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Werner Herzog

Werner Herzog
Werner Herzog Stipetić (German: [ˈʋɛɐ̯nɐ ˈhɛɐ̯tsoːk ˈstɪpɛtɪt͡ʃ]; born 5 September 1942), known as Werner Herzog, is a German film director, producer, screenwriter, author, actor and opera director. Herzog is considered one of the greatest figures of the New German Cinema, along with Rainer Werner Fassbinder, Margarethe von Trotta, Volker Schlöndorff, Werner Schröter, and Wim Wenders. Herzog's films often feature heroes with impossible dreams,[1] people with unique talents in obscure fields, or individuals who are in conflict with nature.[2] French filmmaker François Truffaut once called Herzog "the most important film director alive."[3] American film critic Roger Ebert said that Herzog "has never created a single film that is compromised, shameful, made for pragmatic reasons or uninteresting. Early life[edit] Herzog was born Werner Herzog Stipetić in Munich, to a German father, Dietrich Herzog, and a Croatian mother,[5] Elizabeth Stipetić. Career[edit] Film theory[edit] Cast[edit] Related:  G-L

Michael Haneke In 2013 Haneke won the Prince of Asturias Award for the arts. Life and career[edit] Haneke was born in Munich, Germany, the son of the German actor and director Fritz Haneke and the Austrian actress Beatrix von Degenschild. Haneke says that films should offer viewers more space for imagination and self-reflection. His next film will be entitled Flashmob. Stage work[edit] Haneke has directed a number of stage productions in German, which include works by Strindberg, Goethe, and Heinrich von Kleist in Berlin, Munich and Vienna. Quotes[edit] "My films are intended as polemical statements against the American 'barrel down' cinema and its dis-empowerment of the spectator. —From "Film as catharsis".[15] "Pornography, it seems to me, is no different from war films or propaganda films in that it tries to make the visceral, horrific, or transgressive elements of life consumable. "Film is 24 lies per second at the service of truth, or at the service of the attempt to find the truth." Filmography[edit]

Carl Tanzler Carl Tanzler, or sometimes Count Carl von Cosel (February 8, 1877 – July 3, 1952), was a German-born bacteriologist at the United States Marine Hospital in Key West, Florida. He developed an obsession for a young Cuban-American tuberculosis patient, Elena Milagro "Helen" de Hoyos (July 31, 1909 – October 25, 1931), that carried on well after the disease had caused her death.[1] In 1933, almost two years after her death, Tanzler removed Hoyos's body from its tomb, and lived with the corpse at his home for seven years until its discovery by Hoyos's relatives and authorities in 1940.[2] Name[edit] Tanzler went by many names; he was listed as Georg Karl Tänzler on his German marriage certificate. Early life[edit] He was born as Karl Tänzler or Georg Karl Tänzler on February 8, 1877 in Dresden, Germany. Tanzler grew up in Germany. Many years ago, Carl von Cosel travelled from India to Australia with the intention of proceeding to the South Seas Islands. Maria Elena Milagro de Hoyos[edit]

Dušan Makavejev Dušan Makavejev (Serbian Cyrillic: Душан Макавејев, Serbian pronunciation: [dǔʃan makaʋɛ̌jɛʋ]) born 13 October 1932 in Belgrade, Kingdom of Yugoslavia (now Serbia) is a Serbian film director and screenwriter, famous for his groundbreaking films of Yugoslav cinema in the late 1960s and early 1970s, many of which are part of the Black Wave. His most successful movie was the 1971 political satire WR: Mysteries of the Organism, which he directed and wrote. Career[edit] Makavejev's first three feature films, Man Is Not a Bird (1965), Love Affair, or the Case of the Missing Switchboard Operator (1967, starring actress and icon of the "black wave"[1] period in film, Eva Ras) and Innocence Unprotected (1968), won him international acclaim. His 1971 movie W.R.: Mysteries of the Organism (starring Milena Dravić, Jagoda Kaloper, and Ivica Vidović) was banned in Yugoslavia due to its sexual and political content and resulted in Makavejev's exile from the country until 1988. Filmography[edit]

Jean-Luc Godard Jean-Luc Godard (French: [ʒɑ̃lyk ɡɔdaʁ]; born 3 December 1930) is a French-Swiss film director, screenwriter and film critic. He is often identified with the 1960s French film movement La Nouvelle Vague, or "New Wave". Like his New Wave contemporaries, Godard criticized mainstream French cinema's "Tradition of Quality", which "emphasized craft over innovation, privileged established directors over new directors, and preferred the great works of the past to experimentation." To challenge this tradition, he and like-minded critics started to make their own films. In a 2002 Sight & Sound poll, Godard ranked third in the critics' top-ten directors of all time (which was put together by assembling the directors of the individual films for which the critics voted).[6] He is said to have "created one of the largest bodies of critical analysis of any filmmaker since the mid-twentieth century." Early life[edit] Early career (1950–59)[edit] Film criticism[edit] Filmmaking[edit] Films[edit]

Francis Bacon (artist) Francis Bacon in his studio Francis Bacon (28 October 1909 – 28 April 1992) was an Irish-born British figurative painter known for his bold, graphic and emotionally raw imagery.[1] His painterly but abstracted figures typically appear isolated in glass or steel geometrical cages set against flat, nondescript backgrounds. Bacon began painting during his early 20s and worked only sporadically until his mid-30s. He often said in interviews that he saw images "in series", and his artistic output typically focused on a single subject or format for sustained periods. During his lifetime, Bacon was equally reviled and acclaimed. Bacon's birthplace at 63 Lower Baggot Street, Dublin He had an older brother, Harley, five years his senior,[11] two younger sisters, Ianthe and Winifred, and a younger brother, Edward. Bacon spent late 1926 in London, with an allowance of £3 a week from his mother's trust fund, living on his instincts, 'drifting', and reading Nietzsche.

Joshua Oppenheimer Joshua Lincoln Oppenheimer (born September 23, 1974) is an American film director based in Copenhagen, Denmark.[1][2] Life and career[edit] Oppenheimer was born in Austin, Texas, and grew up in and around Washington, DC, and Santa Fe, New Mexico. Oppenheimer received a Bachelor of Arts (BA) summa cum laude in filmmaking from Harvard University. And a Ph.D. from Central Saint Martins College of Art and Design, University of the Arts London, while studying on a Marshall Scholarship. His first film The Entire History of the Louisiana Purchase (1997) won a Gold Hugo from the Chicago International Film Festival (1998)[3] From 2004 to 2012, he produced a series of films in Indonesia. Oppenheimer appeared on The Daily Show on August 13, 2013 to talk about The Act of Killing.[7] The Act of Killing has been nominated for an Oscar, the Academy Award for Best Documentary Feature at the 86th Academy Awards.[8] Filmography[edit] Books[edit] Acting on AIDS: Sex, Drugs & Politics (Acting on AIDS).

Stanley Kubrick Stanley Kubrick (/ˈkuːbrɪk/; July 26, 1928 – March 7, 1999) was an American film director, screenwriter, producer, cinematographer and editor who did much of his work in the United Kingdom. Part of the New Hollywood film-making wave, he is regarded as one of the greatest and most influential directors of all time. His films, typically adaptations of novels or short stories, are noted for their "dazzling" and unique cinematography, attention to detail in the service of realism, and the evocative use of music. Kubrick's films covered a variety of genres, including war, crime, literary adaptations, romantic and black comedies, horror, epic, and science fiction. Kubrick was also noted for being a demanding perfectionist, using painstaking care with scene staging, camera-work and coordinating extremely closely both with his actors and his behind-scenes collaborators. Early life[edit] Kubrick as an infant with his father, Jack Photographic career[edit] Film career[edit] Short films[edit] R. A.I.

Wyoming Wyoming Geography[edit] Location and size[edit] Thunder Basin National Grassland close to Douglas, Wyoming A backcounty road in the southeastern Wyoming mountains. As specified in the designating legislation for the Territory of Wyoming, Wyoming's borders are lines of latitude, 41°N and 45°N, and longitude, 104°3'W and 111°3'W (27° W and 34° W of the Washington Meridian), making the shape of the state a latitude-longitude quadrangle.[5] Wyoming is one of only three states (along with Colorado and Utah) to have borders along only straight latitudinal and longitudinal lines, rather than being defined by natural landmarks. Mountain ranges[edit] The Snowy Range in the south central part of the state is an extension of the Colorado Rockies in both geology and appearance. Wyoming terrain The Teton Range in the northwest extends for 50 miles (80 km), part of which is included in Grand Teton National Park. Islands[edit] Public lands[edit] Map of Wyoming: National Parks and NPS sites Parks[edit] John D.

A Heart in Winter A Heart in Winter (fr. Un cœur en hiver) is a French film which was released in 1992. It was directed by Claude Sautet, stars Emmanuelle Béart, Daniel Auteuil and André Dussollier, and is distributed by Koch-Lorber Films. Plot[edit] The film is set in contemporary Paris and centres on three characters: Maxime (Dussollier), Stéphane (Auteuil) and Camille (Béart), caught in a love triangle. Music[edit] An important part of the film is the use of chamber music by Maurice Ravel, played by Jean-Jacques Kantorow (violin), Howard Shelley (piano) and Keith Harveyr (cello). Production notes[edit] Béart and Auteuil were in a relationship during the making of this film. Lermontov Reference[edit] Sautet's film was said to be based on "his memories of" A Hero of Our Time - an 1839 Russian novel by Mikhail Lermontov. References[edit] External links[edit]

Kim Jee-woon Kim Jee-woon (born May 27, 1964) is a South Korean film director and screenwriter.[1] Kim Jee-woon has a history of successfully tackling a wide range of film genres, garnering a cult following among fans of Asian cinema.[2] Career[edit] Summary[edit] Kim started out directing theater, but has worked with increasing levels of success in cinema, showing accomplished acting and a detailed stylization in his films.[3] Kim also pays careful attention to the release of his films on DVD and goes to greater than usual lengths to package them with extensive documentary materials and revealing commentary tracks.[4] Kim is growing substantially both as a director and a visual stylist as demonstrated by two of his most recent films A Tale of Two Sisters and A Bittersweet Life both of which were received as critical and commercial successes.[4] The Quiet Family[edit] The Foul King[edit] In 2000, Kim directed and wrote his second feature film, The Foul King (2000), re-uniting again with Song Kang-ho.

Shigeru Miyamoto Shigeru Miyamoto (宮本 茂, Miyamoto Shigeru?, born November 16, 1952[1]) is a Japanese video game designer and producer. He is best known as the creator of some of the best-selling, most critically acclaimed, most enduring, and most influential games and franchises of all time. Miyamoto was born and raised in Kyoto Prefecture; the natural surroundings of Kyoto inspired much of Miyamoto's later work. Early life Miyamoto was born in the Japanese town of Sonobe, a rural town northwest of Kyoto,[3] on November 16, 1952. Miyamoto graduated from Kanazawa Municipal College of Industrial Arts with a degree in industrial design[3] but no job lined up. Western genre television shows had a major influence on Miyamoto.[8] Career 1977–1984: Arcade beginnings; Donkey Kong Nintendo, a relatively small Japanese company, had traditionally sold playing cards and other novelties, although it had started to branch out into toys and games in the mid 1960s. 1990–2000: SNES and N64; Super Mario 64 and Ocarina of Time

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