French newspapers: The revolution at Le Monde. Data journalism at the Guardian: what is it and how do we do it? Data journalism.
What is it and how is it changing? Photograph: Alamy Here's an interesting thing: data journalism is becoming part of the establishment. Flipboard is a real digital magazine now — it comes with ads. Flipboard was one of the first iPad apps to really take advantage of the touch-and-swipe interface of the device to create a kind of digital magazine, made up of users’ Twitter feeds and Facebook streams, combined with RSS feeds and curated content from traditional media outlets.
Now the startup is making a move into the advertising side of the digital-media equation, by launching a partnership with traditional publishers like Conde Nast to push their ads into the Flipboard app. Can the company succeed at digital advertising when other players have failed? PAYWALL. La stratégie du New-York Times marche ! Brad Colbow - Independent Web Designer, Illustrator - The Brads - This is Why Your Newspaper is Dying. Data Visualization: Journalism's Voyage West. Arlington Hyperlocal Picks Its Own Patch, Turns a Profit. Last week I was among the questioners at a panel of hyperlocal news sites in the DC region called, “Up Next – Hyperlocal Coverage: Neighborhood Blogs, Community Websites, and the Future of the News” at the National Press Club.
If you click the link you’ll see folks from DCist to borderstan.com were on the panel, as was Brian Farnham, the editor-in-chief of Aol’s Patch (video here). Discussion floated among the usual hyperlocal topics while most the smaller sites seemed to restrain themselves from poking at Patch. Farnham did his best to explain that while Patch is now a large network with over 800 sites each is individual trying to co-exists in the local space alongside their independent brethren — “there’s room for everyone” he seemed to be saying.
In fact, Patch president Warren Webster later said over email: “This is arguably the most exciting time in the history of local media, as companies large and small help shape the rapidly changing landscape. Facebook, Twitter, Youtube et Google : nouvelles armes de la politique extérieure américaine au Maroc et dans le Monde arabe. Vadim Lavrusik: Five key building blocks to incorporate as we’re rethinking the structure of stories. If we could re-envision today’s story format — beyond the text, photographs, and occasional multimedia or interactive graphics — what would the story look like?
How would the audience consume it? Today’s web “article” format is in many ways a descendent from the golden age of print. How the BBC lost 60,000 Twitter followers to ITV. Back in March, I wrote this piece looking at the ownership issues around Twitter profiles used for professional purposes.
I noted that sensible consensus seemed to be that a personal feed (with no inclusion of a company or brand name) is owned entirely by the individual behind it, whilst a corporate feed (with no inclusion of an employee name) is owned entirely by the organisation to which it makes reference. However, the post raised the issue of Twitter profiles that combine both employee and employer names. What Legacy Media Can Learn from Eastman Kodak. What do you do when your industry is changing?
What do you do when your innovations are fueling the changes? Those problems have plagued Eastman Kodak Co. for three decades and the company’s experience provides some lessons for those running legacy media businesses. Eastman Kodak’s success began when it introduced the first effective camera for non-professionals in the late 19th century and in continual improvements to cameras and black and white and color films throughout the twentieth century. Its products became iconic global brands.