The Duckworth Lewis Method On paper, a band and album created around the concept of cricket has the sound of something rather niche, hardly universal, and perhaps a little tongue-in-cheek. Clearly their love of the game was very genuine but the greatest thing about The Duckworth Lewis Method was its ability to truly strike a chord beyond the boundary of the cricket field with brilliantly crafted, clever pop songs that were accessible to anyone whether or not they knew their LBW from a googly. This applies even more on the band's second inning, Sticky Wickets. It's quite a challenge for Hannon and Walsh to come back with fresh ideas after pouring what appeared to be every ounce of cricketing history and folklore into their debut. The result, I'm sure, of many a conversation over the years that finally came to fruition, they left very little behind. The opening track 'Sticky Wickets' is a pretty direct 70s style prog-rocker with plenty of cowbell.
Clear Your Cover Songs and Get a Mechanical License Clear Your Cover Songs and Get a Mechanical License It’s not that complicated to take care of the legalities needed to record a cover song on a commercial album . The simple truth is, if you record a cover song on an album, you first need to cite the original artists as the writers of the song. This can be done in the liner notes. Once this is done, there are only a few other legalities needed to be allowed to legally sell the album.
Green Gartside: The brainiest man in pop (apart from Brian Eno) Any touring band is used to fans who turn up backstage with old singles, photographs and bits of ephemera to be signed. When Scritti Politti toured America for the first time in 2006, as part of their first live dates of any kind in 26 years, something different would happen. Earnest young men would approach Green Gartside – since 1977 Scritti's singer, songwriter-ideologue and sole constant member – and show him their published works of philosophy, claiming that they owed their interest in critical thought to Scritti's music. "The ratio of tactically deployed pop banality to smartarse references to Kant and Gramsci was occasionally uncomfortably high," admits Gartside of his band-cum-vehicle's commercial zenith in the mid-80s, when hits such as Absolute and The Word Girl snuck such subjects as unconditional reality and semiotics into the pop charts. "I still look for disorienting moments in pop," he says. "Sometimes music can still be too powerful to deal with.
Amazing Guitar Skills - YourDailyMedia.com - StumbleUpon Categories November 22, 2011 8:00pm By Rowdy Joe Asthmatic Kitty Records Sufjan Stevens is a singer-songwriter currently living in Brooklyn, NY. A preoccupation with epic concepts has motivated two state records (Michigan & Illinois), a collection of sacred and biblical songs (Seven Swans), an electronic album for the animals of the Chinese zodiac (Enjoy Your Rabbit), two Christmas box sets (Songs for Christmas, vol. 1-5 and Silver & Gold, vol. 6-10), and a programmatic tone poem for the Brooklyn-Queens Expressway (The BQE). His most recent records are from 2010: an expansive EP (All Delighted People) and the full length The Age of Adz, a collection of songs partly inspired by the outsider artist Royal Robertson. Born in Detroit and raised in Northern Michigan, Sufjan attended Hope College, in Holland, Michigan, and the masters program for writers at the New School for Social Research.
How To Fix (Almost) Any Set of Audio Speakers Home Hacks Previous image Next image A multi-part series, today we are going to show you how to breathe new life into an old pair of speakers. It is a commonly held belief that the newer speakers and audio equipment get, the better they are. This is not always the case and sometimes, even when your speakers are damaged, there is sonic power left in them that modern equipment can’t match…From time to time we show you something antique that still competes with today’s technology. Max Ochs Now based in Severna Park, Maryland, Ochs continues to perform, write and record songs in an early folk and blues tradition. He was the curator of the folk music series at 333 Coffeehouse in Annapolis for over a decade. Discography[edit] 1966 Various Artists: Contemporary Guitar (Takoma)1966 Oncones/Imaginational Anthem 45 (Fonotone)2000 Letter to the Editor (Big Ear)2003 Imaginational Anthem LP (Near Mint/Tompkins Square)2007 Got these Blues with Neil Harpe (PPG)2008 Hooray for Another Day (Tompkins Square) References[edit]
How to Become a Music Mogul in 3 Easy Steps October 1, 2009 12:00 AM 1. The Setup If you bought a computer within the last few years, you already have the beginnings of a good home studio. Either a PC or Macintosh will work equally well. Nataly Dawn The Video The Story Hello and welcome to episode TWO of Dawn Be That Way, featuring guest star (and cousin) Evie MacRunnel with whom I will be making SAVORY FRENCH CREPES!!! Evie and I were super close friends growing up. She even came to visit me when my parents and I moved to France in ‘96. That is where we both discovered the amazingness of French pastries and crepes.
Five Albums You Should Be Listening to Right Now This week's curator: Chuck P, DJ for KCRW. Every two weeks, titans of the mediasphere give Nerve their music recommendations. This week: DJ Chuck P, of KCRW, whom you can join on his continuous search for what’s next on KCRW’s Music Blog. 1) High Highs, High Highs High Highs, from Brooklyn by way of Sydney, make music that’s light, airy, and easy to listen to. They remind me of what I love about both Tunng and the quieter moments from Blitzen Trapper, without sounding like either of those bands.
Never Fade Records Hannah Grace is a multi talented vocal powerhouse hailing from Bridgend in South Wales. Hannah’s music caught the attention of Gabrielle Aplin in 2012 after which, Hannah was invited to sing backing vocals for Gabrielle on her sold out UK English Rain tour in 2013. Hannah’s incredible vocals were impossible to ignore and Gabrielle decided to further champion Hannah by inviting her to open on tour and by giving her the platform to release and launch her own music through Never Fade Records.
The Problem With Music Whenever I talk to a band who are about to sign with a major label, I always end up thinking of them in a particular context. I imagine a trench, about four feet wide and five feet deep, maybe sixty yards long, filled with runny, decaying shit. I imagine these people, some of them good friends, some of them barely acquaintances, at one end of this trench. I also imagine a faceless industry lackey at the other end holding a fountain pen and a contract waiting to be signed. Nobody can see what's printed on the contract. Kathleen Ferrier Kathleen Mary Ferrier, CBE (22 April 1912 – 8 October 1953)[1] was an English contralto singer who achieved an international reputation as a stage, concert and recording artist, with a repertoire extending from folksong and popular ballads to the classical works of Bach, Brahms, Mahler and Elgar. Her death from cancer, at the height of her fame, was a shock to the musical world and particularly to the general public, which was kept in ignorance of the nature of her illness until after her death. In 1946, Ferrier made her stage debut, in the Glyndebourne Festival premiere of Benjamin Britten's opera The Rape of Lucretia. A year later she made her first appearance as Orfeo in Gluck's Orfeo ed Euridice, a work with which she became particularly associated.