
Digital Writing
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by Jesse Stommel Consider the tangible violence technology has wrought upon grammar. We rely on automated grammar and spell-check tools in word-processing software (so much that they’ve become a crutch). E-mail shorthand fails to live up to the grammatical standards of typed or handwritten letters. And many believe our language is being perverted by the shortcuts (and concision nearly to the point of indifference) we’ve become accustomed to writing and reading in text messages and tweets.
The Twitter Essay | Twitter
We Who Are About To Die
Wikipedia
Podcasting is becoming increasingly common in classrooms and campuses as universities seek to capitalize on the fact that a majority of U.S. college students now own an iPod or similar MP3 player. In fact, a recent interview with podcasting impresario Rob Walch on NPR's Morning Edition revealed that the top four podcasts hosted by the very popular Liberation Syndication site all featured educational content. Educational podcasting has the potential to help students learn more efficiently and to help instructors disseminate information to students with a wider variety of learning styles. Because of this potential, the use of podcasting as a supplement to classroom practice is one of the more common topics surrounding this emerging technology. However, this approach is but one of many to using podcasting in composition studies, and it addresses but one of several discrete audiences in our discipline—students.
Expanding Composition Audiences with Podcasting
Digital Literacies for Writing in Social Media
Storytelling has been a great part of our school year, which is already winding down.
Digital Storytelling – Part I
Student Resources
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