The Thrill of the Top. «Manhattanhenge», quand le soleil honore New York. New York avec moi... The High Line. Chelsea-The High Line. Elevated Visions July 11, 2004 By JULIE V. IOVINE Proposals for the High Line THE High Line is an abandoned 1.5-mile stretch of overgrown railroad viaduct that runs from the Meatpacking district to Hell's Kitchen — and straight into the imaginations of a growing number of New Yorkers who see it as proof that, even in an urban jungle, the forces of nature are still at work. The idea to turn the old freight route, once condemned to demolition, into a public park has gained momentum over the past five years, culminating in a design competition that attracted 52 entries.
On July 16 the proposals of four finalists will go on display at the Center for Architecture on LaGuardia Place near Bleecker Street. By most standards, the High Line possesses none of the qualities of a park. Last year, the Friends of the High Line, a group of artists, writers and concerned neighbors, invited architects, designers and homegrown visionaries to submit blue-sky ideas for the track's future.
By Albert Amateau. The Sandpit. Christo's Gates. A Filmmaker's 50 Years of Reassuring Intimacy By KATHRYN SHATTUCK The scene left a lot to the imagination. On a sun-drenched day last week in Central Park, the only evidence of "The Gates," New York City's biggest public art project ever, was several thousand dark steel bases poking through a layer of snow. But for the 78-year-old filmmaker Albert Maysles, whose mission it has been to record a quarter-century of work on the project by the artists Christo and Jeanne-Claude, the site had potential.
The saffron-colored panels that will billow across 23 miles of park footpaths will not be unfurled until Saturday, but 11 days in advance, Mr. Maysles knew that people would already be talking about it. "I'd like to find a group already involved in a discussion about the work," he said, alighting from a golf cart at the Great Lawn. A barely perceptible frown clouded the white-haired filmmaker's face, framed by black spectacles.
And so began the first of Mr. Mr. Mr. Mr. Mr. It was Mr. Mr. Centralpark_iko_2005043_lrg.jpg (Image JPEG, 3696x4422 pixels) Ground Zero Now - Interactive Feature.