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R O B O T P E N C I L. Understanding Portraiture (Theory) - Portraiture Class. Artist Interviews. Gorilla Artfare - Collective Artblog. TVPaint Animation. Academy of Art Character and Creature Design Notes. Analytical Figure Drawing SP08. Illustration - Tarin Yuangtrakul. Merndo (March, 2012) Her Second Life (March, 2012) An artwork for SlashTHREE: Fairy Tales exhibition Tiger (December, 2011) An illustration for Creative Zodiac project by SOYU Recovery (November, 2011) An illustration for flood issue in Thailand Listen To My Eyes (October, 2011) An artwork for Artjunks Collective as a free wallpaper Beaten Heart (April, 2011) An illustration for Designers Against Child Slavery's second exhibition, Episodes Enemies Still Stay (August, 2011) An artwork for SlashTHREE: Quote Unquote exhibition Encyclopedic Ignorance (June, 2011) An artwork for SlashTHREE: Quote Unquote exhibition Blind (July, 2011) An illustration for a song that I wrote, When The Rain's Staining Sorrow (July, 2011) Protected Life (June, 2011) An illustration for the story I wrote, The End of The Strongest Killer The End of The Strongest Killer In the land of darkness where a number of mosquitoes live.

Illustration - Tarin Yuangtrakul

Firstly, when the sun said good bye to the sky, the light on the road has been being turned on. Jason Levesque.

Graffiti

ARASH RADKIA - ArashRadkia - CGHUB. Illustration portfolio. Self-portrait by ~Alexxxx1 on deviantART. Oishiiniku Archive. Scott*altmann Archive. Nicolab Archive. Oil Painting Demo- Alla Prima- Edgar Silva Art. Dran – art pack 1. Keep in touch close Dran – art pack 1 Author: arsek July 14, 2010 the soup Source – LINK 7 Comments Jetzt ist er dran « Publique August 8, 2010 at 12:35 pm - [...] in seiner Technik, andrerseits durch die perfiden Characktere.

Dran – art pack 1

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Portfolio's van kunstenaars

Steve Simpson's Illustration Portfolio. For a while, as a kid I was fascinated by sign language and spent hours learning it with a friend.

Steve Simpson's Illustration Portfolio

To us, it was a secret language only we could understand. I think my best illustrations always have a element of the unpredictable about them, a serendipitous input. Something that wouldn’t normally be associated with the subject. While roughing out my thoughts on the Revolution illustration I’d photographed my own hand (in the traditional fist of defiance pose) for reference. As I sketched away my mind flashed back to the bookmark I’d used to learn sign language as a kid. I quickly found reference for the Sign Language Alphabet online and played around with a grid pattern. Peter de Sève. Bombsfall.com.