Ohana. Part of Hawaiian culture, ʻohana means family (in an extended sense of the term, including blood-related, adoptive or intentional).
The concept emphasizes that families are bound together and members must cooperate and remember one another. The term is cognate with (and its usage is similar to) the New Zealand Māori term whānau. In current Hawaiian culture the term ʻohana is strictly used for blood relations.  Non-familial groupings always instead use the word "hui".  In Hawaiian, the word ʻohana begins with an ʻokina, indicating a glottal stop. The root word ʻohā refers to the root or corm of the kalo, or taro plant (the staple "staff of life" in Hawaii), which Kanaka Maoli consider to be their cosmological ancestor. In contemporary Hawaiian economic and regulatory practice, an "ʻohana unit" is a part of a house or a separate structure on the same lot that may contain a relative but which may not be rented to the general public. See also Mamihlapinatapai.
The word Mamihlapinatapai (sometimes spelled mamihlapinatapei) is derived from the Yaghan language of Tierra del Fuego, listed in The Guinness Book of World Records as the "most succinct word", and is considered[by whom?]
One of the hardest words to translate. It allegedly refers to "a look shared by two people, each wishing that the other will offer something that they both desire but are unwilling to suggest or offer themselves. " A slightly different interpretation of the meaning also exists: "It is that look across the table when two people are sharing an unspoken but private moment.
When each knows the other understands and is in agreement with what is being expressed. It is also referenced in Defining the World in a discussion of the difficulties facing Samuel Johnson in trying to arrive at succinct, yet accurate, definitions of words. In popular culture References Jump up ^ Peter Matthews, Norris McWhirter. L'esprit de l'escalier.
L'esprit de l'escalier or l'esprit d'escalier ("staircase wit") is a French term used in English that describes the predicament of thinking of the perfect retort too late.
Origin This name for the phenomenon comes from French encyclopedist and philosopher Denis Diderot's description of such a situation in his Paradoxe sur le comédien. During a dinner at the home of statesman Jacques Necker, a remark was made to Diderot which left him speechless at the time, because, he explains, "l’homme sensible, comme moi, tout entier à ce qu’on lui objecte, perd la tête et ne se retrouve qu’au bas de l’escalier" ("a sensitive man, such as myself, overwhelmed by the argument levelled against him, becomes confused and can only think clearly again [when he reaches] the bottom of the stairs").
Buffalo buffalo Buffalo buffalo buffalo buffalo Buffalo buffalo. The sentence's meaning becomes clearer when it's understood that it uses three meanings of the word buffalo: the city of Buffalo, New York, the somewhat uncommon verb "to buffalo" (meaning "to bully or intimidate"), as well as the animal buffalo.
When the punctuation and grammar are expanded, the sentence could read as follows: "Buffalo buffalo that Buffalo buffalo buffalo, buffalo Buffalo buffalo. " The meaning becomes even clearer when synonyms are used: "Buffalo bison that other Buffalo bison bully, themselves bully Buffalo bison. " Sentence construction Bison engaged in a contest of dominance. This sentence supposes they have a history of such bullying with other buffalo, and they are from upstate New York. Said the actress to the bishop. "Said the actress to the bishop" is an informal (and usually vulgar) exclamation, said for humour in the form of a punch line after an inadvertent double entendre.
The equivalent phrase in North America is "that's what she said". Both phrases are examples of Wellerisms, a literal "turn" of a phrase, changing its meaning. The versatility of the phrase and its popularity lead some to consider it a cliché. Lion-Eating Poet in the Stone Den. The text An uneaten stone lion.
The following is the text in Hanyu Pinyin, Gwoyeu Romatzyh, and Chinese traditional/simplified characters. Pinyin orthography recommends writing Chinese numbers in Arabic numerals, so the number shí ("十") would be written as 10. To preserve the homophony in this case, the number 10 has also been spelled out in Pinyin. Translation: « Lion-Eating Poet in the Stone Den » In a stone den was a poet called Shi, who was a lion addict, and had resolved to eat ten lions. He often went to the market to look for lions. At ten o'clock, ten lions had just arrived at the market. At that time, Shi had just arrived at the market. He saw those ten lions, and using his trusty arrows, caused the ten lions to die.