TV Shows - Dr. Horrible's Sing-Along Blog, Acts 1, 2 & 3. 'Titanic': 'Downton Abbey' Creator Julian Fellowes Brings The Titanic To Life In New ABC Special. The "Titanic" miniseries will follow the stories of characters from steerage, second class and first class, as well the servants and the officers. Its premiere will mark 100 years since the RMS Titanic sank on its maiden voyage to New York on April 15, 1912 after hitting an iceberg, costing the lives of approximately 1,500 people. Fellowes' "Titanic" will make its US debut on Saturday, April 14 at 8:00 p.m. EST on ABC. Parts one, two and three will air on April 14, and the miniseries will conclude with part four on Sunday, April 15 at 9:00 p.m.
EST. "Titanic" will also air on ITV in the UK. Get a first look of Fellowes' "Titanic" below, with a gallery of stills as well as two ITV promos. Launch Slideshow. The Fades Season 1 on Blu-ray and DVD. Watch TV Online. Looking to watch tv online? Our online tv directory offers every site you will need to watch tv online. Stream all episodes and seasons of your favorite tv shows or watch live sports online for free here.
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The Ultimate Guide to 2012's Science Fiction and Fantasy TV. Misfits is certainly edgier than any America superhero show on now or before. The kids have killed what 4 people so far? A few that didn't even need to be killed either so they're aren't really even heros just idiots with super powers. So it would make sense to want to make an American version just that for it get aired on anything other than cable in America they'd have to tone it down so much that it would lose the edge that made it unique. So I agree with you making an American version is dumb but for different reasons. I'd argue that Life on Mars at least had exactly the problem you're describing - the show was very culturally specific and was destroyed by the translation. I've always thought of Misfits as "the British version of Heroes," but there's nothing specifically British about the characters and situation (super-powered disaffected teenagers could be anywhere).
I agree, I think it'll fail. People still tune in for House, so, Americans can like assholes. How Dan Harmon Drives Himself Crazy Making Community | Magazine. Harmon works long, irregular hours on the set of Community, now in its third season on NBC.Photo: Joe Pugliese The circles are everywhere, if you know to look for them. They’re on the whiteboards around Dan Harmon’s office, on sheets tacked to his walls, on a notepad on the floor of his car. Each one is hand-drawn and divided into quadrants with scribbled notes and numbers sprouting along the edges. They look like little targets. Harmon, 38, is the creator of Community, a sitcom about a group of community-college study buddies and the most giddily experimental show on network TV. 1. Harmon calls his circles embryos—they contain all the elements needed for a satisfying story—and he uses them to map out nearly every turn on Community, from throwaway gags to entire seasons. Harmon tells me this over dinner on a midsummer night in Hollywood.
Harmon doesn’t seem like the kind of guy you’d find running a $45 million-a-year network sitcom. Not that Harmon seems to be enjoying any of this. Best of 2011: Pop Culture’s Tastiest Bits | Underwire. Director David Fincher Takes On The Girl With the Dragon Tattoo | Magazine. Rooney Mara as Lisbeth Salander in The Girl With the Dragon Tattoo.Photo: Merrick Morton A few months ago, David Fincher was having a problem with his new movie. This in itself wasn’t especially surprising, as Fincher’s productions seem to attract crises of the cosmic-joke variety, be they midshoot injuries (Se7en), last-minute casting switcheroos (Panic Room), or on-the-fly script rewrites (Alien3).
Despite the director’s meticulous planning—he can spend years preparing for a film—something usually goes awry. He’s used to it. “All movies are a trial,” he says matter-of-factly. “It’s war.” But this latest battle was unique. For much of the past year, Fincher has been filming The Girl With the Dragon Tattoo, his roughly $100 million adaptation of the macabre Swedish mystery that centers on a punk-hacker heroine with distinctive skin art.
When Fincher began planning the reshoot, he learned that the property had been sold to one of the guys in ABBA.