Women – The New Generation of Photographers. 10 Travel Photography Tips. Pics and It Didn’t Happen. Image by Brad Feuerhelm The tension between experience for its own sake and experience we pursue just to put on Facebook is reaching its breaking point. That breaking point is called Snapchat. It is a nostalgic time right now, and photographs actively promote nostalgia. Photography is an elegiac art, a twilight art. Most subjects photographed are, just by virtue of being photographed, touched with pathos.
A photograph is made of time as much as it is of light — a frozen shutter-speed-size gap of the present captured within a photo border. On Snapchat, images have no such future. By refuting the assumption of the permanence of the image, Snapchat is a radical departure. The temporary photograph’s abbreviated lifespan changes how it is made and seen, and what it comes to mean. Subscribe to TNI magazine for $2 and get TNI Vol. 13: <3 today. The logic of the camera is that reality is real only to the extent that it is photographable. Susan SontagAs Susan Sontag wrote in On Photography,
Perspective in the world. The Light Environment. We start with the light environment as a viewer would experience it naturally. The space around the viewer is filled with a dense, rich scattering of light, coming at him from all directions and distances, reflected from every surface and even scattered by the atmosphere. the light environment The viewer is also alive and continually moving — shifting his gaze, turning his head, leaning to one side or another, stepping forward or backward, walking or sitting or lying down. Before motion picture cameras, there was no way to capture this dynamic complexity.
The Stationary Viewer. The stationary viewer Once we freeze the viewer's location, posture and gaze, we necessarily fix the viewer's visual cone (what we would call the visual field in other contexts). The third and final dimension is the width of the visual cone. The Ground Plane. The ground plane The ground plane is essentially the representation of spatial extent: it goes off into the distance. The Image Plane. Index of /pdf. Thomas Vanden Driessche : Photo-booth. A vintage photo-booth dropped in Brussels for a few months close to my place. Just a game at first and then a wish to speak about photography and photographers with a some humor... Thomas Vanden Driessche (b.1979, Belgium) received his master’s degree in journalism and has been working for the United Nations Development program in Morocco and the International Committee of the Red Cross.
His work has been published in international publications as Monocle, The Guardian, Le Nouvel Observateur, IDEAT. Thomas joined Out Of Focus collective in February 2011 and is a nominee photographer in the french photo agency Picturetank. Rewarded with a ‘Parole Photographique’ prize in 2009 and five PX3 awards in 2010-2011, and a ‘coup de coeur de l’ANI’ during the festival Visa pour l’image. The Daily Edit Marie Claire: Jean Francois Campos.