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Stanley Kubrick

Stanley Kubrick
Stanley Kubrick (/ˈkuːbrɪk/; July 26, 1928 – March 7, 1999) was an American film director, screenwriter, producer, cinematographer and editor who did much of his work in the United Kingdom. Part of the New Hollywood film-making wave, he is regarded as one of the greatest and most influential directors of all time. His films, typically adaptations of novels or short stories, are noted for their "dazzling" and unique cinematography, attention to detail in the service of realism, and the evocative use of music. Kubrick's films covered a variety of genres, including war, crime, literary adaptations, romantic and black comedies, horror, epic, and science fiction. Kubrick was also noted for being a demanding perfectionist, using painstaking care with scene staging, camera-work and coordinating extremely closely both with his actors and his behind-scenes collaborators. Early life[edit] Kubrick as an infant with his father, Jack Photographic career[edit] Film career[edit] Short films[edit] R. A.I. Related:  G-L

Jean-Luc Godard Jean-Luc Godard (French: [ʒɑ̃lyk ɡɔdaʁ]; born 3 December 1930) is a French-Swiss film director, screenwriter and film critic. He is often identified with the 1960s French film movement La Nouvelle Vague, or "New Wave". Like his New Wave contemporaries, Godard criticized mainstream French cinema's "Tradition of Quality", which "emphasized craft over innovation, privileged established directors over new directors, and preferred the great works of the past to experimentation." In a 2002 Sight & Sound poll, Godard ranked third in the critics' top-ten directors of all time (which was put together by assembling the directors of the individual films for which the critics voted).[6] He is said to have "created one of the largest bodies of critical analysis of any filmmaker since the mid-twentieth century." Early life[edit] Early career (1950–59)[edit] Film criticism[edit] In Paris, in the Latin Quarter just prior to 1950, ciné-clubs (film societies) were gaining prominence. Filmmaking[edit]

Ho‘okuleana: Kyoto Gardens Driving down the Pali, after you pass Kapena Falls, off to the right are a number of cemeteries (including Mauna ʻAla, Oʻahu Cemetery and others – including Honolulu Memorial Park.) Part of the Honolulu Memorial Park, rising out of the foliage, is the Sanju Pagoda – it’s discernible and it’s deteriorating. With over 20-years of neglect, the neoprene roofing material has sprung leaks, exposing the reinforced concrete rafters to weakening moisture and decay. The pagoda is the only concrete pagoda outside of Japan and is built in the authentic fashion of a wood-constructed pagoda. The neoprene was supposed to be the best thing ever, but it turned out to be not so good. Located in the eastern half of the Honolulu Memorial Park, Kyoto Gardens consists of two large columbarium (a structure of vaults lined with recesses for urns holding a deceased’s cremated remains) structures and a Japanese garden. The inscription on the bell was written in both Japanese and English.

Michael Haneke In 2013 Haneke won the Prince of Asturias Award for the arts. Life and career[edit] Haneke was born in Munich, Germany, the son of the German actor and director Fritz Haneke and the Austrian actress Beatrix von Degenschild. His stepfather, the composer Alexander Steinbrecher (de), had later married the mother of actor Christoph Waltz.[6] Haneke was raised in the city of Wiener Neustadt, Austria, and later attended the University of Vienna to study philosophy, psychology and drama after failing to achieve success in his early attempts in acting and music. After graduating, he became a film critic and from 1967 to 1970 he worked as editor and dramaturg at the southwestern German television station Südwestfunk. He made his debut as a television director in 1974. Haneke says that films should offer viewers more space for imagination and self-reflection. His next film will be entitled Flashmob. Stage work[edit] Quotes[edit] —From "Film as catharsis".[15] Filmography[edit] Feature films[edit]

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Werner Herzog Werner Herzog Stipetić (German: [ˈʋɛɐ̯nɐ ˈhɛɐ̯tsoːk ˈstɪpɛtɪt͡ʃ]; born 5 September 1942), known as Werner Herzog, is a German film director, producer, screenwriter, author, actor and opera director. Herzog is considered one of the greatest figures of the New German Cinema, along with Rainer Werner Fassbinder, Margarethe von Trotta, Volker Schlöndorff, Werner Schröter, and Wim Wenders. Herzog's films often feature heroes with impossible dreams,[1] people with unique talents in obscure fields, or individuals who are in conflict with nature.[2] French filmmaker François Truffaut once called Herzog "the most important film director alive. Early life[edit] Herzog was born Werner Herzog Stipetić in Munich, to a German father, Dietrich Herzog, and a Croatian mother,[5] Elizabeth Stipetić. In the early 1960s, Herzog worked nightshifts as a welder in a steel factory to help fund his first films. Career[edit] Werner Herzog's star in Boulevard der Stars in Berlin. Film theory[edit] Collaborations[edit]

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Kim Jee-woon Kim Jee-woon (born May 27, 1964) is a South Korean film director and screenwriter.[1] Kim Jee-woon has a history of successfully tackling a wide range of film genres, garnering a cult following among fans of Asian cinema.[2] Career[edit] Summary[edit] Kim started out directing theater, but has worked with increasing levels of success in cinema, showing accomplished acting and a detailed stylization in his films.[3] Kim also pays careful attention to the release of his films on DVD and goes to greater than usual lengths to package them with extensive documentary materials and revealing commentary tracks.[4] Kim is growing substantially both as a director and a visual stylist as demonstrated by two of his most recent films A Tale of Two Sisters and A Bittersweet Life both of which were received as critical and commercial successes.[4] The Quiet Family[edit] The Foul King[edit] In 2000, Kim directed and wrote his second feature film, The Foul King (2000), re-uniting again with Song Kang-ho.

Purple Heaven by Dolce Mela, 6-PC King Size Egyptian Cotton Duvet Cover Set in a Beautiful Dolce Mela Gift Box DM442K Artistic purple floral patterns are painted and fade into a white background to create a unique and modern effect for a romantic bedroom. These superb Dolce-Mela bedding sets are crafted with State of the Art reactive printing plates and natural plant dyes on 100% Egyptian cotton and feature exclusive panel designs of Hi-Res prints that retain their vibrant colors for many years with proper washing. Decorate with style or treat a friend with a housewarming gift or bridal shower gift.

Ann Hui Ann Hui On-Wah, MBE (traditional Chinese: 許鞍華; simplified Chinese: 许鞍华; pinyin: Xǔ Ānhuá; Hepburn: Kyo Anka; born 23 May 1947 to a Chinese father and a Japanese mother[1][2]) is a Hong Kong actress, film director, film producer and occasional screenwriter, one of the most critically acclaimed amongst the Hong Kong New Wave. She is best known for her controversial films surrounding the topics of social issues in Hong Kong. Early Life and education[edit] On 23 May 1947, Ann Hui was born in Anshan, Liaoning province, Manchuria to a Chinese father and a Japanese mother. Career[edit] One of her most personal work is Song of the Exile (1990), a semi-autobiographical film. In the 1990s, Hui’s work began to target more commercialized films. Transition from television to film[edit] Post-hiatus work[edit] In 2002, her July Rhapsody, the companion film to Summer Snow and about a middle-aged male teacher facing a mid-life crisis, was released to good reviews in Hong Kong and elsewhere. Erens, Brett.

Na Hong-jin Filmography[edit] References[edit] External links[edit] Norman Jewison Early life[edit] Jewison was born in Toronto, Ontario, the son of Dorothy Irene (née Weaver) and Percy Joseph Jewison, who managed a convenience store and post office.[1] He attended Kew Beach School and Malvern Collegiate Institute, and while growing up in the 1930s displayed an aptitude for performing and theatre. Jewison was often mistaken for Jewish due to his surname, though he and his family were actually Protestant.[2] He served in the Royal Canadian Navy (1944–1945) during World War II, and after being discharged traveled in the American South, where he encountered segregation, an experience that would influence his later work.[3] Jewison attended Victoria College in the University of Toronto, graduating with a B.A. in 1949. Career[edit] Television[edit] Film[edit] Jewison's next film proved to be one of the most popular romantic films ever made. Achievements[edit] Jewison has been selected as the recipient of the lifetime achievement award from the Directors Guild of America.

Walter Hill (director) Hill said in an interview that "every film I've done has been a Western", and elaborated in another that "the Western is ultimately a stripped down moral universe that is, whatever the dramatic problems are, beyond the normal avenues of social control and social alleviation of the problem, and I like to do that even within contemporary stories".[1] Hill was born in Long Beach, California, the younger of two sons. His paternal grandfather was a wildcat oil driller; his father worked at Douglas Aircraft as a supervisor on the assembly line.[2] Hill said that his father and grandfather were "smart, physical men who worked with their heads and their hands" and had "great mechanical ability".[3] Hill's family had originally come from Tennessee and Mississippi, "one of those fallen Southern families, shirtsleeves to shirtsleeves in three generations".[4] Growing up in southern California, Hill was asthmatic as a child and, as a result, missed several years of school.[3]

John Huston Huston was known to direct with the vision of an artist, having studied and worked as a fine art painter in Paris in his early years. He continued to explore the visual aspects of his films throughout his career: sketching each scene on paper beforehand, then carefully framing his characters during the shooting[citation needed]. While most directors rely on post-production editing to shape their final work, Huston instead created his films while they were being shot, making them both more economical and cerebral, with little editing needed[citation needed]. Before becoming a Hollywood filmmaker, he had been an amateur boxer, reporter, short-story writer, portrait artist in Paris, a cavalry rider in Mexico, and a documentary filmmaker during World War II. Huston has been referred to as "a titan", "a rebel", and a "renaissance man" in the Hollywood film industry. Author Ian Freer describes him as "cinema's Ernest Hemingway"—a filmmaker who was "never afraid to tackle tough issues head on

Richard Lester Richard Lester (born January 19, 1932)[1] is an American film director based in Britain. Lester is notable for his work with The Beatles in the 1960s and his work on the Superman film series in the 1980s.[2] Early years and television[edit] Lester was born in Philadelphia, Pennsylvania. A child prodigy, he began studies at the University of Pennsylvania at the age of 15. He started in television in 1950, working as a stage hand, floor manager, assistant director and then director in less than a year, because no one else was around who knew how to do the work.[3] In 1953, Lester moved to London and began work as a director in independent television, working for the legendary low cost television producers The Danziger Brothers on episodes of Mark Saber, a half-hour detective series. A variety show he produced caught the eye of Peter Sellers, who enlisted Lester's help in translating The Goon Show to television as The Idiot Weekly, Price 2d. Film career[edit] The Beatles[edit] Superman[edit]

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