background preloader

War journalism

Facebook Twitter

Pearltree qui référence les liens sur le warjournalism.

Convention européenne. Peace journalism in times of war - Susan Dente Ross, Majid Tehranian - Google Livres. Www.cco.regener-online.de/2006_2/pdf/mcgoldrick.pdf. From the Persian Gulf to Kosovo — War Journalism and Propaganda. The article reports findings from a pilot study of the discourse on Kosovo in four leading dailies from four countries: Greece, Norway, Sweden and the UK.

From the Persian Gulf to Kosovo — War Journalism and Propaganda

A combined discourse and propaganda analysis approach is applied to the first three days' coverage of the NATO bombing campaign, with the aim of studying how the various national/local contexts influenced the media discourse's relationship to the propaganda discourse in the conflict. Gilles Jacquier enquêtait bien sur Assad. Essay: When Journalists Die in War. Certain responses are to be expected whenever a journalist is killed in a war.

Essay: When Journalists Die in War

His employers will remark on his courage and devotion to duty, his colleagues on his professionalism; from close friends and family will come expressions of grief or anger. Occasionally, in the case of celebrities, a President will offer a eulogy, as did Harry Truman for Ernie Pyle, killed in the South Pacific in 1945: "No man in this war has so well told the story of the American fighting man as the American fighting man wanted it told.

" The... Subscribe Now Get TIME the way you want it One Week Digital Pass — $4.99 Monthly Pay-As-You-Go DIGITAL ACCESS — $2.99 One Year ALL ACCESS — Just $30! The Psychological Hazards of War Journalism. War journalism can be a hazardous occupation.

The Psychological Hazards of War Journalism

The current conflict in Iraq has left 33 journalists dead and many more wounded. Measuring danger by mortality is, however, only one way, albeit the most visible, of assessing the toll war takes on reporters, photographers and cameramen. What can follow in danger’s wake is often more difficult to discern and quantify for it lies within the realm of the abstract. Fear, sadness, guilt, nightmares, agitation, are just some of the symptoms of psychological distress that are a consequence of experiencing or witnessing life-threatening events. It is important to emphasize that the majority of individuals exposed to a traumatic event will not develop any formal psychiatric disorder. War Journalism Resources.

War Journalism ResourcesA Dangerous JobJournalists, too, have a role in the fight for freedom, and sometimes the risks of reporting are great.

War Journalism Resources

By Robert Leger In the United States, journalists sometimes go to jail rather than give up a source. We fight with public officials over records and meetings. We miss dates or a kid’s soccer game to cover a breaking story. The Embedded War Journalism Controversy - un knol de Adrian Robbe. Www.nordicom.gu.se/common/publ_pdf/279_nohrstedt ol.pdf. Peace journalism, war and conflict resolution - Richard Keeble, John Tulloch, Florian Zollman. The 10 most dangerous places for journalists - TrustMedia. Serious games : dans la peau d'un journaliste. InfoChange India News & Features development news India - War, peace, and journalism.

By Dilip D'Souza What is the duty of a journalist reporting on the horrors of war?

InfoChange India News & Features development news India - War, peace, and journalism

To join the chorus of chest-thumping outrage against the enemy? ‘Journalism, Not Truth, Is The First Casualty of War’ An Interview with John Pilger‘Journalism, Not Truth, Is The First Casualty of War’ WAR IS a well-produced reality show.

‘Journalism, Not Truth, Is The First Casualty of War’

Embedded journalism is the star cast. Jeu Rapporteur de guerre a beaucoup à apprendre. Michael Hastings on war journalists. Rolling Stone‘s Michael Hastings — whose 2010 article on Gen.

Michael Hastings on war journalists

Stanley McChrystal ended the Afghanistan War commander’s career by accurately reporting numerous controversial statements made in a series of interviews — embodies the pure journalistic ethos. Some of the most celebrated establishment military reporters in America attacked Hastings for that article on the ground that it violated a sacred trust between Generals and war reporters (The New York Times‘ John Burns), and even baselessly insinuated that he fabricated the quotes and then went on to impugn his patriotism when compared to The Great General (CBS News’ Lara Logan). Even worse, The Washington Post, ABC News and others irresponsibly published totally anonymous military sources claiming with no basis that Hastings violated ground-rule agreements for the interviews.

In the face of that media-military onslaught, it would have been easy for this young reporter to protect his careerist ambitions and back down. COMMENTAIRE D'HÔTES: Quand les journalistes de guerre revenir à la maison. With U.S. military involvement in Iraq ending and troops coming home, news coverage rightfully focuses on the lives of these men and women and their adjustment to noncombat roles.

COMMENTAIRE D'HÔTES: Quand les journalistes de guerre revenir à la maison

Notable stories document the challenges facing veterans who cope with physical and mental health injuries, including depression and post-traumatic stress disorder. History of War Journalism. War Journalism.

Armée

Otages. Journalisme de guerre et immersion: l'objectif subjectif. L’application Condition One propose des films documentaires immersifs et interactifs dont un fut tourné pendant la guerre de Libye.

Journalisme de guerre et immersion: l'objectif subjectif

Bouleversant notre conception de l’image et de l’information elle peut être interprétée comme un signal faible révélant les mutations propres à notre temps et ouvre sur de grands questionnements contemporains tels que la place de l’auteur, la question du récit, notre place dans le monde et notre rapport à la connaissance. Au XXe siècle, on a regardé la guerre à travers des fenêtres rectangulaires et immobiles. Des actualités cinématographiques projetées sur les toiles des cinémas de quartier à la retransmission live du spectacle des combats en passant par le photoreportage, l’image, animée ou fixe, avait un cadre, des contours fixe. Au cadre de l’image correspondait le cadre mental du photographe, du cameraman influencé par l’iconographie classique, ses règles d’or, ses perspectives, ses références picturales.

De la perspective à l'immersion. Elolink.

Intellectuels

Outils en ligne pour écouter de la musique. Témoignages. Photographes. Les armées et investigations de jounalistes. Centres. Ressources. O.N.G France. Embedded.