Jean-Claude Pascal - Nous les amoureux. Hexagone Gay - Jean-Claude Pascal. L’Eurovision : un concours gay friendly et intégrateur. Aimer l'eurovision, une faute de goût ? The Jaynetts - Sally go ‘round the roses. Sally Go 'Round the Roses. "Sally Go 'Round the Roses" is the name of a 1963 hit by The Jaynetts, a Bronx-based one-hit wonder girl group, released by J&S Records on the Tuff label. Background[edit] The producer of "Sally Go 'Round the Roses," Abner Spector, was an A&R man for the Chicago-based Chess Records. Spector was responsible for the Corsairs' 1962 number 12 hit "Smoky Places," which had been released on Tuff, a subsidiary of J&S Records. In the summer of 1963, Spector asked J&S owner, Zelma "Zell" Sanders, to assemble a vocal ensemble to record a girl group style record to which end Sanders wrote the song "Sally Go 'Round the Roses," with Spector's wife Lona Stevens, drawing inspiration from the nursery rhyme "Ring Around the Rosie.
" The songwriting copyright for "Sally Go 'Round the Roses" is now in the name Abner Spector who died in 2010; Zell Sanders died in 1976.[1] The arrangement for "Sally Go 'Round the Roses" was provided by Artie Butler, who recalls Spector "asked me to listen to [the] song... February 2004. The Jaynetts. The Jaynetts, from The Bronx, NY, recorded one of the more discussed recordings of all time, the mystical-sounding "Sally Go Round the Roses," which shot to number two on the pop charts in 1963. The Jaynetts were a female R&B group from the Bronx.
Formed by producer/composer J & S Records label owner Zelma "Zell" Sanders, the Jaynetts were really more a studio concoction than a group. In fact, the three women in the usual Jaynetts publicity photo may not even be the Jaynetts that recorded the song. There were at least five female vocalists on the date the song was recorded-- Johnnie Louise Richardson, Ethel Davis, Mary SueWells, Yvonne Bushnell, and Ada Ray. Zell had recorded for Hearts as a group and was looking to form a second group to absorb some of the Hearts' overflow members. The first Jaynnet single under the group's name was "I Want To Be Free" in 1958 was actually from Baby Washington and the Hearts 1957 Sally, Go 'Round The Roses was a number two song for the Jaynetts in 1963.
Sally Go Round The Roses by The Jaynetts Songfacts. Songfacts®: You can leave comments about the song at the bottom of the page. The Jaynettes were a combination of singers from The Clickettes and The Hearts. Producer Abner Spector put the group into the recording studio for a week. The melody was an adaptation of an old English nursery rhyme. The unique arrangement was the brainchild of Artie Butler, who says though he never got paid for his work, the record gave him his very first credit as an arranger. He played and separately recorded all the instrumental tracks himself except for the guitar, adding a different kind of reverb for each instrument. The B-side consisted of just the band tracks without vocals.
Comments (17): Amy Grant The top Contemporary Christian artist of all time on song inspirations and what she learned from Johnny Carson. Joe Ely The renown Texas songwriter has been at it for 40 years, with tales to tell about The Flatlanders and The Clash - that's Joe's Tex-Mex on "Should I Stay or Should I Go? " Byrd E. Bath & the Gay Blades - A bar is a bar. Camp Records. Queer Music Heritage Home Page The Most Outrageous (and Queerest) Record Label of the 60s by JD Doyle Almost nothing is known about the mysterious 60's record label Camp Records. They released an album and 10 45 rpm records of gay parody songs, most done with effeminate voices. I believe they were issued in the early 60's, as they all appeared in an ad in the gay magazine Vagabond, dated 1965. The address on the album record jacket was PO Box 3213, Hollywood, California, and it credited all selections to "Different Music Co, Hollywood.
" The artists singing most of the songs were uncredited, or with names obviously made up, like Byrd E. A second album released on the label was called "Mad About the Boy. " An amusing characteristic of the records they issued was the "label numbers" they gave them. I've tried to give as complete a history as possible of this label, as it's truly unique to our culture. JD Doyle [click on the title to hear the song, or on "mp3" to download the sound file] The Man From C.A.M.P. 16 "gay" MP3s after the jump. It's Friday night, 1965. The men are all congregating in the back room den.
Stogies are sniffed and then smoked. The best scotch is poured. A new deck of cards is opened for the weekly poker match. Songs by bawdy, buxom beauties* (mp3 download), and were a mainstay in the secret private world of men, much to the chagrin of the US Postal Service. But what of those men of a more "gay" disposition?
Fortunately for this under-served group, the early 1960s saw the brief rise of Camp Records (aka Different Music Company). The legendary comedian (whose real name is actually Jacob Cohen) vehemently denied any connection to his Camp records namesake, and upon listen it is pretty obvious that this is not the same voice that moans about "no respect". But enough trivia about names - what of Camp Records? I was first introduced to their wonderful vinyl subculture through a roommate of mine who found The Queen Is in the Closet while working at a record store. I'm So Wet. The Beatles - You’ve got to hide your love away.
Histpdrock01. Outing Gay Songs: 20 Tunes With Homosexual Subtexts. The Tornados - Do you come here often ? » do you come here often? – the tornados. The B-side on the final single that The Tornados released in 1966, “Do You Come Here Often?” , is acknowledged to be the first openly “gay” pop record release by a UK major label. It started off as a standard organ-inspired instrumental, but Joe Meek decided that the organ playing was a little too jazzy for the style of the group. So, about two-thirds into the song, a casual conversation between what appears to be two gay men (Dave Watts playing keyboards and Rob Gale playing guitar) was overdubbed. The scenario is the toilet in a London gay club, possibly the Apollo or Le Duce. The organist is still pumping away, but that’s only background, as the sound dims and the bar atmosphere comes in. ‘Do you come here often?’ ‘Only when the pirate ships go off air.’
‘Me too.’ ‘Well, I see pyjama styled shirts are in, then.’ ‘Well, pyjamas are OUT, as far as I’m concerned anyway.’ ‘Who cares?’ ‘Well, I know of a few people who do.’ ‘Yes, you would.’ ‘WOW! ‘Mmmmmm. (A sniffy pause) ‘Well, I must be off.’ Jon Savage on the life and death of Joe Meek | Music | Observer Music Monthly. On 12 August, 1966, the Tornados released their last ever record with Joe Meek. Beginning with the sound of waves and seagulls, 'Is That a Ship I Hear? ' bore all its producer's hallmarks: the boot-stomping drums, the extraterrestrial keyboard sound, and fierce, fierce compression. Like its predecessor, 'Pop-Art Goes Mozart', it was constructed around a gimmick. Meek hoped that the title and the ocean effects would convince the DJs on the pirate stations - Radio Caroline, Radio London, Radio City et al - to put his new record on heavy rotation.
However, this was not the Tornados' time. Yet while 'Is That a Ship I Hear? ' The scenario is the toilet in a London gay club, possibly the Apollo or Le Duce. 'Do you come here often? ' 'Only when the pirate ships go off air.' 'Me too.' 'Well, I see pyjama styled shirts are in, then.' 'Well, pyjamas are OUT, as far as I'm concerned anyway.' 'Who cares? ' 'Well, I know of a few people who do.' 'Yes, you would.' 'WOW! 'Mmmmmm. (A sniffy pause) 'Cheerio. Arletty - La femme est faite pour l’homme [1932] Hexagone Gay - Chez Michou. La Cage aux folles 2. Un article de Wikipédia, l'encyclopédie libre. La Cage aux folles 2 est un film franco-italien réalisé par Édouard Molinaro, sorti en 1980. Synopsis[modifier | modifier le code] Albin, plus connu sous le nom de Zaza, l'illustre star du cabaret « La Cage aux Folles », veut prouver à son amant Renato qu’il est encore sexy.
Il va s’asseoir en terrasse pour séduire un homme. Un espion vient l’accoster et l’emmène dans un hôtel. Avant de mourir assassiné, il lui confie à son insu un microfilm. Fiche technique[modifier | modifier le code] Distribution[modifier | modifier le code] Autour du film[modifier | modifier le code] Le film est la suite de La Cage aux folles et précède La Cage aux folles 3. Récompenses[modifier | modifier le code] Nomination au César du meilleur acteur pour Michel Serrault en 1981. Liens externes[modifier | modifier le code] (en) La Cage aux folles 2 sur l’Internet Movie Database. Priscilla, folle du désert. Un article de Wikipédia, l'encyclopédie libre. Priscilla, folle du désert (The Adventures of Priscilla, Queen of the Desert) est un film australien de Stephan Elliott réalisé en 1994.
Mettant en scène Terence Stamp, Hugo Weaving et Guy Pearce, il relate l'histoire de deux drag queens et d'une transsexuelle traversant l'Australie de Sydney à Alice Springs dans un grand bus qu'ils ont baptisé « Priscilla ». Synopsis[modifier | modifier le code] Mitzi Del Bra, une drag queen, est fatiguée de jouer dans les pubs et cabarets de Sydney, et accepte l'offre de jouer dans un casino à Alice Springs, au cœur de l'Australie. Il convainc ses deux amis et collègues de venir avec lui : Bernadette Bassenger — une transsexuelle dont le petit ami vient de mourir — et Felicia Jollygoodfellow — un jeune et irritant homosexuel et drag queen. Ils partent ainsi dans ce bus, acheté à des Suédois, qu'ils rebaptisent « Priscilla, Folle du désert ». Fiche technique[modifier | modifier le code] Oscars 1995. Patricia Carli - Demain, tu te maries.
Camp (style) Singer, actress and comedian Bette Midler is known for her camp stage shows and film characters. Camp is an aesthetic sensibility that regards something as appealing or humorous because of its ridiculousness to the viewer.[1] Camp aesthetics disrupt many modernists’ notions of what art is and what can be classified as high art by inverting aesthetic attributes such as beauty, value and taste through an invitation of a different kind of apprehension and consumption.[2] Camp can also be a social practice. For many it is considered a style and performance identity for several types of entertainment including but not limited to film, cabaret and pantomime.[3] Where high art necessarily incorporates beauty and value, camp necessarily needs to be lively, audacious and dynamic.
“Camp aesthetics delights in impertinence.” Camp opposes satisfaction and seeks to challenge [2] The concept is related to kitsch, and things with camp appeal may also be described as being "cheesy". Folles de France / repenser l'homosexualité masculine. Arrête, arrête… (Demain tu te maries) (par Patricia Carli. Juliette Gréco - Le monsieur et le jeune homme. Homosexualité dans la chanson française. Un article de Wikipédia, l'encyclopédie libre. L'homosexualité dans la chanson peut prendre plusieurs formes : même si la vie privée des artistes ne concerne qu'eux, en tant que personalités publiques, ils ont été amenés, suivant les époques, à dissimuler, assumer ou revendiquer leurs préférences; par ailleurs, les chansons elles-mêmes pouvaient caricaturer, ignorer, défendre ou militer pour cette préférence sexuelle, quelle que soit l'orientation sexuelle de ses auteurs ou de ses interprètes.
La chanson francophone[modifier | modifier le code] C'est paradoxalement grâce à des chanteurs « hétéros » que l'homosexualité va peu à peu devenir un sujet plus anodin à partir de 1968. Juliette Gréco, Régine ou Mouloudji interprètent des auteurs ouvertement « gays » comme Frédéric Botton ou Jean Genet, et surtout des textes qui évoquent l'homosexualité sans en faire un objet de condamnation ou de moquerie.
Personnalités de la chanson[modifier | modifier le code] Presse Chantons dans le placard 2011. On aime : Vous vous retrouverez dans les combles de ce grand théâtre parisien. Vous serez en sueur à la fin du spectacle (ça manque de clim… quand il fait chaud dehors), mais sous les vieilles poutres vous apprécierez l’impression d’être proche du paradis. Pour compléter la présentation officielle de la pièce, ajoutons que le spectacle vaut le détour pour différentes raisons. Il nous offre à réfléchir. En effet, voilà trois personnages, véritables archétypes des genres à l’œuvre dans nos rues, nos amitiés, nos connaissances.
La folle et sa réalité. Le minet et ses illusions. Où est l’homosexuel d’aujourd’hui ? Non, justement ! Nous avons beaucoup ri pendant le spectacle. Et si les hétéros osaient entrer dans ce théâtre pour voir cette pièce ? En attendant, chantons sans complexe et profitons de ce spectacle rafraichissant. Lionel DUROI Le 30 septembre 2011 Notre avis : DDe Suzy Solidor à Mecano (donc on ne dépasse par les années 80, et c’est tant mieux !) Gilles Taillefer Septembre 2011. Juliette Gréco: « Il faut se battre. L’homosexualité n’est pas vraiment reconnue, ce sont des mensonges. » Il faut voir Juliette Gréco sur scène, bien sûr, mais il faut aussi voir ses yeux soudainement s’illuminer à l’évocation de Miles Davis, son ancien compagnon, pour mesurer toute l’intensité du personnage. Voilà plus de 60 ans que la Gréco, infatigable, chante en France et dans le monde entier.
Nous l’avons rencontrée à l’occasion de la sortie de Je suis comme je suis, une compilation de ses plus grands succès. À 82 ans, elle ne cède sur rien: que ce soit sur son intégrité, sur les auteurs qu’elle aime, sur ses combats (le mot revient souvent dans sa bouche) ou son refus de la mort. Elle est comme elle est et c’est ça qui est bien. Un best of, c’est toujours un prétexte à faire un bilan. Pourtant vous chantez beaucoup les souvenirs, l’oubli… Oui, je chante ça. Vous n’aimez pas les choses figées… J’ai le privilège d’être encore vivante à mon âge. Vous chantez depuis 60 ans. Une vie de chanson, qu’est-ce que ça vous a appris? Que représente la scène pour vous? Ça vous plaît? Pourquoi? Régine - La Grande Zoa. BLEU BLANC ROSE 1 LES ANNEES ROUGES 1/2.
Hexagone Gay - Années 60. AMAHO : PREMIERE ASSOCIATION TRANS FRANCAISE. Une première association pour transsexuels naît aux USA dès 1945, "Harry Benjamin Association", du nom d'un des premiers physiciens à avoir travaillé sur la question trans entre les deux guerres mondiales. Dans les années 60, en France, les personnes transgenres ne relèvent que de la psychiatrie. Il n'est évidemment pas question d'opérations chirurgicales, car c'est considéré comme une mutilation, et les trans suivent généralement le chemin du Maroc lorsqu'ils désirent changer de sexe. En 1965, Marie-André Schwindenhammer, ouvre la première association "d'Aide aux MAlades HOrmonaux", l'AMAHO.
Cette personne a eu un parcours douloureux puisqu'en 1943, elle fut l'objet d'expériences nazies au Camp du Struthoff en Alsace. Capitaine de l'Armée Française, il est arrêté et condamné à mort par les Allemands qui, au lieu de le tuer, vont lui administrer des doses massives d'hormones qui vont engendrer des transformations morphologiques. Annuaire de podcast / baladodiffusion : catégorie PodFlux.net : Portail et annuaire podcast (baladodiffusion) vidéo, radio et audio gratuit et de blog - podcast radio - podcast video - annuaire et guide podcast - annuaire - vidéos - podcast sex. Barbra Streisand - Don’t rain on my parade. The Modern Homosexual's Guide To Barbra Streisand Vol. 1 - The 1960s. I was invited to a dinner party recently, which was held by a lovely couple in their 60s. I had a great time chatting with the EOGs (Extremely Old Gays) about musicals, showtunes and Liza's upcoming Australian tour.
As the night wore on, a slightly inebriated gentleman with a rather large nose put a fruit bowl on his head and burst into an impromptu rendition of "Hello Dolly" - which went down a storm with everyone except my friend who sat there with a blank look on his face. He wasn't being rude. He just didn't get the Streisand reference at all. When I explained it, he just said "who gives a shit about that old bag anyway? " Well, I was completely outraged. Call me a stereotype if you will but I think there should be a law requiring all gays to own at least one Babsi "Best Of"!
The thing is, I totally understand why younger gays find Barbra such a monumental bore. Barbra started her career singing in nightclubs way back in 1960, making her the original Queen of clubs - sorry, Dannii! The Modern Homosexual's Guide To Barbra Streisand Vol. 2 - 1970 to 1973. The Modern Homosexual's Guide To Barbra Streisand Vol. 3 - 1974 to 1977. Barbra_tetu.