How storytelling is changing in the modern world - Future Tense Most discussion around the future of storytelling tends to focus on the woes of the publishing industry, or fears of diminishing attention spans in the age of social media. Antony Funnell spoke with three novelists who see new technologies as a way to increase engagement and expand the creative dimension of telling tales. The novella: the perfect length of story for the chronically busy A novella is a brief novel, a midway point between a short story and a lengthy tome.
15 Examples of Brilliant Visual Storytelling On Instagram On social media, it is the people and the brands who tell the most interesting stories that build the massive audiences. Instagram calls itself a visual inspiration platform and the best way to inspire others is through the power of visual storytelling. On Instagram, the best brand storytelling involves telling snackable, micro-stories that tie into the brand’s values, mission, and purpose. Can Students ‘Go Deep’ With Digital Reading? Mark Pennington’s students often read on their laptops. Pennington, who’s a reading specialist in Elk Grove near Sacramento, Calif., sees a need to teach kids how to read digitally and stay engaged, and thinks that digital reading will eventually catch up to what kids can do reading print. When asked if his seventh-graders are more engaged when reading from digital readers or in print, he said it depends — motivation and environment play a big role.
The first great works of digital literature are already being written It’s an unfortunate feature of working as both a novelist and a games designer that I end up sitting through a lot of panels, round-tables, conferences, discussions and other exercises in head-nodding where digital people try to get to grips with storytelling, or where story people try to understand the digital world. Both these types of event have their aggravations. When digital people run workshops or colloquia or jams (there are infinite names for the basic principle of bringing people together in combination with coffee) about storytelling, they often seem not to notice that quite a lot of very clever people have been thinking very hard about stories for, oh, the past 3,000-4,000 years.
The real future of electronic literature IAIN PEARS's new novel "Arcadia" comes as a 600-page hardback, as befits the current trend for literary doorstoppers. But that's not how the book was conceived and written. "Arcadia" the app, came first, and is another creature altogether. The e-novel gathers up ten characters in three different worlds, and presents them as a skein of coloured, intersecting lines. Short bursts of text propel the characters onward, or across into another storyline: the choice depends upon the reader.
Is fiction good for you? How researchers are trying to find out It's assumed that reading fiction is good for your mental health, but evidence linking Jane Eyre or Anna Karenina to a broadened mind has been mostly anecdotal. In a Review published on July 19 in Trends in Cognitive Sciences, a psychologist-novelist delves into that issue, arguing that reading or watching narratives may encourage empathy. By exploring the inner lives of characters on the page, readers can form ideas about others' emotions, motives, and ideas, off the page. This intersection between literature and psychology has only taken off in the last few years, says Keith Oatley, a Professor Emeritus of the University of Toronto Department of Applied Psychology and Human Development. "There's a bit of a buzz about it now," he says. "In part, because researchers are recognizing that there's something important about imagination."
No grades, no timetable: Berlin school turns teaching upside down Anton Oberländer is a persuasive speaker. Last year, when he and a group of friends were short of cash for a camping trip to Cornwall, he managed to talk Germany’s national rail operator into handing them some free tickets. So impressed was the management with his chutzpah that they invited him back to give a motivational speech to 200 of their employees. Anton, it should be pointed out, is 14 years old. The Berlin teenager’s self-confidence is largely the product of a unique educational institution that has turned the conventions of traditional teaching radically upside down. At Oberländer’s school, there are no grades until students turn 15, no timetables and no lecture-style instructions.
Kids & Family Reading Report In late 2015, Scholastic, in conjunction with YouGov, conducted a survey to explore family attitudes and behaviours in Australia around reading books for fun. The key findings of this research, based on a nationally representative sample of 1,748 parents and children, including 358 parents of children aged 0–5; 695 parents of children aged 6–17; plus one child aged 6–17 from the same household, are as follows: The State of Kids & Reading See the full data > >
Immersive storytelling is everywhere and there’s no going back Immersive storytelling is a technique that is finding its way into new spaces such as theatres, games, documentaries, advertising and journalism. The aim is to give people the feeling of really ‘being there’, calling on 3D gaming, virtual and augmented reality technologiesin the process. Tech is making our media more entertaining, hard-hitting and unique. Over the last year, immersive storytelling has erupted. Here are four recent examples of how to do it well. What books can learn from the Web / What the Web can learn from books In university I studied Philosophy, and Engineering, in a program called Applied Mathematics. I loved studying philosophy; engineering less so. I found the engineering courses, mostly, dry, and I had trouble getting my term work done. When the end of term came along, I generally had something like three engineering courses, and two math courses to learn in their entirety, as well as two or three big philosophy papers to write, coupled with the readings I needed to do to feed into those papers. I usually had to ace my engineering finals (to overcome those mid-term bumps), and writing philosophy papers, no matter when it happened, always took soul-wrenching commitment.
Neil Gaiman on Why We Read and What Books Do for the Human Experience The question of why we read and what books actually do for us is as old as the written word itself, and as attractive. Galileo saw reading as a way of having superhuman powers. For Kafka, books were “the axe for the frozen sea within us”; Carl Sagan held them as “proof that humans are capable of working magic”; James Baldwin found in them a way to change one’s destiny; for Polish Nobel laureate Wisława Szymborska, they stood as our ultimate frontier of freedom. But one of the finest, most dimensional inquiries into the significance of books and the role of reading in human life comes from Neil Gaiman in a beautiful piece titled “Why Our Future Depends on Libraries, Reading and Daydreaming.” Gaiman considers how the act of reading changes us, “what it’s good for”:
Write Effective Learning Objectives Ready to watch this entire course? Become a member and get unlimited access to the entire skills library of over 4,900 courses, including more Education + Elearning and personalized recommendations. Start Your Free Trial Now Overview Transcript View Offline Exercise Files Released Setting clear expectations is the foundation to good instruction and the key to helping students achieve desired learning outcomes. “Twitter, the most brilliant tough love editor you’ll ever have.” Reading and writing socially during the Twitter Fiction Festival The communication practice of tweeting has fostered numerous literary experiments, like Teju Cole’s series “Small fates” and Jennifer Egan’s novel “Black box”. In late 2012, these experiments culminated in an event that focused on such literary experiments: the first Twitter Fiction Festival. In this paper, we explore how people who participated in the festival use tweeting to embrace and enact writing and reading literature as a social experience. The study includes a participant-centered inquiry based on two one-hour Twitter discussions with 14 participants from the Twitter Fiction Festival as well as analyses of their online literary works and secondary sources related to the festival.