How to Turn Humdrum Photos Into Cinematic Portraits. Digital Photo News - Your view in digital photography. Tutorials home | Index page Make eyelashes thicker Transform this photo: Into this one: Step 1 Open our photo (you can download it from here) Step 2 We will have to different layers for upper and lower eyelash because they are dissimilar and we are going to use two different methods for each of them.
Now zoom in (you can use CTRL + + combination) on the upper eyelash and start drawing with pen tool. Click on Brush Tool and select size of brush and color. Then go to Stroke path and select Brush tool and check Simulate pressure. Click OK. Step 3 For now we have finished with upper eyelash and now is the time to go to lower eyelash. HINT: You don't have to draw path for every eyelash. Step 4 Because we stroke every eyelash with Brush tool we want to smooth a little bit edges of drawn eyelashes. DADDYS LIL GIRLS EXPOSED. Twisted New Dawn: Archive. Zeiss Ikon/Voigtlander/Contarex HOLOGON (10.0659) ultrawide Camera w/ 8/15 (15mm f/8.0) & other Hologon Ultra-wideangle lens variations.
Zeiss Ikon/Voigtlander/Contarex HOLOGON (10.0659) ultrawide Camera w/ 8/15 (15mm f/8.0) & other Hologon Ultra-wideangle lens variations - Part II/V. World's fastest lens: Zeiss 50mm f/0.7. Its story is a fascinating read, in the form of a longist Italian article.
Translated by Google here. The plot is full of twists: Core based on the 1874 computation of the double-Gauss-type optical cellIdeas drafted pre-WW-II in 1928, and again in 1937 by KodakFunded by the German Nazis in 1941 to guide weapons at night, 70mm f/1 producedProject revived by NASA in 1966 to photography the moon in shadow (not satisfied w/ Angenieux 100mm f/1)50mm f/0.7 project completed with 10 copies of the lens made, 6 sold to NASA, 1 kept by ZeissOther 3 lenses were bought by Stanley Kubrick who made a movie with scenes lit only by candlelight with it (Barry Lyndon) The engineering looks eloquent to me. The key idea is to make a supersized 70mm f/1 that lights a much larger image circle, and then design a “condenser” that brute-forces your way to 50mm f/0.7 by shortening the focal length and condensing the light. ZEISS DISTAGON 28mm f.
ZEISS DISTAGON 28mm f/2 : Il mio Distagon 2/28 Germany su Contax AX; queste prime serie avevano le flangie della baionetta posteriore in alluminio anodizzato nero, i due pezzi, e col tempo acquistavano un gioco fastidioso; al laboratorio LTR hanno provveduto a montare la nuova versione monolitica con flangie in acciaio ed ora è tutto a posto Lo schema ottico del classico Distagon 2/28 di Glatzel con i valori di rifrazione dei vetri utilizzati; anche in questa configurazione, affine al prototipo n° 7, ci sono ben sei vetri con rifrazione superiore ad 1,72 lo schema del secondo prototipo lo schema del terzo prototipo lo schema del quarto prototipo lo schema del quinto prototipo, con lente anteriore sdoppiata ad aria; il vetro a rifrazione più alta veniva di solito utilizzato per il terz'ultimo elemento, divergente lo schema del sesto prototipo lo schema dell'ottavo prototipo.
