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Do Ho Suh "Floor" Installation (2012)

Do Ho Suh "Floor" Installation (2012)
One of the most exciting contemporary artists of our time, Korean Do Ho Suh, created this large sculptural installation that doesn't look like much until you come closer. Glass plates rest on thousands of multicolored miniature plastic figures who are crowded together with their heads and arms turned skyward. Together, they are holding the weight of the individual visitor who steps onto the floor. Currently showing at Lehmann Maupin's pop-up gallery at the Singapore Tyler Print Institute (STPI), Floor is one of those installations that's wonderfully thought-provoking. This installation can be seen, alongside works by artists Teresita Fernández, Ashley Bickerton, and Lee Bui, from now till February 11, 2012. DO HO SUH Floor, 1997-2000 Installation at Lehmann Maupin Gallery, New York PVC Figures, Glass Plates, Phenolic Sheets, Polyurethane Resin 40 parts each: 39.37 x 39.37 x 3.15 inches 100 x 100 x 8 cm Courtesy the artist and Lehmann Maupin Gallery, New York Lehmann Maupin Gallery website Related:  Sculptures & Figures

Shintaro Ohata Creates Sculptures Popping Out of Paintings Oh, to have been in Tokyo in June! Shintaro Ohata just finished up a solo exhibition at the Yukari Art Contemprary in Tokyo, Japan. This Hiroshima, Japan-born artist is known for his ability to show us everyday life in a cinematic way. He captures light in his paintings, showering the world, as we know it, with carefully placed strokes of it. "Every ordinary scenery in our daily lives, such as the rising sun, the beauty of a sunset or a glittering road paved with asphalt on a rainy night, becomes something irreplaceable if we think we wouldn’t be able to see them anymore," he told Yukari gallery. More than that, this artist has a unique style. Straight from the Yukari gallery, here's a sample of his stellar work. ' Photos courtesy of Yukari Art Contemporary.

"External Stimuli" series by Antony Gormley Quantum potentiality of the Manifested Self External Stimuli : www.antonygormley.com Themes : Art, Consciousness, Humanism Nodes : Antony Gormley, human body, metal, Sculpture "Anamorphic Sculptures" series by Jonty Hurwitz London-based artist Jonty Hurwitz creates ‘Anamorphic Sculptures’ which only reveal themselves once facing a reflective cylinder. Hurwitz took an engineering degree in Johannesburg where he discovered the fine line between art and science. He has lived in England for many years, working in the online industry though he quietly levitated into the world of art inspired by a need to make ‘something real’. All images © Niina Keks, Otto Pierotto, Richard Ivey

“Porcelain Crustaceans” series by Mary O’Malley (2013) As if lifted from the wreckage of the Titanic, ceramic artist Mary O’Malley creates sculptural porcelain teapots, cups, and vases adorned with barnacles, tentacles, and other living sea creatures (she refers to them as “porcelain crustaceans”). Many original works from this series titled ‘Bottom Feeders’ are available over on Etsy. (via laughing squid) Hyper-Realistic Wooden Sculptures by Tom Eckert Artist and Professor Tom Eckert uses traditional processes to carve these hyper-realistic sculptures of everyday objects entirely made of wood. He uses plenty of carpentry techniques in his creative sculptured pieces, such as constructing, bending, laminating, carving and painting. After receiving his M.F.A. degree from Arizona State University, Eckert began teaching at the university. He has exhibited his work in over 150 national and international exhibitions. For more details about his work please visit Eckert’s website www.tomeckertart.com

Giuseppe Colarusso "Unlikely" series (2013) In this ongoing series titled Unlikely, artist and photographer Giuseppe Colarusso imagines bizarre and humorous objects, each of which is either technically impossible, improbable, or simply useless in its proposed design. Colarusso tells me via email that many of the pieces he fabricates himself, however some are digitally created in Photoshop. So what’s the point? Seung Mo Park "Maya" series (2012) Using a process that could be the new definition of meticulous, Korean sculptor Seung Mo Park creates giant ephemeral portraits by cutting layer after layer of wire mesh. Each work begins with a photograph which is superimposed over layers of wire with a projector, then using a subtractive technique Park slowly snips away areas of mesh. Each piece is several inches thick as each plane that forms the final image is spaced a few finger widths apart, giving the portraits a certain depth and dimensionality that’s hard to convey in a photograph, but this video on YouTube shows it pretty well.

Books and Stones Embedded with Sleek Layers of Laminate Glass by Ramon Todo Splitting his time between Kanagawa, Japan and Dusseldorf, Germany, artist Ramon Todo (previously) is known for his small sculptures of rocks and books embedded with polished layers of glass. Todo’s decision to seamlessly introduce disparate materials into a single object creates an unusual intention, as if these objects have always existed this way. The random pieces of obsidian, fossils, volcanic basalt, and old books are suddenly redefined, or as Beautiful/Decay’s Genista Jurgens puts it: “By inserting something alien into these pieces, Todo is effectively rewriting their history, and the place that these objects hold in the world.” Todo will have a number of new pieces on view with MA2 Gallery at EXPO CHICAGO starting next week.

The Mystery of the Maltese Falcon, One of the Most Valuable Movie Props Wilde was so convinced, she agreed to write a letter stating that Risan’s Falcons were the ones used in the film. With it, and with the testimony of Ben Goldmond and Edward Baer, Risan was able to get his two Falcons insured. It was at that point that he informed Gary Milan, the oral surgeon who owned the “official” Falcon, of his findings. When I spoke to Milan in December, he made it clear in no uncertain terms that he finds Risan and his birds to be fraudulent. Milan is cagey about how he came to own his lead Falcon, saying only that it “came” to him after he earned some publicity for selling one of the pianos played in Casablanca. The case for the Milan Falcon rests on documents found in the Warner Bros. archives. Milan insists there is no evidence any plaster Falcons were made for use in the 1941 film. Risan fires right back, saying of the Milan Falcon, “It’s one of the worst fakes I’ve ever seen. The Birds and the Fees The plot, in fact, was only beginning to thicken.

Abandoned Monuments from the Former Yugoslavia

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