Film Network - FilmMaking - Guide - Related Links: Recommended Watching. Production Resources - Production Design - LibGuides at Art Center College of Design. The Hand Prop Room Website has inventory listed w/images. Student discounts available. www.hpr.com/ 5700 Venice Boulevard Los Angeles, CA 90019-5096 (323) 931-1534 Business Hours: Rental: Monday-Friday 7:00am-7:00pm Returns: Monday – Friday 8:00am-6:00pm Modern Props Inc www.modernprops.com 2 Locations 13013 Saticoy St., North Hollywood, CA 91605 Phone (818) 255-0800 Mon-Fri 8 am - 5 pm 5500 West Jefferson Boulevard, Los Angeles, CA 82 ft N Omega Cinema Props www.omegacinemaprops.com/ 5857 Santa Monica Boulevard Los Angeles, CA 90038-2001 (323) 466-8201 Universal Prop House NBC Universal Property Department 100 Universal City Plaza 8166/1 Universal City, CA 91608 Phone: 818-777-2784 Hours: 6am - 5pm (Student hours are 7am - 4pm) LCW Props www.lcwprops.com/ 6439 San Fernando Rd, Glendale, CA 91201 Practical Props Practical Props is a lighting business that specializes in the Rental and Sales of new, vintage and reproduction lighting. 2 Locations.
Macedonia Films | Where's your destination? Film Network - FilmMaking - Guide - What Makes a Good Short? Film School in a Box. Making Model Miniatures for Special FX. All the movies make sense now. Movie Poster Cliches. Peter Szewczyk. Independent Film Artists Network - Independent Film Artists Network.
International Movie Trailer Festival. Online Video Contests - #1 most updated video contest site on the web! Kanaal van afi. HUIS ZONDER GRENZEN. Shoulder rig for DSLR & Camcorders. Reviews written by tieman64. Learn Video Production, Digital Video Editing, Camcorder Reviews, Videography. The Perfect Plan: Storyboard and Shot List Creation. Script creation is a task that requires lots of time, work and planning. In fact, planning is probably the heart and soul of the production. The proper planning and legwork must be accomplished or even the best script will fall flat on its face. There are many aspects to pre-production planning, but we're just going to focus on two of them here: the storyboard and the shot list.
If you're working on a small production, then you might get to do everything yourself! If you have much of a budget, then some of this planning can be done in conjunction with other members of your crew. In Living Color Your first planning tool, the storyboard, is essentially a comic book of your production. Why is this so important?
There are many options available for storyboard creation. Sketchin' Away Before you begin the storyboard, study your shooting locations in detail. To create a storyboard on paper, put two rows of boxes on the page with ample space above and below each row for making notes. Pre-Production Planning:Three Easy Approaches to Creating a Video Treatment that Works for You. Even if you are the producer, the shooter, the editor, the distributor and marketing director, taking the time to generate a video treatment will help you present a clearer idea to others and help you stay on track when the time comes to make your production happen. Focus! Focus! That ring on the camera isn't the only tool important for generating a sharp image.
Your video treatment can be the focus ring for your project, keeping you and your production crew, as well as your potential backers, all clearly aware of what you're trying to say and how you want to say it. Step One: A Sticky Approach I have two personal favorites when it comes to generating video treatments and one of them is the Post-It note.
They only look haphazardly placed. I can get by with one square but my average is six if I take this approach to getting my video treatment down dirty and to the point. As simple as it sounds, a video treatment has just been created. Step Two: Shuffle the Cards Step Three: Show and Tell. Creative COW: Creative Communities of the World. Looking for film look? Shoot like film! Creative COW Magazine. Film Riot > All Episodes. DJTV. HSX.com – Hollywood Stock Exchange. Trade movies, stars and more. How the Failure of the Hollywood Stock Exchange Exposed the Movie Industry's Worst Fear. The first time the brokerage firm Cantor Fitzgerald realized it could make money by turning armchair speculation about weekly movie grosses into an actual futures-trading market was nine years ago.
The company had just bought Hollywood Stock Exchange (HSX.com), an Internet game that had, in the late nineties, become a kind of rotisserie league for movie buffs who fancied themselves experts in predicting weekend hits and flops. HSX was (and is) simple Sign up, and you’re promptly given $2 million in fake money to bet on any movie’s performance in its first four weeks in U.S. theaters. As I write, Peter Jackson’s The Hobbit: Part One is trading at $154.51 a share, which means HSX players expect it to gross $155 million in its first month—not bad for a movie that doesn’t exist. If that price rises, shareholders make “money”; if expectations for the film sink, their “cash” diminishes; meanwhile, skeptical “investors” can “short” the movie and hope it underperforms.
It was not to be.
Script. Editing.