The Adroit Journal Submission Manager - Poetry (HIGH SCHOOL AND COLLEGE) What is it? As a way of maintaining and extending our deep-rooted commitment to emerging writers, The Adroit Journal’s Summer Mentorship Program aims to pair experienced Adroit editors and staff with high school students (as of the 2013-2014 academic year) interested in learning more about the creative writing processes of drafting, redrafting and editing.
The program is free to all, and will cater to the literary genres of poetry and prose (short story, creative nonfiction, etc.). The aim of the mentorship program is not formalized instruction, but rather an individualized, flexible, and often informal correspondence. It is our hope that mentees will feel comfortable sharing work at their own leisure with their Adroit mentors and, ultimately, with each other. Applicants should possess firm work ethic and some familiarity with the writing and workshop process, and should be comfortable with receiving (and, to some extent, giving) commentary and critique.
How do I apply? Ono no Komachi. Very little is known about this Japanese poetess, and most of it is legendary. She lived around 850 C.E. (b. 834?) During the Heian period. The story about her is that she was a woman of unparallelled beauty in her youth and enjoyed the attention of many suitors. She was, however, haughty and cruel, breaking many hearts. She was punished by living to an old age and dying as a destitute and ugly hag in loneliness. What is certain about her, however, is that she was a major poet. I have sometimes commented on certain poems because the variations in translation are bewildering --- often changing the meaning of the original completely. KKS:1030 (Miscellaneous Forms) On such a night as this When no moon lights your way to me, I wake, my passion blazing, My breast a fire raging, exploding flame While within me my heart chars.
KKS:113, OHI:9 (Spring) The flowers withered Their color faded away While meaninglessly I spent my days in the world And the long rains were falling. KKS:797 (Love) National Novel Writing Month. Rhythm and Meter in English Poetry. Rhythm and Meter in English Poetry English poetry employs five basic rhythms of varying stressed (/) and unstressed (x) syllables. The meters are iambs, trochees, spondees, anapests and dactyls. In this document the stressed syllables are marked in boldface type rather than the tradition al "/" and "x.
" Each unit of rhythm is called a "foot" of poetry. The meters with two-syllable feet are IAMBIC (x /) : That time of year thou mayst in me behold TROCHAIC (/ x): Tell me not in mournful numbersSPONDAIC (/ /): Break, break, break/ On thy cold gray stones, O Sea! Meters with three-syllable feet are ANAPESTIC (x x /): And the sound of a voice that is still DACTYLIC (/ x x): This is the forest primeval, the murmuring pines and the hemlock (a trochee replaces the final dactyl) Each line of a poem contains a certain number of feet of iambs, trochees, spondees, dactyls or anapests. Adam Had'em. Here are some more serious examples of the various meters. iambic pentameter (5 iambs, 10 syllables)