Jean Cocteau: Traps for poetry. Agency, control and autonomy. Post Humanism. N. Katherine Hayles. Metabody 27 jul 13 007 Katherine Hayles & Jaime del Val. From Counterculture to Cyberculture: The Legacy of the Whole Earth Catalog. An Ecology of Mind, The Gregory Bateson Documentary (1) Fast, Cheap & Out Of Control (1997) - Home Video Trailer [SD] Lucy Suchman: Restoring Information's Body - Remediations at the human-machine interface. Metabody 27 jul 13 006 Katherine Hayles. Donna Haraway: "From Cyborgs to Companion Species" Fifth Annual Feminist Theory Workshop - DONNA HARAWAY- Keynote Speaker.
International Seminar on Network Theory Keynote - Bruno Latour. BREATH MADE VISIBLE - FINAL THEATRICAL TRAILER. Judson Dance Theater. Judson Dance Theater was an informal group of dancers who performed at the Judson Memorial Church in Greenwich Village, Manhattan New York City between 1962 and 1964.
It grew out of a dance composition class taught by Robert Dunn, a musician who had studied with John Cage. The artists involved were avant garde experimentalists who rejected the confines of Modern dance practice and theory, inventing as they did the precepts of Postmodern dance. What they developed became the preface to what would happen in modern dance for years to come. It was a place for collaboration between artists in various fields such as, dancers, writers, filmmakers, composers, etc. There was an atmosphere of diversity and freedom. Influence[edit] Developments in dance practice that can be traced back to the Judson Dance Theater include: Performers[edit] Some of the notable seminal dance artists, musicians and visual artists who were part of the Judson Dance Theater include: See also[edit] References[edit] Notes. SIMONE FORTI - HUDDLE- CHINATOWN, LA 7-25-09) Naropa University, Boulder, Colorado. Contemplative practices. The Dynamics of Perception - Workshop with Bonnie Bainbridge Cohen at HZT Berlin.
Experiential anatomy. Deborah Hay's Solo (excerpt from the DVD series, 9 evenings: theatre & engineering) Accumulation - Trisha Brown. Procedural. Accumulation with Talking plus Water Motor- Trisha Brown. Fragmentation/connective. Trisha Brown's Sololos (1976) and Watermotor (1978) Yvonne Rainer Trio A. Continuous Project – Altered Daily. Grand Union (dance group) Dance artists involved with Grand Union included Others who performed as guests or rehearsed with the group include: Becky ArnoldVicky RuaneValda SetterfieldLincoln Scott About 6 to 9 dancers would appear for each performance, which generally lasted about 2 hours.[2] In 1982, David Gordon, one of the regular performers, described one concert in Ohio: [A]n audience of 200 showed up ...
[A]fter the first half-hour, there were approximately 150 people left, and after the second half-hour there were 100 people and by the time performance ended there were somewhere between 12 and 20 people left, And those few people who stayed around at the end, asked us where we were going next. Notes Further reading. Fall after newton 2. Steve Paxton. Movement reflexes. Third partner. An Emergent Underscore: a conversation with Nancy Stark Smith, London. The poetics of touch: NANCY STARK SMITH, a pathway into contact improvisation.
Relational. Moving Viewers: An Interview With Lisa Nelson. Dance As A Way Of Knowing: Interview With Alva Noë. Ecological/systemic. Direct perception - Gibson's bottom up approach. Susan Sgorbati. Emergence Improvisation. William Forsythe on Synchronous Objects, The Hellerau in Dresden, Germany. Synchronous Objects. Relational/Complexity. Synchronous Objects. Deborah Hay (Austin): No Time to Fly. 21 performances of the solo "No Time To Fly" by Deborah Hay merged. Performing atention/perception in space time. USING THE SKY - An exploration of Deborah Hay's solo No Time To Fly by Motion Bank. Real time imagination/questioning and explorinhg.