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Renaissance Literature - Literature Periods & Movements

Renaissance Literature - Literature Periods & Movements
Literature Network » Literary Periods » Renaissance Literature The Renaissance in Europe was in one sense an awakening from the long slumber of the Dark Ages. What had been a stagnant, even backsliding kind of society re-invested in the promise of material and spiritual gain. There was the sincerely held belief that humanity was making progress towards a noble summit of perfect existence. How this rebirth – for Renaissance literally means rebirth – came to fruition is a matter of debate among historians. Several threads can be said to tie the entire European Renaissance together across the three centuries which it spanned. The single greatest innovation of the Renaissance era was the printing press, put into service around 1440 by Johannes Gutenberg. Every nation in Western Europe experienced its own incarnation of the Renaissance. The dominant forms of English literature during the Renaissance were the poem and the drama. This article is copyrighted © 2011 by Jalic Inc. Related:  literature

How Shakespeare’s great escape from the plague changed theatre In late July 1606, in the midst of a theatrical season that included what may well be the finest group of new plays ever staged – Shakespeare’s King Lear and Macbeth, Ben Jonson’s Volpone, and Thomas Middleton’s The Revenger’s Tragedy – Shakespeare’s company, the King’s Men, lowered their flag at the Globe theatre and locked their playhouse doors. Plague had returned. Two years earlier, after an outbreak in which more than 30,000 Londoners had died, the privy council decreed that public playing should cease once the number of those who died every week of plague rose “above the number of 30”. In practice, though, there seems to have been some leeway, with players intent on earning a living occasionally bending the rules, resuming performances when plague deaths dipped under 40 or so. Privy council records for this era were lost in a fire in 1618, so we will never know exactly what number triggered any specific closure. John Flint, a Cambridge-educated vicar, kept the parish register.

Teaching Literature 2nd Edition Information In November, 2010, a new, extensively-revised 2nd edition of Teaching Literature to Adolescents was published by Routledge Press: click below for further information and ordering information. Teaching Literature to Adolescents This new edition contains: more attention to the use of digital texts from use of online literature to digital storytelling to uses of online discussion and writing tools incorporated throughout new chapter on teaching young adult literature new chapter on teaching reading strategies essential to interpreting literature more references to examples of teaching multicultural literature. The new edition also has a new wiki website with all new links, activities, and resources that also includes links from this original site. teachingliterature.pbworks.com The new 2nd edition includes specific references to topics contained in the new site.

Overlooked classics: The Member Of The Wedding by Carson McCullers Carson McCullers only wrote four novels, but that's hardly surprisingly; outside writing, she had a fair bit to contend with. She contracted rheumatic fever at 15 and then suffered two severe strokes before reaching 30, which left her paralysed in her left arm. In her 40s, she had operations on her arm and wrist, underwent a mastectomy and broke her hip; in 1967, at the age of 50, she died. Her love life was no less turbulent. She married Reeves McCullers in 1937, divorced him in 1941, then remarried him four years later, after he was severely injured in the battle of Normandy. In 1953, he tried to persuade her to join him in a suicide pact; when she refused, he killed himself anyway. During McCullers' separation from Reeves, she took refuge in a communal house in Brooklyn that was almost too literary to be true. It's an innocent, twinkling kind of backstory to accompany what could, from a distance, seem like an innocent, twinkling kind of book.

Scientific Speed Reading: How to Read 300% Faster in 20 Minutes (Photo: Dustin Diaz) How much more could you get done if you completed all of your required reading in 1/3 or 1/5 the time? Increasing reading speed is a process of controlling fine motor movement—period. This post is a condensed overview of principles I taught to undergraduates at Princeton University in 1998 at a seminar called the “PX Project.” I have never seen the method fail. The PX Project The PX Project, a single 3-hour cognitive experiment, produced an average increase in reading speed of 386%. It was tested with speakers of five languages, and even dyslexics were conditioned to read technical material at more than 3,000 words-per-minute (wpm), or 10 pages per minute. If you understand several basic principles of the human visual system, you can eliminate inefficiencies and increase speed while improving retention. First, several definitions and distinctions specific to the reading process: You do not read in a straight line, but rather in a sequence of saccadic movements (jumps).

Mrs. Dalloway / Virginia Woolf Mrs. Dalloway said she would buy the flowers herself. For Lucy had her work cut out for her. What a lark! She stiffened a little on the kerb, waiting for Durtnall’s van to pass. For having lived in Westminster — how many years now? For it was the middle of June. “Good-morning to you, Clarissa!” “I love walking in London,” said Mrs. They had just come up — unfortunately — to see doctors. She could remember scene after scene at Bourton — Peter furious; Hugh not, of course, his match in any way, but still not a positive imbecile as Peter made out; not a mere barber’s block. (June had drawn out every leaf on the trees. For they might be parted for hundreds of years, she and Peter; she never wrote a letter and his were dry sticks; but suddenly it would come over her, If he were with me now what would he say? So she would still find herself arguing in St. She had reached the Park gates. She would not say of any one in the world now that they were this or were that. Nonsense, nonsense!

96 Incredibly Useful Links for Teaching and Studying Shakespeare The idea of tackling Shakespeare in school has sometimes sent chills down both students’ and teachers’ spines, but the truth is that studying Shakespeare doesn’t have to be so daunting. His plays and sonnets are filled with themes that are relevant even today, are humorous, lyrical, and provide important historical content. Most importantly, Shakespeare knew how to tell a good story. Whether you are teaching or learning Shakespeare in a traditional classroom, in an online course, in high school, or college, there are resources below that will make teaching and learning about Shakespeare and fun and engaging experience. Comprehensive Resources These resources offer a wealth of information about Shakespeare and his works. Shakespeare Online. Reading Shakespeare Use these links to find full online texts, modern translations, searchable text, and more. No Fear Shakespeare. Articles Types of Female Characters in Shakespeare. Quizzes Find out how much you know about Shakespeare with these quizzes.

Spies by Michael Frayn What is a plot? For the reader, it is the discovery of concealed connections between events in a narrative. Michael Frayn's Spies is a novel with a carefully engineered plot, and a story whose two main characters are determined to uncover the sinister logic of apparently ordinary events. During the second world war, Stephen and his friend Keith live in a suburban cul-de-sac on the edge of the countryside. "There's something clearly wrong about her, if you really look at her and listen to her as we now are." Some of the data that the sexually innocent Stephen records does seem to hold clues about adult sexuality. Spies is divided into 11 numbered sections and the first and last of these are like a prologue and an epilogue. The narrator knows what has really happened, and our sense of a plot relies on his holding back from explanation. John Mullan is professor of English at University College London.

The Gospel of Wealth "Savage Wealth",[2] more commonly known as "The Gospel of Wealth",[3] is an article written by Andrew Carnegie in 1889[4] that describes the responsibility of philanthropy by the new upper class of self-made rich. Carnegie proposed that the best way of dealing with the new phenomenon of wealth inequality was for the wealthy to redistribute their surplus means in a responsible and thoughtful manner. This approach was contrasted with traditional bequest (patrimony), where wealth is handed down to heirs, and other forms of bequest e.g. where wealth is willed to the state for public purposes. Carnegie argued that surplus wealth is put to best use (i.e. produces the greatest net benefit to society) when it is administered carefully by the wealthy. Give to give anew[edit] Carnegie based his philosophy on the observation that the heirs of large fortunes frequently squandered them in riotous living rather than nurturing and growing them. Assertions[edit] Carnegie Libraries[edit] See also[edit]

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