Hassan Hajjaj - Artists - Taymour Grahne Born in Larache, Morocco, in 1961, Hassan Hajjaj left Morocco for London at an early age. Heavily influence by the club, hip-hop, and reggae scenes of London as well as by his North African heritage, Hajjaj is a self-taught and thoroughly versatile artist whose work includes portraiture, installation, performance, fashion, and interior design, including furniture made from recycled utilitarian objects from North Africa, such as upturned Coca-Cola crates as stools and aluminum cans turned into lamps. Turning to photography in the late 80s, Hajjaj is a master portraitist, taking studio portraits of friends, musicians, and artists, as well as strangers from the streets of Marrakech, often wearing clothes designed by the artist. past exhibition 28 January - 8 March 2014 Press Hassan Hajjaj's Rock Stars January - February 2016 The Art Market: Miami sobers up for business 4 December 2015 10 of the Best Artworks at the Untitled Art Fair 2015 2 December 2015 1 December 2015 Morocco’s Andy Warhol July 2015
Tout le Monde Veut Etre Heureux Star Wars Identities The Exhibition – Get to know the characters You Will Never Guess What These Sculptures Are Made Of – The Awesome Daily - Your daily dose of awesome Home / Art / You Will Never Guess What These Sculptures Are Made Of This is Haroshi. He is a self made artist who loves to create amazing sculptures and skate One day he had the genius idea of combining the two things he love the most in the world So he started to create these awesome sculptures out of…you guessed it.. Skateboards ! The way it works is that he takes old used skateboards and pile them up and glew them together Then he carves amazing pop-culture sculptures like skulls and hearts The results are pretty impressive. They are created out of multiple layers of processed wood in various colors This gives his sculptures the unique colors and style As a sworn skateboarder himself Haroshi sometimes uses his own boards for the sculptures “ his art pieces are equal to his skateboards, and that means they are his life itself They’re his communication tool with both himself, and the outside world” He writes on his own site One thing is for sure. He is a talented artist Source : Haroshi Comments
Hamad & Ali | We are two contemporary artists working in Kuwait CAROLINE CORBASSON Receptor | Julian Voss-Andreae Photo 1/10 Hover over the image and click on the arrows for more photos. Mobile users can also swipe the images left/right. Receptor (Die Bange Frage), 2019 Stainless steel (grade 316) and Torrey Pine with gilded stainless steel sphere Figure alone: 121″ x 96″ x 72″ (307 x 244 x 182 cm) Weight: 5,600 lbs (2,600 kg) Location: Alexandria Real Estate, San Diego, California
Samantha in the Meadows | Julian Voss-Andreae Photo 1/6 Hover over the image and click on the arrows for more photos. Mobile users can also swipe the images left/right. Samantha in the Meadows, 2017 Cast and fabricated bronze with patina 121″ x 42″ x 32″ in (307 x 106 x 81 cm) Location: Private collection (Jackson Hole, Wyoming) Samantha in the Meadows, 2017 Cast and fabricated bronze with patina 121″ x 42″ x 32″ in (307 x 106 x 81 cm) Location: Private collection (Jackson Hole, Wyoming) Inspired by Finite Element Analysis, an engineering approach that allows solving the equations of physics for complex shapes.
Thousand Leaves | yeesookyung Thousand Leaves (2018) In 2017, I found an old tree root and it caught my eye. I felt it was an object in which the accumulation of time was crystallized. I made a 3D scan out of it, vertically reflected and printed, then painted the surface in order to resemble the original tree root. And it became a symmetrical pair. Thousand Leaves Folding screen, tree root, 3D printed sculpture Dimensions variable Courtesy of the artist Photo: Yang Ian ⓒYeesookyung Exhibition history Whisper Only to You, MADRE · Museo d'arte Contemporanea Donnaregina, Naples, Italy 2019 The Book of Disquiet, Gyeongnam Art Museum, Changwon, Korea 2018 JESS JOHNSON - Work 2020 May We Live Long and Die Out (2020) Pen, fibre tipped markers, acrylic paint, and gouache on paper 41.5 x 29.5in / 105.5 x 75cm (paper size) 44 x 32.5in / 111.8 x 75cm (framed) Pain Canopy Yeast Steak (2020) Unspeakable Freedom Device (2020) All the Way Alive (2020) 76 x 56cm / 30 x 22in (paper size) 82.6 x 62.2cm / 32.5 x 24.5in (framed) Dead TV Sky (2020) Necrotic Flesh (2020) Panspermia, Sing Omega (2020) Rat in the Skull (2020) 56 x 76cm / 22 x 30in (paper size) 62.2 x 82.6cm / 24.5 x 32.5in (framed) The Serpent Ouroboros (2020) Starlog (2020) Centipede Disc (2020) 38 x 28cm / 15.1 x 11.2in (paper size) 43.8 x 33.7cm / 17.25 x 13.25in (framed) Children of Machines (2020) Conversations with a Head, Severed (2020) Death Urge Culture (2020) Hook Us With Unpleasure (2020) If They Cry Feed Them More (2020) Milxyz Pips (2020) Sharna Pax and Get the Poal (2020) Tapewurm Tranquiliser (2020) Pain Canopy Yeast Steak, 2021 (Installation) Exhibited: Ivan Anthony Gallery, New Zealand, February 2021 Jess Johnson + Simon Ward
Yoshihiro Makino | Photographer Inside the Sublime World of Late Sculptor J. B. Blunk / AD Inside the Sublime World of Late Sculptor J. Ulric Collette | Portraits génétiques