El Rey León" (Roger Allers y Rob Minkoff, 1994) Cuando en 1994 El Rey León rugió por primera vez en la pantalla grande, la historia de Simba y su padre se adueñó del corazón de toda una generación; y su vanguardista banda sonora, su humor inesperado y fascinantes personajes cautivaron al público del mundo entero. La película, que siguió a largometrajes de la talla de La sirenita y La bella y la bestia, impulsó el renacimiento de la animación en The Walt Disney Studios, consagrándose como la película animada de mayor recaudación de la historia. (En los Estados Unidos continúa siendo la película animada dibujada a mano más taquillera de todos los tiempos.)
El Rey León inspiró el musical de Hollywood galardonado con un premio Tony, y que en enero de 2011 se convirtió en el séptimo musical de mayor permanencia en la historia de Broadway. Ahora, por primera vez en la historia, el popular clásico se estrenará en tecnología 3D. Broderick recuerda la primera vez que vio la película con otros espectadores. Animation. The Legend of Tembo. Animal Reel by Muse VFX 42 Views0 Likes Animal Reel by Muse VFX Muse VFX is a world-class visual effects and design boutique in Hollywood, California that consists of award winning artists, supervisors and producers.
Our team specializes in CG animation, c... Making of RoboCop Suit 2.92K Views0 Likes Making of RoboCop Suit by Legacy Effects Making the Robocop suit a reality, piece by piece. Legacy Effects is often tasked with taking a virtual design and making it work in the real world. Futbolín Reel 1.02K Views0 Likes Futbolín Reel by Arte y Animación My work at "Futbolin" directed by Juan José Campanella Futbolín Reel, Futbolín Reel by Arte y Animación, Arte y Animación, Futbolín, Showreel 2014, 3d, CGI, demoreel, sho...
Waiting is Over 1.42K Views0 Likes Waiting is Over "Waiting is Over" created by Ignyte Studios for Telecom NZ! The Mill Beauty Reel 1.49K Views0 Likes The Mill Beauty ReelA collection of beauty and fashion work from Mill Beauty. INTHEBOX Showreel 1.78K Views0 Likes. URBANCE | STEAMBOT studios.
Ultimate Rigs - Maya rigs, Maya Character rigs, Free Maya rigs. Maya Rigging Tips and Tricks 2.43K Views0 Likes Maya Rigging Tips and Tricks by Daryl Obert This is rigging video on Maya tips and tricks Daryl Obert presented at AU/CAVE 2013. These are aimed at the beginner to Intermediate Maya user but old pro's will probably g... Making of Disney’s Frozen Snow Simulation 44.91K Views0 Likes Making of Disney's Frozen: A Material Point Method For Snow Simulation Snow is a challenging natural phenomenon to visually simulate. Free 3D Character Rig Creation 26.32K Views0 Likes Free 3D Character Creation. Walt Disney Animation Studios – Technology Papers Videos 20.53K Views2 Likes Walt Disney Animation Studios - Technology Papers VideosAn Artist Friendly Hair Shading System This paper introduces a novel approach for creating an art-directable hair shading model from existing physically bas... Photo Album. Ram Imaquinario. Metegol (película)
Metegol (Argentina) o Futbolín (España) es una película animada en 3D de producción argentino-española dirigida por el argentino Juan José Campanella. Está inspirada en el cuento Memorias de un wing derecho, del escritor argentino Roberto Fontanarrosa. Eduardo Sacheri, que trabajó con el director en el guion de El secreto de sus ojos, estuvo a cargo de la adaptación junto a Campanella, Gastón Gorali y Axel Kuschevatzky también productores del film. Fue estrenada, en Argentina, el 18 de julio de 2013. Fue la primera película de animación que abrió el Festival de Cine de San Sebastián, el 20 de septiembre del mismo año.[3] La película es una coproducción argentino-española. Campanella produce el filme con su empresa 100 Bares, en sociedad con Catmandú y la española Atresmedia Cine.
Amadeo vive en un pueblo pequeño y anónimo. En el doblaje argentino es el siguiente: Metegol fue bien recibida por la mayoría de la crítica argentina. Argentina El film fue el éxito del invierno. Things. Over the Sky. Alejandra Linares - Alehfred - Santiago, Chile - 2012 - All rights reserved. Animation Progression Reels. The Beautiful Failure of Walt Disney’s Burbank Studio. In the late-1930s, Walt Disney enlisted German architect and industrial designer Kem Weber to design a state-of-the-art animation studio from scratch. Weber oversaw every detail of the new Burbank studio from the exterior architecture of the buildings to the Streamline Moderne design of the furniture, desks, and appliances, to the custom typeface used on the studio’s signage.
Yesterday, Hans Bacher posted a fantastic series of images I’d never seen before that show Weber’s layouts of the different spaces in the Burbank studio. You can also see some of Weber’s furniture at the Blue Sky Disney blog. The Burbank studio wasn’t the smashing success that Walt had envisioned, however. It felt cold and sterile to the artists who were accustomed to the cramped and comfortable charms of their old Hyperion digs. But more than the lack of charm, the Burbank studio’s ostentatious in-your-face luxuriousness suggested a certain tone deafness on Walt Disney’s part.
When Jobs In The Animation Industry Disappear… Email Anyone who has worked in the animation industry knows that layoffs and studio closures are just standard occupational hazards. …but times are especially tough right now. 350 employees at Dreamworks Animation were recently recently laid-off and the creature effects powerhouse, Rhythm & Hues just filed for bankruptcy. …and let’s not forget that Digital Domain’s brand new feature animation studio in Florida was shut down this past September – before they could even release a movie.
Is there still hope for art students and professional artists who dream of working in animation? …and how do we respond to the troubling news of layoffs and bankrupt studios? …and what does it mean to those of us who are trying to break in? Read on for some words of encouragement… To My Friends In The Industry… So that the following article doesn’t seem insensitive to your plight, let me first acknowledge this: Layoffs suck. I know what it feels like to be laid off… To The Aspiring Animation Artists: It sucks. Mike DiMartino | Why Story Matters. Pixar’s 22 Rules of Storytelling « Aerogramme Writers' Studio. These rules were originally tweeted by Emma Coats, Pixar’s Story Artist. Number 9 on the list – When you’re stuck, make a list of what wouldn’t happen next – is a great one and can apply to writers in all genres.
You admire a character for trying more than for their successes.You gotta keep in mind what’s interesting to you as an audience, not what’s fun to do as a writer. They can be very different.Trying for theme is important, but you won’t see what the story is actually about til you’re at the end of it. Now rewrite.Once upon a time there was ___. Every day, ___. One day ___. Because of that, ___. Justin Rodrigues. GALERIE ARLUDIK. Storyboard Secrets | Category Archive | Tutorial. FMX: FMX 2013: Lean, smart and agile. The Animator Letters Project. · Animation, Illustration and beyond. Featuring the art and career of Louie del Carmen. Carlos Baena. COM ANIMACION NOTAS. Jim Hill: The Online Premiere of Disney's Paperman.
QuitSmoking - Kill the Habit. Nov202012 QuitSmoking - Kill the Habit Publicado por Christian Dan Bejarano // // Etiquetas: 2d, publi Genial animación la de esta campaña anti-tabaco realizada para QuitSmoking por Makevisual. Joe Ranft. Joseph Henry "Joe" Ranft (nacido el 13 de marzo de 1960 y fallecido el 16 de agosto de 2005) fue un mago, animador y actor de voz estadounidense. Ha trabajado como actor de voz para las compañías Disney y Pixar. Su hermano Jerome Ranft es un escultor que también ha trabajado en varias películas de Pixar. Biografía[editar] Carrera[editar] Ranft se reunió con John Lasseter, con quien se había reunido previamente en el Instituto del Arte de California durante los últimos años de los 70, así fue como se incorporo a Pixar.
En la película Monstruos S.A., había un monstruo que llevaba su nombre (J.J. En el DVD de Cars, Ranft puede ser visto en una entrevista sobre la película. Ranft ha puesto voz en todos los largometrajes de Pixar que se hicieron mientras estaba vivo, estas son las películas y personajes: También fue guionista en la película de 1987 La Tostadora Valiente y presto su voz a Elmo Saintpeters, el aparato vendedor. Sus autores favoritos eran Kurt Vonnegut, Hunter S.
Muerte[editar] Pixelatl. Pixelatl. BioMotionLab. Animation tutorial - walk cycle part 1. Animating! I'm animating a short scene. The character is the Easter Bunny, that's all I'll say. It's for my own pure enjoyment, and cause I've missed animating so much. I've been getting in design more, but I feel that I can't stop there, I have to see the character come to life! The first design: he's just a grumpy, wine-drinking Easter Bunny who just wants to chill and keep to himself. The line is: "Where are my eggs!? " I attached the x-sheet...exploring possible mouth shapes. The thumbnails are the basic scene structure and acting. I also started playing around with his facial design more, trying to figure out his mouth shapes, and how his whole face works in general. More to come! Thesorcerersapprentice. Matt Groening. Matthew Abram "Matt" Groening (/ˈɡreɪnɪŋ/ GRAY-ning; born February 15, 1954)[2] is an American cartoonist, screenwriter, producer, animator, author, musician, comedian, and voice actor.
He is the creator of the comic strip Life in Hell (1977–2012) as well as two successful television series, The Simpsons (1989–present) and Futurama (1999–2003, 2008–2013). Groening has won 12 Primetime Emmy Awards, ten for The Simpsons and two for Futurama as well as a British Comedy Award for "outstanding contribution to comedy" in 2004.
In 2002, he won the National Cartoonist Society Reuben Award for his work on Life in Hell. He received a star on the Hollywood Walk of Fame on February 14, 2012. Early life[edit] Groening was born on February 15, 1954[3] in Portland, Oregon,[4] the middle of five children. Career[edit] Early career[edit] In 1977, at the age of 23, Groening moved to Los Angeles to become a writer. Life in Hell[edit] Cover of Life in Hell No. 4, published in 1978 The Simpsons[edit] Brad Bird. Phillip Bradley "Brad" Bird (born September 24, 1957) is an American director, screenwriter, animator, producer and actor. Early life[edit] Career[edit] On March 18, 2014, it was announced that Bird is writing a sequel to The Incredibles.[14] Filmography[edit] Feature film[edit] Television[edit] Music video[edit] Reception[edit] Critical[edit] Awards and nominations[edit] In addition to his Academy Award, BAFTA Award and Saturn Award wins, Bird holds the record of the most animation Annie Award wins with eight, winning both Best Directing and Best Writing for each of The Iron Giant, The Incredibles and Ratatouille, as well as Best Voice Acting for The Incredibles.
References[edit] External links[edit] Genndy Tartakovsky. Early life[edit] Tartakovsky was born January 17, 1970, in Moscow to Jewish parents.[4] His father, Boris, worked as a dentist[5] for government officials and the Soviet Union national ice hockey team.[6] His mother, Miriam, was an assistant principal at a school. He also has a brother, Alexander, who is two years older and currently a computer consultant in Chicago.[6] Before coming to the United States, his family first moved to Italy, where he lived next to a German family.
There, Tartakovsky says he was first drawn to art, inspired by a neighbor's daughter. Tartakovsky later commented, "I remember, I was horrible at it. Tartakovsky's family moved to the United States when he was seven[7] due to concerns about the effect of anti-Semitism on their children's lives.[6] The family originally settled in Columbus, Ohio[8] and later moved to Chicago. To satisfy his ambitious family, Tartakovsky tried to take an advertising class, because they were encouraging him to be a businessman. Nemours Backyard Girl | Brad Tucker | Makeitrad the Portfolio of Director Brad Tucker. Motionographer | Digital Filmmaking, Animation, Motion Graphics, Design, Film, Visual Effects and Experimental Moving Image Storytelling. Milt Kahl. Durante mucho tiempo se encargó del aspecto visual de los personajes de las películas Disney.
Su estilo estaba inspirado por Ronald Searle y Picasso. Es reverenciado por muchos otros autores contemporáneos de animación como Andreas Deja y Brad Bird. En el libro "The Animator's Survival Kit" el autor Richard Williams hace continuas referencias a Milt Kahl. The Pixar of the iPad Age Goes to the Academy Awards With Its Short Film - Video - The Atlantic - StumbleUpon.
Animation Articles. Silestone -- 'Above Everything Else' The Creators Project | &i&Strata #4&/i& by Quayola. Watch No Time For Nuts online. A paedophile.
Eat your Peas : A creepy animation - ITS ART magazine news : digital art,... This Is Freaking Ridiculous - TIFR - The Tail&Gunner. Empresas y estudios. Top 10 Stop-Motion Animation Films & Scene-Stealers. How to Make a Baby. Toy Story Zoetrope. A new Looney Toons animation. [VIDEO] - StumbleUpon. Consurgo. History of the world | FAN-TAS-TIC! Magazine.