Important Looking Pirates are going behind the scenes of their VFX for the Kon-Tiki feature film. in NEWS. Lamborghini Aventador gunning the hill Making of. Making of Creative Coffee. New making of for today. A space creative coffee will be inspiration for everyone .Thanks Diego Querol for sharing. Let enjoy ! Making of Creative Coffee My name is Diego Querol, I am 3D Artist from Spain and I want to share one scene I have made during my free time. In the scene I wanted to pay special attention in texturing and lighting, also trying to get a nice interior design.
I am so glad to have the chance to share with you this making of and also the opportunity to have an article in this excellent site. References I based my scene in the Hatched Project by Outofstock, taking from it some architectural and furniture details. Here are some reference images from Dezeen.com Modeling The architectural model is pretty simple, but I always like to go through small details which make the space much more real and interesting.
Also the furniture is pretty basic, using chamfered boxes and some library models such like Tolix Chair and Stool. Texturing Lighting Camera Settings Vray Settings Ads. Malena - making of. Wacom tablet and photoshop only. At the beginning I am doing a color palette which I will use. This will allow me to stick with the planned colors and keep the drawing in the intended climate or mood. I choose a palette to the effect I want to get. In this case it was about naturalness and sincerity, hence the delicate skin tone, soft light. Then optionally I define a special brush if it is needed. I painted the body by a standard brush, for hair I did a special brush. Then I make a sketch. Making of Cluttered Reading Corner. 91 Flares Facebook 0 Twitter 12 Pin It Share 55 Google+ 9 LinkedIn 15 inShare15 StumbleUpon 0 Reddit 0 91 Flares × August started with Peter Drew featuring his Cluttered Reading Corner scene on the forums, wining The Best of the Week with that image.
What started as a clean scene to showcase furniture, turned into an eclectic collection of objects within a dark moody corner of a room… and how nice it did! There is so much more magic and feel to this image than a clean version of it could ever have. In this article Peter is sharing with us some of the highlights involved in the creation of this work. Enjoy! This article is not going all the way, about all aspects of making this scene, allowing you much space to ask questions about specific topics you like to know more about… so after you run down this one – ask away in the comment section below When I started this project I wanted to create a clean, minimalist space… A 3D showroom for rendering individual pieces of furniture.
Next. Making-of. Blueprint Magazine - Architecture & Design. The Last Job by Michal Dziekan. The next few phases are just adding more and more detail in the filling. I added a lot of reflections on the cars, windows and on reflective surfaces. Also at the end I added more tags on the phone booth and lamps: The last and very important thing to the overall feeling is post production. After all previous steps I got great base to play a bit with atmosphere and mood. As the piece refers much to the US b-class police movies from the seventies I thought that it would be nice to add a bit of vintage feel with turning the hue into orange and yellows a bit. Also I was finding the power of the sun not too strong so I exaggerated the highlights. So, thanks for reading I hope this text explained in a nutshell how my illustrations are created. Back to School with Subway. Charlex recently finished up the final two Subway spots in a series of three for Boston agency MMB; a campaign built around healthier fare and a handy gift card.
Following That's A Lot, Parfait and Notebook were the subject of "quite a bit of back and forth in terms of concept," reports Charlex Director Ryan Dunn. "The agency was bringing a diverse range of ideas for these spots, and after a few rounds of conceptual brainstorming, we finally landed on two scripts and designs that everyone was happy with. " Notebook is a back-to-school promo exploring the notebooks and doodles of an unseen high school student. As they daydream of awesome gift cards and tasty Subway sandwiches, hip music and fun animation guide us through. The spot owes much of its look to art director Masayoshi "Masa" Nakamura. "He was perfect for this job due to his specific, idiosyncratic style and his hand-drawn doodles that are the keystone of the spot," explains CD Manny Bernardez. Credits: AREVA met en scène l'épopée de l'énergie. AREVA, l'épopée de l'énergie, funkytown, énergie nucléaire, EURO RSCG C&O, H5, Addict AREVA, fleuron national du nucléaire mondial reprend la parole pour ses 10 ans en nous narrant l'évolution des énergies à travers les âges et les civilisations.
En toile de fond, il faut bien y voir la volonté d'un groupe d'asseoir la légitimité du nucléaire au XXIe siècle à défaut de mieux. Voici mon compte-rendu de la rencontre entre la direction de la communication d'AREVA et 5 blogueurs, dont moi. Tout de suite, le nouveau film publicitaire "l'épopée de l'énergie" (60") diffusé à partir de demain au cinéma, puis décliné mi-janvier en TV et sur le web. Et juste après mon point de vue et les questions que cette nouvelle campagne soulève... Dix années que la fusion de Framatome et de la Cogema a donné naissance à AREVA. [lire la suite...] "Nous ne pensons pas rallumer une mèche avec ce spot dès lors que le débat existe déjà autour du nucléaire. Puis, l'enjeu est de taille.
J.E. Oedipe. 3DVF : Pouvez-vous vous présenter chacun et nous parler de votre rôle respectif sur le projet ? Je m'appelle Frederic Caro, j'ai travaillé sur la modélisation et les textures des décors, la modélisation du Sphinx, les chara design et les matte painting. Moi c'est Thierry Bleton j'ai 25 ans je suis passionné de cinéma , musique, jeux vidéo et art en général, sur le film je me suis principalement occupé de la gestion de production, gestion des fichiers, gestion des rendus, de la modélisation ainsi que des Blend shape ( expressions faciales ) du Skinning des personnages, du morphing de la foule, et son (j'ai composé la chanson de la taverne).
Je suis Renaud Madeline, avant l'ESMA j'ai fait un Bac S et un DUT Service et Réseaux de Communications. Le cinéma d'animation n'était pas un but de jeunesse mais j'y suis arrivé petit à petit et c'est vraiment lors de mes études à l'ESMA que cela est devenu une passion !