Welcome home. P. Ovidius Naso, Metamorphoses, Book 10, line 1.
CONELRAD | ATOMIC PLATTERS: Cold War Music from the Golden Age of Homeland Security. S O U N D. About UbuWeb Sound Originally focusing on Sound Poetry proper, UbuWeb's Sound section has grown to encompass all types of sound art, historical and contemporary. Beginning with pioneers such as Guillaume Apollinaire reading his "Calligrammes" in 1913, and proceeding to current practitioners such as Vito Acconci or Kristin Oppenheim, UbuWeb Sound surveys the entire 20th century and beyond.
Categories include Dadaism, Futurism, early 20th century literary experiments, musique concrete, electronic music, Fluxus, Beat sound works, minimalist and process works, performance art, plunderphonics and sampling, and digital glitch works, to name just a few. As the practices of sound art continue to evolve, categories become increasingly irrelevant, a fact UbuWeb embraces. Hence, our artists are listed alphabetically instead of categorically. UbuWeb embraces non-proprietary, open source media. UbuWeb. Dr. McDermott's English 235 Syllabus. Stuart historical/political timeline Some MOB study questions from another site Slide show on Jonson's masques from Dr.
Desmet's Early Modern Drama pages Study Guide: The Masque of Blackness What is a masque? A form of courtly entertainment that combined spoken poetry, songs, dance, elaborate costumes and scenery, and direct addresses to the audience (usually the King) into a highly symbolic, stylized pageant. Where were masques performed? In the large banqueting halls of the palaces of the king and wealthy courtiers. When were they performed? Who attended? Who made the masques? What were they about? THE MASQUE OF BLACKNESS — outline (NOTE: this presents a literal reading of the lines only; it doesn’t account for symbolism or other interpretive material.
Pp. 1295-96 — in his introduction to the published text of the masque, Jonson notes that he had written the masque at the request of the Queen, who wished to dress herself and her ladies up like as “blackmoors,” or Black Africans. 1. 1. The Marlowe Society. Poetry In Translation - A.S. Kline's Free Archive. Modern British, Irish, and American Drama: A Descriptive Chronology 1865-1965.
The Intruder, by Maurice Maeterlinck. THE THREE DAUGHTERS: Come here, grandfather. Sit down under the lamp. THE GRANDFATHER: There does not seem to me to be much light here. THE FATHER: Shall we go on to the terrace, or stay in the room? THE UNCLE: Would it not be better to stay here? THE ELDEST DAUGHTER: Still the stars are shining. THE UNCLE: Ah! THE GRANDFATHER: We had better stay here. THE FATHER: There is no longer any cause for anxiety.
THE GRANDFATHER: I fancy she is not going on well . . . . THE FATHER: Why do you say that? THE GRANDFATHER: I have heard her speak. THE FATHER: But the doctors assure us we may be easy . . . . THE UNCLE: You know quite well that your father-in-law likes to alarm us needlessly. THE GRANDFATHER: I do not look at these things as you others do. THE UNCLE: You ought to rely on us, then, who can see. THE FATHER: That's true; this is the first time I have felt at home with my family since this terrible confinement. THE UNCLE: You are quite right. THE UNCLE: You know quite well--the doctor forbade it. Over 1,860 issues, covering the years from 1936 to 1972. Thomas Kyd. Online resources supporting students, teachers and researchers. Created by The Centre for the Study of the Renaissance, University of Warwick.
Learn techniques for reading and understanding using the text analysis activity. Use an interactive timeline of events from the life of Kyd. Search the extensive bibliography for production reviews, editions, and criticisms. Listen to audio and video lectures by leading experts who participated in the Doing Kyd conference, April 2006.