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Independent Curators International

Independent Curators International
Related:  Art diffusion

MABA Jeune centre d’art contemporain créé en 2006 à l’initiative de la Fondation Nationale des Arts Graphiques et Plastiques, la Maison d’Art Bernard Anthonioz s’insère à Nogent-sur-Marne dans l’ensemble géré par la Fondation, regroupant la Maison Nationale des Artistes — maison de retraite pour artistes âgés — et deux en- sembles d’ateliers d’artistes - le Hameau et la Cité Guy Loë. Destinée à promouvoir et diffuser la création contemporaine, à encourager l'émergence de projets expérimentaux, la Maison d’Art Bernard Anthonioz organise cinq expositions par an, monographiques ou collectives, dans lesquelles elle produit et présente le travail d'artistes de toutes nationalités. Sa programmation privilégie deux médiums, la photographie et le graphisme, tout en portant son attention vers d'autres disciplines qui questionnent la relation au monde et à la société contemporaine, à l'histoire et à la mémoire, comme au territoire... pour construire un regard citoyen "éclairé.

Call for Curators La figure dans le paysage (Paris 8) “Fluxus is not an art movement, it is a way of doing things. A group of people/ collection of objects or an idea and potential for social change. Or was Fluxus a laboratory of George Maciunas?” -Friedman, Ken. “It is often said that Fluxus exerts profound influence on contemporary artists (…) Fluxus has done much more than this. (…) Fluxus has, in fact, established the general frame of contemporary art. “….Les buts de Fluxus sont sociaux (pas esthétiques) …. et sont concernés par: une élimination progressive des beaux-arts… ceci est motivé par le désir de stopper les ressources matérielles et humaines…. pour les convertir en des fins socialement constructives. « La force poétique de Fluxus est d’être comme la vie: rapide, lent, drôle, monotone, pénible, surprenant, intéressant. « …. « qui décide de la légitimité d’un artiste? Filliou à écrit: « Fluxus est juste un mot. L’art est pour qui? Nicolas Vargelis

Curating.info Happening intégrer les éléments de et réviser l'article ci-dessous : guillemets, lisibilité, etc "What is a Happening? A game, an adventure, a number of activities engaged in by participants for the sake of playing.” –Allan Kaprow Le Happening: Ce qui a commencé comme un défi à la catégorie de l'art initiée par les futuristes et les dadaïstes dans les années 1910 et 1920 s'est concrétisée, avec les mouvements de l'art de la performance, dont une branche a été appelé Happening. Un composant principal du Happening a été l'implication du spectateur. Le concept de l'éphémère est important, la performance doit être une expérience temporaire, et, en tant que telle, n'a pas pu être exposée dans un musée au sens traditionnel. Les happenings ont été inspirés par les performances des futuristes qui édictaient de courtes pièces de théâtre d'avant-garde et lisaient des manifestes et de la poésie sur scène. Les Happenings d'Allan Kaprow: Biographie:

CuratorLab - Konstfack CuratorLab - Curatorial Program for Professionals in Arts, Crafts and Design. Applications are accepted once a year, to enter in September 2014. CuratorLab is an international self-directed curatorial course dedicated to the advancement of curatorial practices based on research in the arts, crafts and design. It is designed to offer time to conduct research and to explore new directions and ideas in order to develop artistic or theoretical work while linking academic study to cultural projects. The course offers the participants the possibility to develop and realize one individual and/or collaborative project in the form of a public presentation, i.e. exhibition, lecture series, publication, screenings, seminar, for which CuratorLab provides professional feedback and practical support as well as a moderate production budget. Applications are accepted once a year, with start (autumn semester) in September. How to apply to CuratorLab Apply here at antagning.se, application code KF-17110 2.

GlogauAIR : News Hang it all | From the Observer | The Observer Curating art used to be a straightforward enough, if onerous, occupation. Typically, curators thoroughly versed in art history would use their research skills putting together what they saw as the best art works of a particular movement or historical period. For figures such as David Sylvester, curating wasn't really regarded as a major profession - more of a side show in the ongoing business of being an art authority. Things, however, have changed drastically since then. 'The curator of contemporary art is now concerned with the whole physical and intellectual experience of an exhibition,' explains Teresa Gleadowe, head of the RCA's curating course. Gleadowe argues that there's a huge difference between today's curators and those art historians of the past. Through the 80s and 90s curating evolved rapidly. In some ways curators became the counterpart to dealers: where the latter would shift artworks, the former would make works credible by putting them in exhibitions.

Electronic Arts Intermix : Online Catalogue Online Catalogue Artist Home An introduction to the artists represented in EAI's major media art collection. Featured Artists New Artists • New Works • New Series Artist Index Title Search • Title Browse Themes, Special Collections & Series Curated selections, thematic groupings, and special series. Published Items Publications, home-use media, prepackaged items. Printable Catalogues Archive Download printable catalogue updates from 1999 to 2007. Ordering Information

CURATORIAL SCHOOLS - Article detail The first European school for curators was established in , , by the Centre National d’Art Contemporain. L’École du Magasin offers a 10-month long course which is completely free. Compared to the other programs, which emerged within universities and are thus conditioned by their rules, the school has benefited from a particularly flexible structure which has allowed it to adapt its teaching methods over time. The program is divided into a theoretical section with lessons, seminars and practical training, which provides a forum for thought and discussion about various curatorial projects. also boasts two university courses in curatorial studies: the master Sciences et techniques de l’exposition at the Université Paris I Panthéon-Sorbonne and the master Métiers des arts de l’exposition at the Université de Haute Bretagne in Rennes. provides two semesters of instruction and an internship in a museum-type institution for a minimum of three months. researchers.

Web Film & Video The following films are presented for educational and non-commercial use only. All copyrights belong to the artists. About UbuWeb Film & Video UbuWeb is pleased to present thousands of avant-garde films & videos for your viewing pleasure. However, it is important to us that you realize that what you will see is in no way comparable to the experience of seeing these gems as they were intended to be seen: in a dark room, on a large screen, with a good sound system and, most importantly, with a roomful of warm, like-minded bodies. However, we realize that the real thing isn't very easy to get to. We realize that the films we are presenting are of poor quality. UbuWeb

Node Center for Curatorial Studies - Berlin

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