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Olia Lialina Olia Lialina (born in Moscow) is a pioneer Internet artist and theorist as well as an experimental film and video critic and curator. Lialina studied film criticism and journalism at Moscow State University, then followed with art residencies at C3 (Budapest,) and Villa Walderta (Munich,).[1] She founded Art Teleportacia, a web gallery of her work, which also features links to remakes of her most famous work "My boyfriend came back from the war" [2] and was one of the organizers and later, director of Cine Fantom, an experimental cinema club in Moscow co-founded in 1995 by Lialina with Gleb Aleinikov, Andrej Silvestrov, Boris Ukhananov, Inna Kolosova and others. In 2012 Lialina coined the term Turing Complete User in an essay of the same name.[6] The piece was well received internationally and got reviews by Bruce Sterling [7] and Cory Doctorow [8] among others. Works[edit] Olia Lialina created the netart work My Boyfriend Came Back From The War. References[edit] Further reading[edit]

souriez olia lialina cv On the 22nd of April 2013 Olia Lialinabacked her first ever cake, for somebody very special. Still fun to be a GIF But when retired I want to be a JPEG Tiled In the background of your profile Olia Lialina is a frequent Internet Cafe visitor bio: Born in Moscow. Net Artist, one of pioneers. Le site officiel de l'île Moya sur Second Life - serious game contemporary art virtual museum VR virtual reality Le site officiel de l'île Moya sur Second Life Official website of the Moya island in Second Life Office du Tourisme du Moya Landun serious game pour vivre au coeur de l'art en compagnie d'un artiste Une visite touristique au coeur de l'oeuvre de l'artiste Patrick Moya.Le Moya Land est une surface virtuelle de 260000 m2 crée en 2007 et fonctionnant sur 4 serveurs. Il est accessible en direct sur internet via Second Life. Cet univers est conçu comme une oeuvre d'art global et immersive où vit et travaille l'artiste français Patrick Moya. Voir la retrospective des évènements en 2019 sur l'île Moya Le guide des îles MoyaAchetable et consultable chez Blurb Autre petit guide édité pour l'exposition Rinascimento Virtuale au musée d'histoire Naturelle et d'anthropologie de Firenze, Italie 21 octobre - 7 janvier 2009, curateur Mario Gerosa. Le dépliant de l'office de tourisme Voir la retrospective des évènements en 2018 sur l'île Moya

Olia Lialina, 'Summer' (2013) Summer (2013). Olia Lialina. Screenshot of animation comprising individual GIF images displayed across multiple websites. In a 2006 interview with Valeska Buehrer, artist Olia Lialina observed that her early web-based works, particularly My Boyfriend Came Back from the War, have been irrevocably changed by the accelerating speed of the internet. Though the work is still as it was: same files, same address, links -- it is now more like a documentation of itself. It wasn't that Lialina was inspired at the time by the creative possibilities of the slow-to-load early web (she recalls being as frustrated as any user); it was that the work functioned within a specific technological context. Lialina's increasing awareness of the interplay between technological context and artwork is at the forefront of her latest work, Summer (2013). In other words: MTAA, Simple Net Art Diagram, c. 1997.

Ouvroir the Movie by Chris Marker | Chris Marker It is recommended you play OUVROIR at full screen. While it will be a bit pixelated as the movie is not HD, the experience is more immersive nonetheless. Here’s a bit of edifying commentary by Film Comment:“Site Specifics: Chris Marker and Second Life”By Jesse P. FinneganSource: There’s just no other way to say this: Chris Marker has built a museum in the sky of Second Life. That’s right, Second Life—the vast virtual realm, which since 2003 has enabled users to build, explore, and interact via avatars within a tabula rasa of cyber-geography. Sometimes a GIF Is All You Need Today and yesterday were glorious days in New York: August had come, the sun was shining, the weather was just right. They were the type of days that make you want to frolic, or skip or swing. And so it happened, when I clicked on a link in a tweet by pioneering net artist and critic Olia Lialina, that I saw her swinging joyfully towards me in my browser. This, I thought, is the perfect expression of summer. Lialina’s piece “Summer” is a GIF, and at first glance, a fairly simple one: it features an image of the artist swinging to and fro against a blank background that bleeds from bright blue to white. She wears a summery outfit, with her loose hair puffing out as she moves and a slight smile on her face. But that placement is more than clever — it’s quite brilliant, as it connects the swinging Olia to the address bar, which you’ll notice is constantly changing. Tagged as: GIFs, Internet Art, Olia Lialina

skribbl - Free Multiplayer Drawing & Guessing Game WYSOCKA, E. Agatha Re-Appears, net art resoration project, 2008 Restoration Project: Olia Lialina’s early piece “Agatha Appears” from the Collection of C³ Center for Culture & Communication Foundation Author: Olia Lialina (C3 Residency Program); Márton Fernezelyi (Programmer) Title: Agatha Appears Created: 1997 Type: Interactive resource, net based art Available: Format: HTML (included: ram, gif files) Abstract: The work presents the dialogue between a system administrator and Agatha, the lost country girl. Related resources: Conservator: El? Programmer: András Sz? Organization: Center for Culture & Communication Foundation in Budapest Date: January – October 2008 State of the artwork before the restoration. Work was originally created for Netscape 4.0 browser in HTML 3.2 language and real audio sound format. Due to corruption and disappearance of some files, sections of Agatha's trajectory got lost and so was the original idea of the piece.

Claudia Hart’s The Ruins – In Kepler's Gardens Mittwoch, 9. September 2020, 20:30 - 20:45 (UTC +2) Live on Ars Electronica Gardens channel Dieser Text ist nur in englischer Sprache verfügbar. The Ruins is an exhibition that implements still lifes to contemplate the canons of a patriarchal Western civilization: modernist paintings and manifestos of political utopias. Claudia Hart’s The Ruins The centerpiece of the exhibition is an audiovisual animation tracking through a claustrophobic game world. In addition to playing through the gallery, this audiopiece is an important component of the central work that gives the exhibition its title – The Ruins. Also included in this exhibition is the series The Red Paintings, a set of three monumental animations. On view at bitforms gallery from September 10–October 25. Video Wenn Sie das Video starten, sind Sie damit einverstanden, dass Daten an YouTube/Google übermittelt werden. The Ruins, 2020, Claudia HartCredit: Claudia Hart ZurückWeiter Project Credits / Acknowledgements bitforms gallery

Dragan Espenschied to Lead Rhizome's Digital Conservation Program After an international search, leading digital preservation specialist, artist, and musician Dragan Espenschied has been appointed to lead Rhizome's growing and award-winning Digital Conservation program. Espenschied, who will relocate from Germany to New York for the position, will bring the program to its next phase and steward the ArtBase, Rhizome’s collection of over 2,000 born-digital artworks. Espenschied is well known in the academic research field for projects such as bwFLA: Emulation as a Service, which allows legacy computer systems to run in a standard web browser. With Olia Lialina, he has also undertaken user-centered projects like One Terabyte of Kilobyte Age, an automatically-generated archive of screen captures of 1990s Geocities webpages; and Once Upon, an enactment of contemporary websites in a historic network environment. He has also published and spoken widely on vernacular uses of the web, such as in the book Digital Folklore, edited with Lialina. Welcome, Dragan!