La Dolce Vita: TODOS os Hammer em DVD no Brasil. Abaixo, veja a capa e o título de todos os filmes da produtora britânica Hammer comercializados em DVD no Brasil: Fox Nas Garras do Ódio (The Nanny, 1965), O Aniversário (The Anniversary, 1968) Warner O Vampiro da Noite (Horror of Dracula/Dracula 1958, 1958), A Maldição de Frankenstein (The Curse of Frankenstein, 1959), Frankenstein Tem Que Ser Destruído (Frankenstein Must Be Destroyed, 1969)
The Film Archive. The Moving Picture Company. Film Technique for the Digital Age / The more things change... the better off you'll be knowing some of these classic DP techniques. Hues Studios. I MUST MAKE THIS FILM.com. The Art of Practical Effects. As noted by my other entries, I am biased towards natural cinematography shot on motion picture film.
If it’s shot through a lens onto celluloid, count me in! Recently, I have been thinking about a list of films with flawless execution of “special” effects. By “special,” I mean true to life, in camera, photographic effects. This excludes computer generated imagery of course. Method studios. Great practical effects films. I'll always applaud the old school effects, if only for the immense work in just getting one ship to light up.
Take this shot. It looks pretty straight forwards, ship in front of background moving around. But due to the nature of film is where things get tricky. If you were to just light the ship then shoot it would appear flat with and washed out as every element has different exposure rates. To capture this correctly you have to film multiple passes for each different layer of lighting intensity; one for the windows, the running light, the dish and then the ambient and key lighting. But unlike the world of digital it's no simple matter combining this, these were often done in layers, often by overprinting on the same bit of film.
The intense lighting used for things like buildings often led to things being combustible on set, such as Blade Runner where the Tyrell building was being re-purposed for something else melted. Yes that is a car being shoved through the set. FUTURE CINEMA. FUTURE CINEMA The Cinematic Imaginary after Film Curated by Jeffrey Shaw and Peter Weibel 16 November 2002 - 30 March 2003 ZKM Karlsruhe | atria 8 & 9, Media Theater The conditions of cinematographic art have changed radically over the past years.
On the verge of a material revolution new possibilities of camera and production techniques have emerged that also allow new modes of narration and image languages. FUTURE CINEMA is the first major international exhibition of current art practice in the domain of video, film, computer and web based installations that embody and anticipate new cinematic techniques and modes of expression. The exhibition offers the context for bringing together for the first time a large number of highly significant cinematic installation, multimedia and net based works that have been produced by both young and established international artists working in this field. Top 50 movie special effects shots. CRITERIA FOR THIS LIST:This is not a list of 'iconic' SFX shots, such as the opening shot in Star Wars or the final shot in Back To The Future, etc.
There are many fantastic SFX shots in cinema history that are artistically 'awesome' without qualifying here. For the purposes of this list, a shot has to be either a) exceptionally convincing, b) ground-breaking or c) an exemplary execution of an oft-used technique. Only one shot is allowed per film. A note about pagination (why the entries on this list are divided this way) 50: Alien: Resurrection (1997) - Ripley clone matures Jean-Pierre Jeunet's quirky fourth entry to the Alien series boasts many eccentric touches worthy of mention, including an elegant solution for the astronaut who even has to carry his whiskey freeze-dried, as well as the first CGI examples of H.R. 49: Just Imagine (1930) - Descent to New York penthouse 48: The Day After Tomorrow (2004) - Manhattan floods. 47: Saving Private Ryan (1998) - Bullets in the water.
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13: THE BRIDE AND THE BEAST - Allied Artists (1958) For some reason unbeknownst to even ourselves, we have been chosen by some unseen law of nature to review every gorilla movie ever made!!
I guess it's just the mystique of the monkey suit! There's really only one thing you need to know about "The Bride and the Beast," and that is that it was written by Ed Wood! There you go, like I said, what else could you possibly need to know? Just to prove a point, here's some comics gorilla wallpaper I made for you! It gives you a good idea how popular gorillas have been in pop culture over the years!! Visual Effects.