EROTIC DRAWINGS BY GUSTAV KLIMT | lichtblik lichtblik about drawings by mailbertjacobs Share this: Like this: Related Drawing-for-Two-Emblems-for-Ver-Sacrum-Gustav-Klimt. Gustav Klimt Farm Garden With Crucifix Schilderij The Tree of Life, 1905 by Gustav Klimt Published: October 15, 2013 Filed Under: Uncategorized Leave a Reply « Previous Post Next Post » Blog at WordPress.com. Follow Get every new post delivered to your Inbox. Build a website with WordPress.com %d bloggers like this: |WSSS|RSCHN| Next Install Theme Peerless Drawings of Karla Mialynne The artist Karla Mialynne lives and works in the United States. In order to create highly realistic drawings, she uses colored pencils, acrylic paints and markers. Carl puts her illustrations on her Instagram account. You can see these wonderful paintings, along with pencils and markers that are needed to create the images. I propose you to enjoy Karla Mialynne’s amazing drawings and get inspired
Keith Haring - 193 Artworks, Bio & Shows on Artsy Bridging the gap between the art world and the street, Keith Haring rose to prominence in the early 1980s with his graffiti drawings made in the subways and on the sidewalks of New York City. Combining the appeal of cartoons with the raw energy of Art Brut artists like Jean DuBuffet, Haring developed a distinct pop-graffiti aesthetic centered on fluid, bold outlines against a dense, rhythmic overspread of imagery like that of babies, barking dogs, flying saucers, hearts, and Mickey Mouse. In his subway drawings and murals, Haring explored themes of exploitation, subjugation, drug abuse, and rising fears of nuclear holocaust, which became increasingly apocalyptic after his AIDS diagnosis. Alongside Jean-Michel Basquiat, Kenny Scharf, and Jenny Holzer, Haring is regarded as a leading figure in New York East Village Art scene in the 1970s and '80s.
Barnaby Furnas | Artists The explosive moment versus painting's innate stillness has been a central concern of Barnaby Furnas's work over the past decade. Drawing on US history and culture, the American artist presents restless, radiant paintings of subjects including Civil War-era battles and high-octane stadium rock gigs, chronicling crescendos of excitement - religious, political, sexual - as they career towards tipping points of uncertain outcome. These are at once brutal and elegant works, bound up with the excesses of the world yet brought into being through the prism of art history. Pitched between depicted action and the act of painting, paint's illusory potential and its materiality, Furnas's work always imparts a visceral hit while drawing attention to its own manufacture. In other works filigrees of painted bullet holes seem to pepper the surface, their Rorschach-like arrangements intimating a frenzied psychological dimension in tandem with the depicted scene.
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