Dare Sensei the Comic - Updating Sundays. COWBOY BEBOP - Knockin' on heaven's door. Desert Punk. Story Animation Sound Character Enjoyment First, let me point out the fact that if you don't like crude humor, don't bother watching Suna Bouzu (Desert Punk). This anime is filled with perverted, ecchi, and all around hilariously funny jokes (which may or may not offend some people).
Don't let the comedy be the deciding factor though, as this show has some great action scenes. The story lacks a little somewhat through the middle of the series, but picks up a lot towards the end. The characters are by far the biggest attraction to Suna Bouzu. For the most part, this is a happy "feel good" series. So, in conclusion, if you're not put off by insanely crude humor and ecchi jokes/scenes (the scenes aren't too terrible, nothing more than underwear at times), definitely give Desert Punk a try.
"Sunabozu" (2004) Desert Punk (TV) Desert Punk. Desert Punk (砂ぼうず, Sunabōzu?) Is a post-apocalyptic manga series written and illustrated by Usune Masatoshi, serialized in Enterbrain's Comic Beam since 1997. The published chapters have been collected in 13 volumes. Plot[edit] After an implied global nuclear catastrophe Japan has been reduced to a desert and the surviving humans seek out a meager living in the hot sands. Desert Punk focuses on the adventures of a wandering mercenary named Kanta Mizuno, nicknamed Desert Punk (Sunabōzu), due to his seemingly incredible feats of skill and daring while on the job. Throughout the series, he acquires an apprentice and makes a few friends as well as enemies.
"The Great Kanto Desert is a truly miserable place. Characters[edit] Protagonists[edit] Desert Punk (砂ぼうず, Sunabōzu? Voiced by: Chihiro Suzuki (Japanese), Eric Vale (English) Real name being Kanta Mizuno (水野 灌太, Mizuno Kanta?) Desert Punk uses his father's old Winchester Model 1897 shotgun, along with other equipment. Kosuna (小砂, lit. The Phoenix Requiem. Relax, we understand j00. 533] many things Junpei not know. Sometimes it's hard to believe that I really *am* doing this comic/manga thing for a living. One of the things you end up doing when you get into an "industry" or particular business segment is that you tend to keep tabs on what is going on in that industry. Since technically I'm pretty new to the "Comics" industry, I've have had some catching up to do. I regularly read a lot of different news sites and talk to lots of people, always trying to get a feel for this crazy "industry" and how i might fit into it in my small, insignificant way.
As you might be aware, the "manga" market here in the states has done incredibly well in the past few years. All you have to do is look at how many titles are available and how much shelf space "Manga" has in today's bookstores today compared to three years ago. For some reason, Megatokyo seems to fit pretty nicely into this category. Holy crap, as they say. The week after that, MT Vol2 came in at #7, then the third week it came in at #9.