Une gigantesque anthologie retrace l'histoire de la musique électronique et bruitiste. We just came across a huge anthology of sound, compiled by the excellent Belgian label Sub Rosa –producing experimental music– between 2002 and 2013, whose objective is to retrace one of the sections of the history of electronic music: electroacoustic, concrete and noisy. A few hours of digging with perspective. Perhaps it was easier one day. We called a spade a spade, music meant “organized” sound, and thus stood apart from the “disorganized”, commonly known as noisiness.
But the plot thickened in the early 20th century, when a new way of conceiving music was born: yes, it was now possible to overlay many noises and extract some harmonic consistency. Author, in 1939, of the famous series of Imaginary Landscapes (listen right above), the American John Cage quickly became one of the main faces of the noise music, just as the French composer Pierre Schaeffer for concrete music in the 40s.
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