Performa 13 · About Performa 13 Paweł Althamer's Common Task, Brussels, 2009. Courtesy the artist; Foksal Gallery Foundation, Warsaw; neugerriemschneider, Berlin and Open Art Projects, Warsaw. About Performa 13 Wonderland by Kirsty Mitchell: heart-breakingly beautiful photographic series in memory of an extraordinary life Kirsty Mitchell's Wonderland series has been three years in the makingAll costumes, wigs and sets were constructed on a shoestring budgetSome images took up to five months to createShe would often wait an entire year to find the perfect natural setting for her shots By Stephanie Hirschmiller Published: 14:11 GMT, 17 May 2012 | Updated: 09:34 GMT, 18 May 2012 Kupfer A gastronomic evening of insect appreciation, insect canapés, talks and discussion. As the human population multiplies, could entomophagy be an alternative to our imminent food crises? Online ad for Samsung Galaxy Note II featuring us. Believe it or not. Liquidscapes was an exhibition by Bijari at the Brazilian Embassy during London Olympic Games. FWA awarded flash website installation to promote the John Lewis lighting range.
xroads.virginia.edu/~hyper/POE/philfurn.html by Edgar Allan Poe (1840) In the internal decoration, if not in the external architecture of their residences, the English are supreme. The Italians have but little sentiment beyond marbles and colours. In France, "meliora probant, deteriora "sequuntur — the people are too much a race of gadabouts to maintain those household proprieties of which, indeed, they have a delicate appreciation, or at least the elements of a proper sense.
Glass Bead Outline Each issue of the journal is dedicated to the exploration of a site. The notion of site is defined in broad terms. Designating a geopolitical locality as well as a conceptual territory, a fictional entity, a musical expression, or a material formation, a site indexes for us at once an area or a region situated at the intersection of different forms of knowledge, as well as its aesthetic, political, and conceptual stratifications. Far from reducing the site to a topographic point in the space of knowledge, the journal aims to unfold it as the spatialization of a dynamic epistemic figure that cannot be understood through extrinsic determinations alone, but rather through an intrinsic mode of navigation and orientation. The sites that the journal will explore can thus be seen as vehicles for travelling across multiple disciplinary regions and scales of abstractions, as instruments for the transformation of the epistemic conditions in which they operate.
New Website Aims to Connect Unrepresented Artists with Gallerists and Curators Last winter, Adam Yokell was looking to expand the scope of his fledgling Brooklyn gallery. But he was hard-pressed to find emerging, unrepresented artists outside of New York—and he was intent on developing a diverse and expansive program. Then an idea hit him. “What if there was a tool that helped artists become more visible to an interested base of curators, gallerists, and academics?” Yokell tells me, over coffee on a recent morning in Brooklyn.
humanæ 1. On the Customize screen turn off the Use default mobile theme option under Advanced Options. 2. Design and the Elastic Mind, MoMA 'Revolutions,' Paola Antonelli writes in her introduction to 'Design and the Elastic Mind', her just-opened exhibition at New York's Museum of Modern Art, 'are not easy on us.' It's a hell of a way to start a design show. That might be because it's a hell of a show. Click here to see works from the exhibition 'Design and the Elastic Mind', on view through May 12 in the museum's sixth-floor galleries, takes on ideas of the future, and how design works - and will work - with it. The over 200 objects, drawings, ideas, speculations, nanotechnologies, photographs, concepts, possibilities, environments, arguments, polemics, drawings, renderings, models and more on view here, combine to create a vision of the future that isn't apocalyptic, or even post-apocalyptic, but instead that exemplifies the range we cross-disciplinarily express these days; the work is everything from quietly hopeful to overtly celebratory, from politically argumentative to aesthetically stunning.