sound
Get flash to fully experience Pearltrees
BorisChimp504 Thinking in building one of these. wired.com/wiredscience/2… Very handy for a space travel to take a nap in orbit between trips. 61 days ago · reply · retweet · favorite
[BORIS CHIMP 504]
Drawing « RICK JONES PROJECTS
I’ve been interested in different types of “notation” for years, not only because I used to be a musician (until about the age of 19) but also because of an interest in modern dance which began in music school when I discovered John Cage, Merce Cunningham and Robert Rauschenberg. Since then I’ve investigated as many forms of notation, musical, dance and otherwise, and come up with a great supply of examples thanks to the local public library. Labanotation , the most-used graphic type of dance notation, is very attractive to me because of its wide variety of orthogonal and diagonal forms. However, it is hardly used anymore thanks to animation and live video, which makes the transmission of choreography easy and accurate. labanotation
"Forma II" is the first collaborative output by Thomas Ankersmit and Valerio Tricoli. Composed and recorded in Berlin from 2008 to 2010 the music consists of four electroacoustic pieces based largely on analogue synthesizer material and one long-form swarm-like composition for multiple overdubbed saxophones. Additional sounds range from metal foil floating on ultrasonic sound-beams to mechanical clickers recorded in the abandoned radar domes at Teufelsberg.
| Thomas Ankersmit |
Though this riddle has stumped philosophers for many years, the answer is actually straight forward. There are two approaches to sound. One is called physical acoustics, the other psychoacoustics. Physical acoustics (the topic of module one) deals with sound as physical quantities, such as pressures, amplitudes, frequencies, and spectra. If the tree falls in the forest there will be sound waves produced with physical properties.
Module 1 - Physical Acoustics — Free Online Course Materials — USU OpenCourseWare
As some of you know, I’ve been having a blast with my foray into gamedev. I had never programmed a day in my life before October, and now I’m up to making an iPhone Pong clone so I’m pretty excited about that! More to come in future blog posts. Anyways, I’ve been careening through Beginner Gamedev articles like crazy and I feel it’s time to pay it forward to the gamedev community by providing some music lessons. While obviously I’d prefer every game developer out there to come to me for music, I think some people want to make their own game soundtracks, and would if they only knew how. Just like any field of study, music can’t be taught in a day, but I wanted to lay down some basics to get people started.
Whitaker Blackall – Music and Sound FX for Video Games » Music Theory for Beginners: Part I
ONDA SONORA
Beside the last big edition of OUR PARTY before summer, we’ve got some nice gigs to look forward too. First up is our first gig in the French speaking part of the country. In Liege no less. Surely a vibrant city we need to get into our groove. Superfly is a party we heard lots of good stuff about.Orsi Recommends | Orsii
Hello my friends! My new Little Miss Sunshiine show is up on mixcloud and I just have to say that I have the most amazing listeners in the world! I know I might say it a lot, but with every show that I do, you guys just melt my heart a little bit more and blow me away with your support. The majority of you are so encouraging and nice, it genuinely makes me feel so happy and proud to have such great people tuning in. You make it worth working so hard and pushing myself to become better (not just music wise but in general too!).
This is now out! Thanks to all that have been supporting this release so far. So we’re excited to announce that the next release on our label will be Kalbata’s ‘Freetown’ and ‘Skanker’ , two in-demand tracks that have been tearing up dancefloors for those that have received the early promo. The release drops on the 30th April and you can preview both below.
Greenmoney Music
Aeroc Choir of Young Believers Christopher Willits Com Truise Dabrye
Artists - Ghostly International
Second of two crucial Shackleton singles on Honest Jon's, weighted with dynamic remixes by T++ and Mordant Music. In contrast to the coffin intensity of 'Deadman', 'Fireworks' is widescreen and viewed from above (perhaps best imagined from the perspective of the unfortunate soul in Gaspar Noé's 'Enter The Void'?), suspended in up-drafting columns of ghoulish synth voices, silvery hi-hats and convulsing kicks evaporated from viscous subs way below. With 'Undeadman' his zombied cadaver arises again, divined like a worm from the ground by plunging subs to join the skull disco on consecrated ground. T++ is similarly averse to gravity, his agile rebuild feeling like it's being dragged upwards by the chest, limbs carving 'ardcore torque in mid-air, buffeted by sub-harmonic turbulence. There's a reference to his classic Dynamo 12" in the title 'Außen Vor', but we haven't the foggiest what it means.
Fireworks (T++ / Mordant Music Mixes) by SHACKLETON - 2x12" - Boomkat - Your independent music specialist
ANTON MOBIN
A regular review of works produced by artists working with field-recording. all works are previously unreleased, and contributed freely by their creators in support of framework radio . many thanks to the artists, who have made this project possible. these compilations are available exclusively to framework donors; to get a copy of the latest edition, donate €18 or more via the paypal buttons on the right (or make an equivalent subscription pledge). we’ll get back to you to confirm your mailing address and get the disc out to you as soon as it’s ready (end of september is our goal). thank you for your support!feedback loop label
Grandiose, lush, full and immersive are all words that are summoned to my mind when hearing The Darkest Dark Goes by sink \ sink for the very first time. Like an ancient machine warming up Astronávt quavers in, slowly and assuredly joined by an assembly of warm instruments and Kim Schulke’s striking vocals. What follows is an introduction to an album steeped in epic lo-fi sounds, thick and dense orchestration and unbridled emotion. sink \ sinks' creative process is one of dynamism and fluidity with Gareth Schott writing and recording the music, Kim Schulke taking care of vocals and Callum Plews responsible for writing the majority of the lyrics, mixing and mastering. The end result is enhanced by contributions from established drone artists Darren Harper (Earth Mantra, Twisted Treeline) and Gimu (Sacred Phrases, Audio Gourmet), and complimented by a host of guest musicians.The Homemade Music Movement has grown from the roots of the Mail Art Movement, and in order to pay due respect and acknowledge these origins, I propose an international EMAIL audio art project in which contributors will send to me a one-minute miniature audio work in mp3 format (plus visual works if desired) attached to an email. These works will be published together in volumes online. Guidelines for contributing below. featuring tracks from these 60 artists:
International Email Audio Art Project
Electronic music
are friends electric ?
Music Blogs
Sampling
music videos
spoken word
glitch