present interpreter of life in the metropolis. The semi-mythical notion of the ‘New York street photographer’ was born at the same time, in the late-1940s. None of Leiter’s contemporaries, with the single and partial exception of Helen Levitt, assembled a comparable body of work in color.
UHURA’S LEGACY: Media Images and Diversity in STEM Careers « visualinquiry What was really great about Star Trek when I was growing up as a little girl is not only did they have Lt. Uhura played by Nichelle Nichols as a technical officer […] At the same time, they had this crew that was composed of people from all around the world and they were working together to learn more about the universe. So that helped to fuel my whole idea that I could be involved in space exploration as well as in the sciences. – NASA Astronaut Mae Jemison (Then & Now, 2005) Nichelle Nichols ("Lieutenant Uhura") in 1977, talking to students about The Space Shuttle In 1966, Star Trek’s Lieutenant Uhura was a groundbreaking character. Star Trek was cancelled in 1969; the show’s demise gave rise to the phenomenon of Trek fandom. There was no one in the astronaut corps who looked anything like me. Soon, Nichols was an outspoken supporter of space exploration and was appointed to the Board of Directors of the National Space Institute (NSI), a civilian space advocacy organization.
International Center of Photography Join our mailing list Stay updated on our latest news. Experience ICP from Anywhere: Explore our online classes, programs, and exhibitions. ICP (79 Essex Street, New York City) and ICP at Mana (888 Newark Ave, Jersey City) are temporarily closed. Learn More Browse All Items 54868 items Sort by robert capa [Jacques Fath adjusting a top on a model, P... leon levinstein [Saint Patrick's Day, 5th Avenue at 54th St... marvin koner Havana, Cuba martin munkacsi [Woman grocery shopping] robert capa [Girls in a ballet class, Bolshoi Theater B... robert capa [Two men talking, waiting for mobilisation ... la vanguardia La Vanguardia robert runyon A U.S. dan weiner New Year's Eve, Times Square tchiki weiss [Gypsy woman combs a little girl, France] weegee [Circus audience] john loengard Untitled george gilbert Railroad Street, Canajoharie, NY eugène atget Port Dauphine brett weston Industrial Landscape weegee Portrait of a man, laughing (distortion) weegee [Woman and man sleeping in Washington Squar...
Jason Martini Photography PAUL ROBESON, a brief biography Paul Robeson was a famous African-American athlete, singer, actor, and advocate for the civil rights of people around the world. He rose to prominence in a time when segregation was legal in the United States, and Black people were being lynched by racist mobs, especially in the South. Born on April 9, 1898 in Princeton, New Jersey, Paul Robeson was the youngest of five children. In 1915, Paul Robeson won a four-year academic scholarship to Rutgers University. At Columbia Law School (1919-1923), Robeson met and married Eslanda Cordoza Goode, who was to become the first Black woman to head a pathology laboratory. In London, Robeson earned international acclaim for his lead role in Othello, for which he won the Donaldson Award for Best Acting Performance (1944), and performed in Eugene O'Neill's Emperor Jones and All God's Chillun Got Wings. During the 1940s, Robeson continued to perform and to speak out against racism, in support of labor, and for peace.
Sony World Photography Awards Produced by the World Photography Organisation, the internationally acclaimed Sony World Photography Awards are one of the most important fixtures in the photographic calendar. The Awards are a global voice for photography and provide a vital insight into contemporary work today. For both established and emerging artists, the Awards offer extensive exposure. Now in its 14th year, the Awards consist of four competitions: Professional (for photographers entering a body of work or portfolio), Open (for photographers entering a single image), Student (for academic institutions) and Youth (for 12-19 year-olds). Always free to enter, there is a competition and a category for everyone – from Architecture, Documentary, Landscape, Portraiture, Sport, Street Photography, Wildlife, Travel, Culture and more. All images are judged by industry experts from across the world, who come together each year in London to reward standout works.
Maciej Dakowicz - London based Reportage, NGO, Travel and Street Photographer Drop Me Off in Harlem In the following transcript, Sr. Thompson provides an oral history describing the development of the Lafayette Players and its relevance to black theatre. The Harlem Renaissance was a rebirth. The Lafayette Players was started by a young performer named Anita Bush. Although Ms. Toward the end of her recuperation, she went to a theater in Harlem.... She sat there in the theater and thought, "this is a shame for this theater to just go down the drain like this." Of course, Marie Downs—like everyone else—had never heard of any serious black actors. So Ms. [She also stopped] Andrew Bishop, a performer around Harlem who did what they called tab acts (10-minute comedy acts in between longer shows) in between the Vaudevillian acts. They opened in November 1915, and they played at the theater for a short while. At the Lafayette Theatre, she said, "I don't know when it happened or when it first occurred, but when they started calling my group the Lafayette Players I didn't mind as much."
Masters of Photography Lukas Vasilikos The REAL ‘Lone Ranger’ Was An African American Lawman Who Lived With Native American Indians The real “Lone Ranger,” it turns out, was an African American man named Bass Reeves, who the legend was based upon. Perhaps not surprisingly, many aspects of his life were written out of the story, including his ethnicity. The basics remained the same: a lawman hunting bad guys, accompanied by a Native American, riding on a white horse, and with a silver trademark. Historians of the American West have also, until recently, ignored the fact that this man was African American, a free black man who headed West to find himself less subject to the racist structure of the established Eastern and Southern states. While historians have largely overlooked Reeves, there have been a few notable works on him. Reeves took the chaos that ensued during the war to escape for freedom, after beating his “master” within an inch of his life, or according to some sources, to death. After the Civil War finally concluded, he married and eventually fathered ten children, making his living as a Deputy U.S.
15 Famous Contemporary Photographers and Their Photos My desire is to preserve the sense of people’s lives, to endow them with the strength and beauty I see in them. I want the people in my pictures to stare back.Nan Goldin Not everyone can become a great artist; but a great artist can come from anywhere.Anton Ego, Ratatouille Over the past decades, the photographic medium has been redefined and shaped by new emerging technologies as well as new and innovative formats. Perhaps the most important change in relation to this was the appearance of Color Photography, which has a closer equivalent with reality itself. Nowadays we have undergone another crucial change in creative photography with digital manipulation and digital development. Contemporary photographers often use these developments to present new perspectives on traditional subjects and compositions. The word contemporary refers to everything that has occurred since the 1970s. Therefore, Contemporary Photography is not a genre, but a pinpoint in the history of Photography. 1. How come?