Liste des outils et bonnes pratiques repérés par la communauté Google+ Local Projects. Making the Old New Again: Reviving Content with Transmedia Techniques and Connected Toys - Global Toy News. The mystical magical fountain of youth was a place where if you drank the waters – the old would become young again.
While we are still searching for these waters for us mere humans – certain entertainment properties have unlocked the source: adaptation, modernization and transmediation. A Magazine Is an iPad That Does Not Work.m4v. Zounds! Marvel & Netflix team up to make 4 exclusive superhero TV shows. Anyone who’s upset that the ABC series Agents of S.H.I.E.L.D. isn’t as good as they thought it would be can now take comfort in knowing that this isn’t the end of the Marvel Universe’s convergence on the small screen.
Today Marvel announced that it was bringing four live-action, original superhero series and one special miniseries exclusively to Netflix’s streaming video service. That’s right, tiger, Netflix just hit the jack pot. Welcome to the future of CONNECTED TOYS. Foratv : .@etienne_mineur at a @swissnexSF... Transmedia SF. S.F. to be transformed into Gotham City for 5-year-old’s Make-A-Wish - SFGate Blog. NYT/Wire Photo Five-year-old Miles is a “sunny, positive little boy” who is fighting a battle against leukemia.
Amazon has added Kurt Vonnegut to its "official" fan fiction program. Eh.
I spent most of middle school reading "sanctioned fan fiction"... This is actually a pretty bad deal for licensed fiction spin-offs as well. It's simultaneously getting rid of the gateways and editorial process that (to a variable degree) ensure quality in the licensed fiction, while giving outlets less incentive to pay good writers and decent rate to do this stuff. Why pay Michael Moorcock to write a Doctor Who novel when you can make similar profits off the work of self-published fanboys? Most fan fiction is just wish fulfillment. The problem is that this automatically narrows the potential audience for such works. A (Transmedia) Ghost Story for Halloween. S Ultimate Guide to Transmedia. Filmmakers and artists have been exploring transmedia, or new ways to tell stories in innovative and immersive ways using different platforms and new technology.
As filmmakers experiment with transmedia storytelling, they continue to look to Indiewire for resources on the best practices and tips for creating transmedia projects. Even though transmedia is still in its early stages, Indiewire has already gathered quite a bit on the topic, and we've got a list of our essential reading below. Let's Build Better Transmedia. [Editor's Note: Dashiell Reinhardt is the Partner and Head of Post Production at Happy Little Guillotine Studios, one of the web's first and most successful creative agencies and production houses.
Reinhardt has been on the front lines of digital production and advertising for the better part of the last decade and has an incredible amount of fantastic thoughts on the industries. Here he is sharing a few of them.] We live in an age of almost seamless media connection. From our smartphones to our laptops, from Facebook to Twitter, it is entirely possible to fill every second of every day hopping from one media experience to the next. And from this unbroken stream of content, a new method of storytelling is evolving, a crossbreed of traditional, social, and digital media. It’s an exciting time, ushering in a new era of immersion and interaction. Independent but Interconnected. (Anime, meet The Matrix, you two will get along just fine.) Tour Paris 13 : quand le transmedia grave le street-art sur le Web. Le transmédia est une nouvelle méthode pour raconter une histoire (storytelling) dont le déroulé sera suivi sur différents supports qu’ils soient off ou online.
Dans cette optique le transmedia permettra donc de franchir la membrane poreuse entre la réalité et le virtuel. C’est le dispositif qui a été choisi pour mettre en lumière l’histoire de la Tour Paris 13. Depuis le premier octobre et pour une durée de 30 jours, la Tour Paris 13 est ouverte au public, le quidam traverse l’univers du street-art à travers les œuvres d’une centaine d’artistes de tous pays et de techniques hétérogènes. Le street-art a modifié la façon de regarder la rue, l’environnement urbain dans lequel je me déplace.
Google Channels Pixar to Change Storytelling as We Know It. Animators at work on Windy Day, a new experiment in storytelling from Google and Motorola Mobility that crossbreeds computer animation with virtual reality.
From left to right: Jais Bredsted, Ryan Hayford, supervising animator Doug Sweetland (seated), Ricardo Jost Resende, Daniel Caylor, and supervising animator Mark Oftedal. Photo: Google/Karen Dufilho Sketches of the Windy Day characters on the window at Advanced Technology And Products, or ATAP, the research and development division of Motorola. 9 tools for journalists to produce immersive stories. Tools to help journalists produce content which readers can deep-dive into Credit: ThinkStock With publishers keen to keep viewers engaged, many are looking at opportunities to offer more immersive storytelling experiences, and add greater depth to the content they are producing, be it text, video or images.
