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Sound Sculptures & Installations, Sound Architectures

Sound Sculptures & Installations, Sound Architectures
Related:  art & designColine Autres

Bienvenue! (Welcome from the curator) arsVirtual Divulgamos el conocimiento A través de la generación y divulgación del conocimiento, creamos, difundimos y compartimos el conocimiento cultural y tecnológico generado a partir de los usos, formatos y contenidos digitales. Organizamos investigaciones, conferencias y congresos con autores internacionales consolidados como referentes. Asímismo, impulsamos la creación artística contemporánea relacionada con la tecnología, a través de concursos internacionales, y conservamos y gestionamos el patrimonio artístico y tecnológico de Telefónica. Impulsamos el conocimiento mediante nuestras publicaciones, y acercando las exposiciones de arte a los diferentes públicos con fines educativos.

Animal Mimesis, le langage protéiforme de Violaine Lochu La plasticienne et performeuse vocale Violaine Lochu développe un travail autour de la mise en scène de la voix dans différents projets, vidéo, revue sonore, performance. Extrait live dans l’émission de son travail « Animal Mimesis» sur le chant des oiseaux et chant des sirènes avec son accordéon. Violaine Lochu sera en concert le 9 mai au Cirque électrique en compagnie de Marie-Suzanne de Loye (viole de Gambe) et de Serge Tayssot Gay (guitare) dans un répertoire des musiques juives d’Europe centrale et du bassin méditerranéen dans le cadre du Festival La Voix est Libre du 3 mai au 13 mai, Paris. Le 20 mai 2017 performance Vestiges de Roncevaux en duo avec Julien Desprez (guitare électrique) + diffusion de pièces sonores dans l’exposition, lors de « La nuit des musées à Montauban », Musée Ingres, 19 Rue de l’Hôtel de ville, 82000 Montauban Jusqu'au 15 juillet 2017, exposition collective « Tes mains dans mes chaussures », à la Galerie CAC de Noisy-le-Sec, 1 rue Jean jaurès, Noisy-le-Sec

Vintage Soviet Posters & Propaganda | International Poster Gallery Moor, Dimitri.1st of May - A Festival of Labor, 1920 Moor, Dimitri. Cossack - Who are you with, them or us?, 1920 Zvorykin, B. The Struggle of the Red Knight with the Dark Force, 1919 Moor, Dimitri.Be on Guard! Kochergin, Nikolai.Capitalism and Company, 1920 Cheremnych, Mikhail.Rosta Window #81 (Quickly Repair Agriculture), 1920 Tarkhov, D. Stenberg, Vladimir & Georgy. Anonymous. Stenberg, Vladimir & Georgy.Don Q Son of Zorro, 1929 Klutsis, Gustav. Blik, A. Koretsky, Viktor. Klutsis, Gustav. Koretsky, Viktor. Knoblok. Klutsis, Gustav. Artist Unknown.On Top - A film in 5 parts, circa 1928. Artist Unknown, Unmask Him! After Aleksander M. Artist Unknown, Let's Conquer Space! Gavrilov,Do Not Pollute Reservoirs With Oil, 1959. Lenin created the first truly modern propaganda machine, and its most colorful, dramatic and original form was the poster. Although posters were produced in Russia before the Revolution, they were overshadowed by the remarkable propaganda posters of the Soviets. Back to top

Bio – Loïc Guénin compositeur musicien artiste sonore Photo ©Catherine Gardone Né en 1976, à Noisy le Grand (93), Loïc Guénin suit très vite ses parents pour grandir dans la ferme familiale berrichonne. Un retour à la terre à 2 ans… Aujourd’hui compositeur et musicien professionnel, fondateur du Phare à Lucioles (association dédiée à la création artistique contemporaine), cette éducation proche de la nature, bercée d’écologie et de réflexion politique nourrit son travail et son approche de la création. Sa dernière pièce, walden, un éco(ute) système sonore, a retenu l’attention du GMEM, Centre National de Création Musicale (Marseille) ainsi que de l’Abbaye de Noirlac, Centre Culturel de Rencontre (Cher). L’ensemble Ars Nova, dirigé par Philippe Nahon, s’est emparé de ce projet d’écriture graphique d’une pièce musicale mixte en lien avec l’architecture et les sons d’un lieu. Loïc Guénin travaille actuellement sur un nouveau projet intitulé marcher [dessus le paysage] (titre provisoire). Sur le même thème compositions & projets 16 octobre 2015

Architecture Design Architectural Images History Models and More - ArchitectureWeek Great Buildings Sila Sveta / Levitation For us it was an opportunity to experiment with no limitations and test technologies developed in-house by the studio itself. We produced special graphics and used an unconventional shooting angle to create an illusion of the dancer levitating in air. To create a smooth viewing experience, the project team led by Sila Sveta’s Art Director Arthur Kondrashenkov needed to define the best location for the camera, as well as the most suitable choreography and graphic imagery because the graphics and dance moves were designed simultaneously. Another key feature of the project was the graphic imagery itself, which was rendered in real time during the performance, adapting to the moves of the dancer and the camera without any post-production. This was the first and a unique opportunity for the team to implement a tracking system based on the Unity Development software.

ikeduende.com Tamayo on Ikebana Ikebana is not just about flower arranging. Through the act of ikebana, you become involved in the process of terminating the life of a botanical creature, of discovering the beauty, mystery and power of plants, and the variety of possible outcomes is simply enormous! By creating a momentary art piece, ikebana instills in us a positive attitude, a fortitude and an ability to concentrate deeply. There are hundreds of Ikebana schools and styles. Ikeduende? Ikeduende is an amalgamation of the Japanese word ‘ike’ and the Spanish word ‘duende’. Ike, from ‘ikebana’, means living or life-giving, while duende is one of those words which defies explanation. Through practising ikebana, Tamayo believes one’s own duende can emerge, though it is the flowers who could be the audience here, listening or responding or refusing to us. About Tamayo Hussey Artist

Max Neuhaus a fait exploser les carcans de la musique expérimentale © Estate Max Neuhaus. Courtesy Butler Library, Columbia University. Les gestes radicaux de John Cage ont toujours une forte résonance sur la musique et la création contemporaines. © droits réservés C'est justement cet état de fait qui poussa un de ses disciples, Max Neuhaus, à quitter le champ de la musique expérimentale à l'aube des années 60 pour se lancer dans une réflexion sur le son qui dépassait le carcan de l'institution et qui explosa les cadres de la musique contemporaine et de ses expérimentations. Max Neuhaus en phase de test dans le couloir de correspondance Montparnasse-Bienvenüe, env. 1983 Courtesy Estate Max Neuhaus, crédit photo : © Florian Kleinefenn Principale contrainte à résoudre pour le musée : comment présenter des œuvres qui ne se voient pas ? © dessins 1 & 2 : droits réservés/Cnap/ Photographe : Yves Chenot © Konrad Fisher Galerie © Estate Max Neuhaus Toutes les informations sur l'exposition sont disponibles sur le site de la FRAC Franche Comté.

We are all homeless: The "WE ARE ALL HOMELESS" Project - an introduction This project began in 1993 when I started buying and collecting signs from the homeless. (More on that in the description of the art show HOME?) Over the past few years I have developed art work using the signs, which became focused while I was pursuing an MFA in Arts & Technology at UTDallas. In the Fall 2009 semester we were challenged to develop an art project that would be interventionist in nature, meaning that it would cause some interruption in our daily lives, which resulted in the development of WE ARE ALL HOMELESS. It began as a series of "flash mob happenings," where a few dozen people holding up authentic homeless signs converged on an intersection or other public location (2009-2010). The purpose of the project is to raise awareness about homelessness, and to change the preconceived ideas many people have about the homeless and their situations. Thanks and blessings for your interest in helping the homeless. Willie Baronet

Gruenrekorder » The secret life of the inaudible | Christina Kubisch & Annea Lockwood The secret life of the inaudible | Christina Kubisch & Annea Lockwood Gruen 180 | Double CD > [order] CD 1 – Annea LockwoodWILD ENERGY | 2016 (with Bob Bielecki) — (29:49) STREAMING, SWIRLING, CONVERGING | 2017 — (8:25) Sound engineering and mastering: Tom Hamilton, New York CD 2 – Christina KubischNINE MAGNETIC PLACES | 2017 — (13:26) BELOW BEHIND ABOVE | 2017 — (22:32) Sound engineering: Eckehard Güther Mixed at Studio Hoppegarten Mastering: Douglas Henderson About our collaboration. Annea and I first met in New York in 1975. I was writing an article about the experimental music scene in New York for an Italian magazine. Sound for her always has been more than just material to bring into a compositional form. Over the years we followed each other’s works but unfortunately did not meet as often as we would have liked. We decided to exchange sound materials and left it open to the other what to choose and how to mix it into a new composition. Sound sources:

Stewarts Law RCA Secret Postcard Mutate Britain

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