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Great Pyramid of Giza

Great Pyramid of Giza
The Great Pyramid of Giza (also known as the Pyramid of Khufu or the Pyramid of Cheops) is the oldest and largest of the three pyramids in the Giza Necropolis bordering what is now El Giza, Egypt. It is the oldest of the Seven Wonders of the Ancient World, and the only one to remain largely intact. Based on a mark in an interior chamber naming the work gang and a reference to fourth dynasty Egyptian Pharaoh Khufu,[1][2] Egyptologists believe that the pyramid was built as a tomb over a 10 to 20-year period concluding around 2560 BC. Initially at 146.5 metres (481 feet), the Great Pyramid was the tallest man-made structure in the world for over 3,800 years. Originally, the Great Pyramid was covered by casing stones that formed a smooth outer surface; what is seen today is the underlying core structure. There are three known chambers inside the Great Pyramid. Transparent view of Khufu's pyramid from SE. History and description[edit] Materials[edit] Casing stones[edit] Casing stone Related:  places/man made constructions

Taj Mahal The Taj Mahal (/ˈtɑːdʒ məˈhɑːl/ often /ˈtɑːʒ/;,[2] from Persian and Arabic,[3][4] "crown of palaces", pronounced [ˈt̪aːdʒ mɛˈɦɛl]; also "the Taj"[5]) is a white marble mausoleum located in Agra, Uttar Pradesh, India. It was built by Mughal emperor Shah Jahan in memory of his third wife, Mumtaz Mahal. The Taj Mahal is widely recognized as "the jewel of Muslim art in India and one of the universally admired masterpieces of the world's heritage".[6] Taj Mahal is regarded by many as the finest example of Mughal architecture, a style that combines elements from Islamic, Persian, Ottoman Turkish and Indian architectural styles.[7][8] In 1983, the Taj Mahal became a UNESCO World Heritage Site. Origin and inspiration Taj Mahal site plan. Should guilty seek asylum here, Like one pardoned, he becomes free from sin. The Taj Mahal incorporates and expands on design traditions of Persian architecture and earlier Mughal architecture. Tomb Northern view, from across the river Yamuna Exterior decoration

Bibliotheca (Pseudo-Apollodorus) The Bibliotheca (Ancient Greek: Βιβλιοθήκη, Bibliothēkē, "library") is a compendium of myths and heroic legends, arranged in three books, generally dated to the first or second centuries AD.[1] It was known traditionally as the Library of Apollodorus, but the attribution is now regarded as false. The Bibliotheca has been called "the most valuable mythographical work that has come down from ancient times".[2] An epigram recorded by Photius expressed its purpose: It has the following not ungraceful epigram: 'Draw your knowledge of the past from me and read the ancient tales of learned lore. Look neither at the page of Homer, nor of elegy, nor tragic muse, nor epic strain. Seek not the vaunted verse of the cycle; but look in me and you will find in me all that the world contains'.[3] The brief and unadorned accounts of myth in the Bibliotheca have led some commentators to suggest that even its complete sections are an epitome of a lost work. The first mention of the work is by Photius.

Colossus of Rhodes The Colossus of Rhodes, as depicted in an artist's impression of 1880. Siege of Rhodes[edit] In the late 4th century BC, Rhodes, allied with Ptolemy I of Egypt, prevented a massive invasion staged by their common enemy, Antigonus I Monophthalmus. Construction[edit] The construction began in 292 BC. The Colossus of Rhodes as imagined in a 16th-century engraving by Martin Heemskerck, part of his series of the Seven Wonders of the World. To you, o Sun, the people of Dorian Rhodes set up this bronze statue reaching to Olympus, when they had pacified the waves of war and crowned their city with the spoils taken from the enemy. Modern engineers have put forward a plausible hypothesis for the statue construction, based on the technology of those days (which was not based on the modern principles of earthquake engineering), and the accounts of Philo and Pliny who both saw and described the remains.[7] The base pedestal was at least 60 feet (18 m) in diameter and either circular or octagonal. Sources

Colosseum The Colosseum or Coliseum, also known as the Flavian Amphitheatre (Latin: Amphitheatrum Flavium; Italian: Anfiteatro Flavio or Colosseo) is an elliptical amphitheatre in the centre of the city of Rome, Italy. Built of concrete and stone,[1] it was the largest amphitheatre of the Roman Empire, and is considered one of the greatest works of Roman architecture and engineering. It is the largest amphitheatre in the world.[2] The Colosseum could hold, it is estimated, between 50,000 and 80,000 spectators,[6][7] and was used for gladiatorial contests and public spectacles such as mock sea battles, animal hunts, executions, re-enactments of famous battles, and dramas based on Classical mythology. The building ceased to be used for entertainment in the early medieval era. Although in the 21st century it stays partially ruined because of damage caused by devastating earthquakes and stone-robbers, the Colosseum is an iconic symbol of Imperial Rome. Name History Ancient Medieval Modern Exterior

Stonehenge Archaeologists believe it was built anywhere from 3000 BC to 2000 BC. Radiocarbon dating in 2008 suggested that the first stones were raised between 2400 and 2200 BC,[2] whilst another theory suggests that bluestones may have been raised at the site as early as 3000 BC.[3][4][5] The surrounding circular earth bank and ditch, which constitute the earliest phase of the monument, have been dated to about 3100 BC. The site and its surroundings were added to the UNESCO's list of World Heritage Sites in 1986 in a co-listing with Avebury Henge. It is a national legally protected Scheduled Ancient Monument. Archaeological evidence found by the Stonehenge Riverside Project in 2008 indicates that Stonehenge could have been a burial ground from its earliest beginnings.[8] The dating of cremated remains found on the site indicate that deposits contain human bone from as early as 3000 BC, when the ditch and bank were first dug. Etymology Early history Plan of Stonehenge in 2004. Stonehenge 1. Folklore

Lucy the Elephant Elephant hotel redirects here. For the National Historic Landmark located in Somers, New York, see Elephant Hotel. Lucy the Elephant is a six-story elephant-shaped example of novelty architecture, constructed of wood and tin sheeting in 1881 by James V. Today, Lucy is a tourist attraction. 1800s[edit] In 1881, the U.S. Lafferty brought real estate customers up a narrow spiral staircase from within the elephant's body to the howdah, where he could point out real estate parcels available for sale.[5] Lucy's head shape identifies the building as an Asian Elephant, and its tusks as a male. The structure was sold to Anton Gertzen of Philadelphia in 1887 and remained in the Gertzen family until 1970. Lafferty built at least two more elephant-shaped buildings, though neither survives. 1900s[edit] Over the years, Lucy had served as a restaurant, business office, cottage, and tavern (the last closed by Prohibition). By the 1960s, Lucy had fallen into disrepair and was scheduled for demolition.

Chichen Itza Chichen Itza (/tʃiːˈtʃɛn iːˈtsɑː/,[1] Spanish: Chichén Itzá [tʃiˈtʃen iˈtsa], from Yucatec Maya: Chi'ch'èen Ìitsha' [tɕʰɨɪʼtɕʼeːn˧˩ iː˧˩tsʰaʲ];[2] "at the mouth of the well of the Itza") was a large pre-Columbian city built by the Maya people of the Post Classic. The archaeological site is located in the municipality of Tinum, in the Mexican state of Yucatán.[3] Chichen Itza was a major focal point in the northern Maya lowlands from the Late Classic (c. AD 600–900) through the Terminal Classic (c.AD 800–900) and into the early portion of the Early Postclassic period (c. AD 900–1200). The site exhibits a multitude of architectural styles, reminiscent of styles seen in central Mexico and of the Puuc and Chenes styles of the northern Maya lowlands. The ruins of Chichen Itza are federal property, and the site’s stewardship is maintained by Mexico’s Instituto Nacional de Antropología e Historia (National Institute of Anthropology and History). Name and orthography[edit] Location[edit]

Norse mythology An undead völva, a Scandinavian seeress, tells the spear-wielding god Odin of what has been and what will be in Odin and the Völva by Lorenz Frølich (1895) For the practices and social institutions of the Norse pagans, see Norse paganism Norse mythology, or Scandinavian mythology, is the body of mythology of the North Germanic people stemming from Norse paganism and continuing after the Christianization of Scandinavia and into the Scandinavian folklore of the modern period. Most of the surviving mythology centers on the plights of the gods and their interaction with various other beings, such as humanity and the jötnar, beings who may be friends, lovers, foes and/or family members of the gods. Norse mythology has been a discussion of scholarly interpretation and debate since the 17th century, when key texts were brought to the attention of the intellectual circles of Europe. Sources[edit] Numerous further texts, such as the sagas, provide further information. Mythology[edit]

Pan-American Highway The Pan American Highway from Prudhoe Bay, Alaska to Ushuaia, Argentina, with selected official and unofficial routes shown through the U.S.A. and Canada. The Pan-American Highway (Portuguese: Rodovia / Auto-estrada Pan-americana, Spanish: Autopista / Carretera / Ruta Panamericana) is a network of roads measuring about 48,000 kilometres (30,000 mi) in total length, except for a rainforest break of approximately 100 km (60 mi), called the Darién Gap, the road links almost all of the mainland nations of the Americas in a connected highway system. According to Guinness World Records, the Pan-American Highway is the world's longest "motorable road". However, because of the Darién Gap, it is not possible to cross between South America and Central America by traditional motor vehicle. Jake Silverstein, writing in 2006, described the Pan-American Highway as "a system so vast, so incomplete, and so incomprehensible it is not so much a road as it is the idea of Pan-Americanism itself".[1]

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