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Las 10 Mejores Películas sobre Jazz - Club 1906. Texto: Luis Miguel Flores Nos enfrentamos a la compleja tarea de elegir las 10 Mejores Películas Sobre Jazz. Recalcando lo de películas: nos ceñimos a cintas de ficción, aunque se basen en hechos reales. No incluimos documentales ni musicales estrictos. Y descubrimos que todas las películas tienen una altísima calidad y que detrás de ellas están algunos de los grandes directores de cine de la historia. Las reseñamos en estricto orden alfabético. Acordes y desacuerdos (Sweet And Lowdown) – Woody Allen, 1999 Una de las «marcas de la casa» de las películas de Woody Allen es el jazz como alimento prácticamente exclusivo de sus bandas sonoras… por no hablar de su propia carrera como clarinetista. Alrededor de la medianoche (Round Midnight) – Bertrand Tavernier, 1986 Bird – Clint Eastwood, 1988 Al igual que Allen, Clint Eastwood es un gran amante y practicante del jazz y el blues.

Cotton Club – Francis Ford Coppola, 1984 Cuanto más, mejor (Mo’ Better Blues) – Spike Lee, 1990.

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Online. Críticas. Se ha Escrito Un Cine. G Nula. Filmmaker Retrospective: The Poetic Cinema of Andrei Tarkovsky. “It is obvious that art cannot teach anyone anything, since in four thousand years humanity has learnt nothing at all. We should long ago have become angels had we been capable of paying attention to the experience of art, and allowing ourselves to be changed in accordance with the ideals it expresses. Art only has the capacity, through shock and catharsis, to make the human soul receptive to good. It’s ridiculous to imagine that people can be taught to be good…Art can only give food – a jolt – the occasion – for psychical experience.”

–Andrei Tarkovsky One of the most famous of all Soviet filmmakers, Andrei Tarkovsky (1932-1986) created just seven films in his short lifetime- all of which were masterpieces. Tarkovsky was the son of prized Russian poet Arseny Tarkovsy (whose work he included in some of his films and his book, Sculpting in Time), and was also known for his strict artistic conviction and views about the moral role of artists. 1. 2. Pages: 1 2.