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Visual Arts

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Visual arts. The current usage of the term "visual arts" includes fine art as well as the applied, decorative arts and crafts, but this was not always the case.

Visual arts

Before the Arts and Crafts Movement in Britain and elsewhere at the turn of the 20th century, the term 'artist' was often restricted to a person working in the fine arts (such as painting, sculpture, or printmaking) and not the handicraft, craft, or applied art media. The distinction was emphasized by artists of the Arts and Crafts Movement, who valued vernacular art forms as much as high forms.[4] Art schools made a distinction between the fine arts and the crafts, maintaining that a craftsperson could not be considered a practitioner of the arts. The increasing tendency to privilege painting, and to a lesser degree sculpture, above other arts has been a feature of Western art as well as East Asian art.

Education and training[edit] Training in the visual arts has generally been through variations of the apprentice and workshop system. Architecture. Brunelleschi, in the building of the dome of Florence Cathedral in the early 15th-century, not only transformed the building and the city, but also the role and status of the architect.[1][2] Architecture (Latin architectura, after the Greek ἀρχιτέκτων – arkhitekton – from ἀρχι- "chief" and τέκτων "builder, carpenter, mason") is both the process and the product of planning, designing, and constructing buildings and other physical structures.

Architecture

Architectural works, in the material form of buildings, are often perceived as cultural symbols and as works of art. Historical civilizations are often identified with their surviving architectural achievements. "Architecture" can mean: Calligraphy. Ceramic art. Etruscan: Diomedes and Polyxena, from the Etruscan amphora of the Pontic group, ca. 540–530 BC.

Ceramic art

From Vulci. The word "ceramics" comes from the Greek keramikos (κεραμικος), meaning "pottery", which in turn comes from keramos (κεραμος), meaning "potter's clay. "[2] Most traditional ceramic products were made from clay (or clay mixed with other materials), shaped and subjected to heat, and tableware and decorative ceramics are generally still made this way. Collage. The term collage was coined by both Georges Braque and Pablo Picasso in the beginning of the 20th century when collage became a distinctive part of modern art.[2] History[edit] Early precedents[edit] Techniques of collage were first used at the time of the invention of paper in China, around 200 BC.

Collage

The use of collage, however, wasn't used by many people until the 10th century in Japan, when calligraphers began to apply glued paper, using texts on surfaces, when writing their poems.[3] The technique of collage appeared in medieval Europe during the 13th century. Gold leaf panels started to be applied in Gothic cathedrals around the 15th and 16th centuries. Drawing. Two young women (one drawing) in front of the Barberini Faun in Munich Drawing is a form of visual art that makes use of any number of drawing instruments to mark a two-dimensional medium.

Drawing

Instruments used include graphite pencils, pen and ink, inked brushes, wax color pencils, crayons, charcoal, chalk, pastels, various kinds of erasers, markers, styluses, and various metals (such as silverpoint). An artist who practices or works in drawing may be called a draftsman or draughtsman.[1] A small amount of material is released onto a surface, leaving a visible mark. Glass art. Glass art is usually understood to refer to large modern works of art, typically one-off creations, which are substantially or wholly made in glass.

Glass art

It is distinguished from "art glass" and "studio glass" which are typically smaller and often made in editions of many identical pieces, but the boundaries are not clear-cut. Glass art is more likely to be exhibited in public spaces rather than in homes. Glass panels[edit] Metalworking. Machining a bar of metal on a lathe Metalworking is the process of working with metals to create individual parts, assemblies, or large-scale structures.

Metalworking

The term covers a wide range of work from large ships and bridges to precise engine parts and delicate jewelry. Mosaic. Mosaic is the art of creating images with an assemblage of small pieces of colored glass, stone, or other materials.

Mosaic

It is a technique of decorative art or interior decoration. Most mosaics are made of small, flat, roughly square, pieces of stone or glass of different colors, known as tesserae; but some, especially floor mosaics, may also be made of small rounded pieces of stone, and called "pebble mosaics". History[edit] Aztec skull mask with mosaic decoration. Painting. Painting is the practice of applying paint, pigment, color or other medium[1] to a surface (support base).

Painting

The medium is commonly applied to the base with a brush but other implements, such as knives, sponges, and airbrushes, can be used. Paintings may have for their support such surfaces as walls, paper, canvas, wood, glass, lacquer, clay, leaf, copper or concrete, and may incorporate multiple other materials including sand, clay, paper, gold leaf as well as objects. In art, the term painting describes both the act and the result of the action. However, the term is also used outside of art as a common trade among craftsmen and builders. Elements[edit] Intensity[edit] Color and tone[edit] Non-traditional elements[edit] Rhythm[edit] Rhythm is important in painting as well as in music.

History[edit] In Western cultures oil painting and watercolor painting have rich and complex traditions in style and subject matter. Paper art. Paper folding. Printmaking. Printmaking is the process of making artworks by printing, normally on paper.

Printmaking

Printmaking normally covers only the process of creating prints that have an element of originality, rather than just being a photographic reproduction of a painting. Except in the case of monotyping, the process is capable of producing multiples of a same piece, which is called a print. Each print produced is not considered a "copy" but rather is considered an "original".

This is because typically each print varies to an extent due to variables intrinsic to the printmaking process, and also because the imagery of a print is typically not simply a reproduction of another work but rather is often a unique image designed from the start to be expressed in a particular printmaking technique. A print may be known as an impression. Multiple impressions printed from the same matrix form an edition.

Techniques[edit] Overview[edit] Printmaking techniques are generally divided into the following basic categories: Photography. For the image obtained, see Photograph. Lens and mounting of a large-format camera Photography is the science, art and practice of creating durable images by recording light or other electromagnetic radiation, either electronically by means of an image sensor, or chemically by means of a light-sensitive material such as photographic film.[1] Photography is employed in many fields of science, manufacturing (e.g. photolithography) and business, as well as its more direct uses for art, recreational purposes, and mass communication.

Etymology[edit] The word "photography" was created from the Greek roots φωτός (phōtos), genitive of φῶς (phōs), "light"[2] and γραφή (graphé) "representation by means of lines" or "drawing",[3] together meaning "drawing with light". Several people may have coined the same new term from these roots independently. History[edit] Precursor technologies[edit] A camera obscura used for drawing images Photography is the result of combining several technical discoveries. Learn Photography Faster!

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Digital Photography Tips: Digital Photography School. Tutorials. Sculpture. Netsuke of tigress with two cubs, mid-19th century Japan, ivory with shell inlay Sculpture in stone survives far better than works of art in perishable materials, and often represents the majority of the surviving works (other than pottery) from ancient cultures, though conversely traditions of sculpture in wood may have vanished almost entirely. However, most ancient sculpture was brightly painted, and this has been lost.[2] Sculpture has been central in religious devotion in many cultures, and until recent centuries large sculptures, too expensive for private individuals to create, were usually an expression of religion or politics.

Textile arts. Textile arts in ancient Egypt Persian Silk Brocade. Persian Textile (The Golden Yarns of Zari - Brocade). Silk Brocade with Golden Thread (Golabetoon). Pattern and Design: Paisley Left and Right (Bote Jeghe), With Main Repeating Motif (Persian Paisley). Textile, painted silk, 45 × 291⁄2 in. (114.3 × 74.93 cm), Qing Dynasty, China, mid-18th century, LACMA textile collection Textile arts are those arts and crafts that use plant, animal, or synthetic fibers to construct practical or decorative objects.

Textiles have been a fundamental part of human life since the beginning of civilization,[1][2] and the methods and materials used to make them have expanded enormously, while the functions of textiles have remained the same.